Un musicien juif polonais lutte pour survivre à la destruction du ghetto de Varsovie pendant la Seconde Guerre mondiale.Un musicien juif polonais lutte pour survivre à la destruction du ghetto de Varsovie pendant la Seconde Guerre mondiale.Un musicien juif polonais lutte pour survivre à la destruction du ghetto de Varsovie pendant la Seconde Guerre mondiale.
- Récompensé par 3 Oscars
- 57 victoires et 74 nominations au total
Lucy Skeaping
- Street Musician
- (as Lucie Skeaping)
Histoire
Le saviez-vous
- AnecdotesDuring the shooting of the movie, while scouting locations in Krakow, Roman Polanski met a man who had helped Polanski's family survive the war.
- Gaffes(at around 1h 55 mins) Near the end of the movie, Szpilman leaves the house where he has been hiding for a while. Warsaw is completely destroyed, and all buildings are in shambles, but all the streetlight poles are perfectly straight.
- Citations
Wladyslaw Szpilman: What are you reading?
Henryk Szpilman: "If you prick us, do we not bleed? It you tickle us, we we not laugh? If you poison us, do we not die? And if you wrong us, shall we not revenge?"
Wladyslaw Szpilman: [seeing that it is Shakespeare's The Merchant of Venice] Very appropriate.
- Crédits fousAside from the Universal and Focus Features credits, there are no opening credits. All credits, including the title, appear at the end of the film.
- ConnexionsFeatured in The Making of 'The Pianist' (2003)
Commentaire à la une
Polanski has depicted the gory details of the holocaust without much restraint. But, the most wonderful aspect of the film is that the director has not lost focus of his story and instead of focusing too much on the holocaust horror he has weaved the true-life narrative of survival around devillish happenings.
Every single act of escapade Szpilman goes through is depicted like a drop of water on a barren desert. However, the Oasis in the driest desert comes in the end and it is here that Polanski captures the essence of human emotion. I had this very strong urge of jumping into the theater screen and magically adopting a character in the movie and doing something about the helplesness portrayed so convincingly.
Overall, Polanski has given a stunning visual narrative of the cold war. Survival indeed is a privilege though it is taken for granted today. Performances by Brody, Kretschmann deserve applause.
Pawel Edelman's camera work is moving and he has brilliantly captured the dark sadness in the visual canvas in an effective way. The lighting is amazing. Pre-dawn shooting schedule could have helped a great deal.
Hervé de Luze's editing work has ensured that the narrative does not slip away from focus. Most notable is the scene where the human bodies are lit on fire and the camera raises to show the smoke. The darkness of the smoke is enhanced and is used effectively to fade the scene out.
The scene where Brody's fingers move as he rests his hands on the bars of the tram handle only goes to show the brilliance of Polanski as a film-maker.
Great film that will be in the running for this year's Oscars. I will give it a 9 Out of 10.
Every single act of escapade Szpilman goes through is depicted like a drop of water on a barren desert. However, the Oasis in the driest desert comes in the end and it is here that Polanski captures the essence of human emotion. I had this very strong urge of jumping into the theater screen and magically adopting a character in the movie and doing something about the helplesness portrayed so convincingly.
Overall, Polanski has given a stunning visual narrative of the cold war. Survival indeed is a privilege though it is taken for granted today. Performances by Brody, Kretschmann deserve applause.
Pawel Edelman's camera work is moving and he has brilliantly captured the dark sadness in the visual canvas in an effective way. The lighting is amazing. Pre-dawn shooting schedule could have helped a great deal.
Hervé de Luze's editing work has ensured that the narrative does not slip away from focus. Most notable is the scene where the human bodies are lit on fire and the camera raises to show the smoke. The darkness of the smoke is enhanced and is used effectively to fade the scene out.
The scene where Brody's fingers move as he rests his hands on the bars of the tram handle only goes to show the brilliance of Polanski as a film-maker.
Great film that will be in the running for this year's Oscars. I will give it a 9 Out of 10.
- ashcoounter
- 31 janv. 2003
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- El pianista
- Lieux de tournage
- Instalatorów, Ochota, Varsovie, Mazovie, Pologne(Umschlagplatz scenes)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 35 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 32 590 750 $US
- Week-end de sortie aux États-Unis et au Canada
- 111 261 $US
- 29 déc. 2002
- Montant brut mondial
- 120 098 945 $US
- Durée2 heures 30 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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