L'histoire de la première grande bataille des forces armées américaines lors de la guerre du Vietnam, et des soldats des deux côtés, alors que leurs femmes attendaient anxieusement leur reto... Tout lireL'histoire de la première grande bataille des forces armées américaines lors de la guerre du Vietnam, et des soldats des deux côtés, alors que leurs femmes attendaient anxieusement leur retour.L'histoire de la première grande bataille des forces armées américaines lors de la guerre du Vietnam, et des soldats des deux côtés, alors que leurs femmes attendaient anxieusement leur retour.
- Récompenses
- 3 victoires et 5 nominations au total
Histoire
Le saviez-vous
- AnecdotesSam Elliott became so close to the real Basil L. Plumley and his family that during Plumley's funeral with military honors Elliott sat in the front row beside Plumley's daughter as she received the folded flag.
- GaffesContrary to what's shown in the movie, Lieutenant Henry Herrick and 2nd Platoon did not recklessly charge after a lone NVA soldier, but were in fact ordered to advance out to the flank by Captain John Herren and did so in a disciplined manner. However, he encountered a group of retreating PAVN soldiers and followed them, losing contact with the rest of the company and leaving the flank exposed. At one point, when coming to the clearing shown in the film, Herrick stopped and radioed back on whether or not he should continue through it or go around it, which was when he and his men were attacked by the NVA.
It was also Herrick's platoon that inflicted the first casualties on the NVA in said attack, not the other way around as shown in the movie.
- Citations
Lt. Colonel Hal Moore: [Hal Moore speaks to his men before going into battle] Look around you. In the 7th cavalry, we've got a captain from the Ukraine; another from Puerto Rico. We've got Japanese, Chinese, Blacks, Hispanics, Cherokee Indians. Jews and Gentiles. All Americans. Now here in the states, some of you in this unit may have experienced discrimination because of race or creed. But for you and me now, all that is gone. We're moving into the valley of the shadow of death, where you will watch the back of the man next to you, as he will watch yours. And you won't care what color he is, or by what name he calls God. They say we're leaving home. We're going to what home was always supposed to be. Now let us understand the situation. We are going into battle against a tough and determined enemy.
[pauses]
Lt. Colonel Hal Moore: I can't promise you that I will bring you all home alive. But this I swear, before you and before Almighty God, that when we go into battle, I will be the first to set foot on the field, and I will be the last to step off, and I will leave no one behind. Dead or alive, we will all come home together. So help me, God.
- Versions alternativesTrailers include a scene where Julie Moore explains that the last thing most dying soldiers say is "Tell my wife I love her". This is not included in the theatrical release.
- Bandes originalesHold On I'm Coming
Written by Isaac Hayes and David Porter
Performed by Tommy Blaize
Produced by Nick Glennie-Smith
He was silent through the film, and when we left the theatre I asked what he thought. He said, "They finally got it. That's what it was like. All the details are right. The actors were just like the men I knew. They looked like that and they talked like that. And the army wives too, they really were like that, at least every one I ever knew." The he was silent for a long time. At last he said, "You remember the scene where the guy tries to pick up a burn victim by the legs and all the skin slides off? Something like that happened to me once. It was at a helicopter crash. I went to pick him up and all the skin just slid right off. It looked just like that, too. I've never told any one about it." In most respects WE WERE SOLDIERS is a war movie plain and simple. There are several moments when the film relates the war to the politics and social movements that swirled about it, and the near destruction of the 1st. Cav.'s 7th Battalion at Ia Drang clearly arises from the top brass' foolish decision to send the 7th into an obvious ambush--but the film is not so much interested in what was going on at home or at the army's top as it is in what was actually occurring on the ground. And in this it is extremely meticulous, detailed, and often horrifically successful. Neither Randy nor I--nor any one in the theatre I could see--was bored by or dismissive of the film. It grabs you and it grabs you hard, and I can easily say that it is one of the finest war movies I have ever seen, far superior to the likes of SAVING PRIVATE RYAN, which seems quite tame in comparison.
Perhaps the single most impressive thing about the film is that it never casts its characters in a heroic light; they are simply soldiers who have been sent to do a job, and they do it knowing the risks, and they do it well in spite of the odds. Mel Gibson, although I generally despise him as both an actor and a human being, is very, very good as commanding officer Hal Moore, and he is equaled by Sam Elliot, Greg Kinnear, Chris Klein, and every other actor on the battlefield. The supporting female cast, seen early in the film and in shorter scenes showing the home front as the battle rages, is also particularly fine, with Julie Moore able to convey in glance what most actresses could not communicate in five pages of dialogue. The script, direction, cinematography, and special effects are sharp, fast, and possess a "you are there" quality that is very powerful.
I myself had a criticism; there were points in the film when I found the use of a very modernistic, new-agey piece of music to be intrusive and out of place. And we both felt that a scene near the end of the movie, when a Vietnamese commander comments on the battle, to be improbable and faintly absurd. But these are nit-picky quibbles. WE WERE SOLDIERS is a damn fine movie. I'll give Randy, who served two tours of duty in Vietnam, the last word: "It may not be 'the' Vietnam movie. I don't think there could ever be 'the' Vietnam movie. But they pretty much get everything right. That's how it looked and sounded, and that's what I saw, and this is the best movie about Vietnam I've ever seen." Gary F. Taylor, aka GFT, Amazon Reviewer
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Fuímos heroes
- Lieux de tournage
- Fort Hunter Liggett, Californie, États-Unis(Central Highlands, South Vietnam)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 75 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 78 122 718 $US
- Week-end de sortie aux États-Unis et au Canada
- 20 212 543 $US
- 3 mars 2002
- Montant brut mondial
- 115 374 915 $US
- Durée2 heures 18 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1