NOTE IMDb
6,6/10
68 k
MA NOTE
Un agent du renseignement victime de trahison fait appel à une prostituée pour prouver son innocence au milieu d'une conspiration mortelle tout en lui retournant une faveur.Un agent du renseignement victime de trahison fait appel à une prostituée pour prouver son innocence au milieu d'une conspiration mortelle tout en lui retournant une faveur.Un agent du renseignement victime de trahison fait appel à une prostituée pour prouver son innocence au milieu d'une conspiration mortelle tout en lui retournant une faveur.
- Récompenses
- 2 nominations au total
Stefan Nelet
- Tang's Assistant
- (as Stefan Sao Nelet)
Peter Sakon Lee
- Tang's Assistant
- (as Peter Lee)
Histoire
Le saviez-vous
- AnecdotesDirector Chris Nahon had to slow down the fight scene between Jet Li and Cyril Raffaelli because they were moving too fast for the camera.
- GaffesWhen Liu escapes the boat and jump under the bridge, he quickly join a metro platform. The name that can be seen on the wall is "Invalides". When Liu enters the metro train the name can still be seen, but when the metro train leaves the station, the other station name boards on the wall display "Porte des Lilas". (The scene was actually shot in the former "Porte des Lilas" metro station that is now dedicated for the shooting of films. The Director forgot to ask the staff to change all the station name boards to "Invalides".)
- Versions alternativesGerman theatrical version was edited for violence to secure a more commercial "Not under 16" rating. The "Not under 18" version, labeled 'uncut version', is still modified in one scene: when Richard shoots one of his men in the head you could originally see the blood splashing. However, in the German version the blood splash is out of frame.
- Bandes originalesAs If You Said Nothing
Composed and produced by Craig Armstrong for Melankolic Records
Arranged by Craig Armstrong
Strings Recorded at Digital Factory by Geoff Foster
Programming and Keyboards by Richard Norris
Orchestra: players from Conservatoire National Supérieur de Musique de Paris
Conducted by Craig Armstrong
Vocals recorded by David Donaldson
Vocals by Lawrence Ashley and Lesley l'Anson
Guitar by Ali MacLeod
Commentaire à la une
KISS OF THE DRAGON / (2001) *** (out of four)
By Blake French:
I admire "Kiss of the Dragon" because it's a wake-up call to the increasingly desperate genre of martial arts action movies. After disasters like "Romeo Must Die" and any recent Jackie Chan production, my expectations for "Kiss of the Dragon" were not exactly sky high. It seems as if every movie like this replaces a story and characters with silly special effects and high-tech action sequences involving martial arts fighting. Here, there are solid, visible characters and an involving story. That's a real accomplishment these days.
Jet Li starred in 25 successful Asian films before making his debut in America as the villain in the lackluster "Lethal Weapon 4." His last film, "Romeo Must Die," was a pitiful action extravaganza that borrowed elements from Shakespeare's "Romeo and Juliet." Before this film, I could not stand this martial artist turned actor. Here, he makes a strong name for himself. He co-produces the film, stars in it, and created the original story. According the production notes, Li initially envisioned a dramatic film that combined his trademark martial arts and action heroics with strong, recognizable characters.
"I wasn't interested in making a movie about a big action hero who saves the day," explains Li. "My character, Liu Jiuan, is one of China's best agents, with tremendous abilities in martial arts and acupuncture. He's determined and driven. But he's not a superman; he's human. When his mission goes wrong, Liu initially doesn't know how to handle things."
Liu Jiuan is the most skilled law enforcer in China brought to Paris on a top secret mission where he must assist an unorthodox police official named Richard (Tcheky Karyo) in dealings involving some off the record drug traffic. His mission goes awry and he quickly learns that Richard, who seemingly has a limitless supply of henchmen, is the villainous mastermind behind most of the crime in France. Liu becomes trapped in a dangerous conspiracy-Richard frames him for a murder he tried to stop. Liu also becomes involved with a local American woman named Jessica (Bridget Fonda), who was forced into prostitution when Richard kidnapped her child.
The story feels real, instead of a clothesline for countless gratuitous action sequences. There are plenty of action sequences, however, and the fighting does not involve wires, phony stunts, or computer generated effects like in "Crouching Tiger, Hidden Dragon," and "The Matrix." The fights are grounded and real. "We went back to the basics," explains Jet Li, "keeping the fighting simple and based more in reality." Liu's principle fighting weapons are not guns or swords, but acupuncture needles, which play an important role in the mysterious "kiss of the dragon" revealed at the movie's climax.
"Kiss of the Dragon" is directed by French commercial director Chris Nohan in his feature film debut. He does a good job of involving the audience in the action, and distracting us from some of the film's weaknesses. But no director could conceal some of the bad writing, terrible dialogue, unanswered questions, plausible motives, and stereotypical character traits. "Kiss of the Dragon" is not a great movie, but for Jet Li, this is good stuff nonetheless.
By Blake French:
I admire "Kiss of the Dragon" because it's a wake-up call to the increasingly desperate genre of martial arts action movies. After disasters like "Romeo Must Die" and any recent Jackie Chan production, my expectations for "Kiss of the Dragon" were not exactly sky high. It seems as if every movie like this replaces a story and characters with silly special effects and high-tech action sequences involving martial arts fighting. Here, there are solid, visible characters and an involving story. That's a real accomplishment these days.
Jet Li starred in 25 successful Asian films before making his debut in America as the villain in the lackluster "Lethal Weapon 4." His last film, "Romeo Must Die," was a pitiful action extravaganza that borrowed elements from Shakespeare's "Romeo and Juliet." Before this film, I could not stand this martial artist turned actor. Here, he makes a strong name for himself. He co-produces the film, stars in it, and created the original story. According the production notes, Li initially envisioned a dramatic film that combined his trademark martial arts and action heroics with strong, recognizable characters.
"I wasn't interested in making a movie about a big action hero who saves the day," explains Li. "My character, Liu Jiuan, is one of China's best agents, with tremendous abilities in martial arts and acupuncture. He's determined and driven. But he's not a superman; he's human. When his mission goes wrong, Liu initially doesn't know how to handle things."
Liu Jiuan is the most skilled law enforcer in China brought to Paris on a top secret mission where he must assist an unorthodox police official named Richard (Tcheky Karyo) in dealings involving some off the record drug traffic. His mission goes awry and he quickly learns that Richard, who seemingly has a limitless supply of henchmen, is the villainous mastermind behind most of the crime in France. Liu becomes trapped in a dangerous conspiracy-Richard frames him for a murder he tried to stop. Liu also becomes involved with a local American woman named Jessica (Bridget Fonda), who was forced into prostitution when Richard kidnapped her child.
The story feels real, instead of a clothesline for countless gratuitous action sequences. There are plenty of action sequences, however, and the fighting does not involve wires, phony stunts, or computer generated effects like in "Crouching Tiger, Hidden Dragon," and "The Matrix." The fights are grounded and real. "We went back to the basics," explains Jet Li, "keeping the fighting simple and based more in reality." Liu's principle fighting weapons are not guns or swords, but acupuncture needles, which play an important role in the mysterious "kiss of the dragon" revealed at the movie's climax.
"Kiss of the Dragon" is directed by French commercial director Chris Nohan in his feature film debut. He does a good job of involving the audience in the action, and distracting us from some of the film's weaknesses. But no director could conceal some of the bad writing, terrible dialogue, unanswered questions, plausible motives, and stereotypical character traits. "Kiss of the Dragon" is not a great movie, but for Jet Li, this is good stuff nonetheless.
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Le Baiser du dragon
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 25 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 36 845 124 $US
- Week-end de sortie aux États-Unis et au Canada
- 13 304 027 $US
- 8 juil. 2001
- Montant brut mondial
- 64 437 847 $US
- Durée1 heure 38 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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What was the official certification given to Le Baiser mortel du dragon (2001) in Mexico?
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