Ajouter une intrigue dans votre langueThree women's escapes from their afflicted lives. Each struggles to flee from the men who confine their personal freedom.Three women's escapes from their afflicted lives. Each struggles to flee from the men who confine their personal freedom.Three women's escapes from their afflicted lives. Each struggles to flee from the men who confine their personal freedom.
- Récompenses
- 6 victoires et 5 nominations au total
John Ventimiglia
- Narrator
- (voix)
Joel de la Fuente
- Thavi Matola
- (as Joel De La Fuente)
Histoire
Le saviez-vous
- AnecdotesMaria Elena Ramirez's debut.
- Citations
Greta Herskowitz: How could he still love me? If he does, it's because he doesn't know me. I'm rotten with ambition, a lusty little troll, the kind of demon you'd find at the bottom floor of hell pulling fingernails off the loansharks.
- Crédits fousTo my mother
- ConnexionsFeatured in Personal Velocity: Creating 'Personal Velocity' (2003)
Commentaire à la une
Writer and director Rebecca Miller(daughter of legendary playwright Arthur) patches together three stories of three different women for this film and the movie itself is quite an intriguing curiosity for it.
Delia(Kyra Sedgwick,familiar yet still distinctive here)is an abused housewife and mother who's only known really one thing about herself-her sexuality-and has to find a way out of her sad,low-esteemed predicament,while wondering if she should use her sexuality or not; Greta(Parker Posey,for whom the type of roles she could inhabit are practically limitless) is a career-driven woman whose marriage is peaceful but uninspiring; and Paula(Fairuza Balk,whose angry eyes and wild visage is an ironic contrast to the scared character she's playing),has escaped a horrifying accident and now aids a runaway teen,all the while mindful of the fact that she's just learned she's pregnant.
I must say I was quite pleased with elements of the movie:the narration,the anthology of it and,of course,the actors,who all are very fine here. But I suppose what left me dry here was the way these stories played out. I will not go into any detail so as to inadvertently throw out spoilers,but it to me felt like these stories were resolved in ways that seemed only evident to the writer herself. I read one reviewer describe these tales as sorts of "Women's lib" stories,and that may be true,and not being a woman myself and certainly not a feminist,I suppose if these endings seemed lost on me,well,that's my problem I suppose.
Not a movie for those who absolutely NEED their films to have a sort of set,rising-plot/climax/denouement model in order to digest their usage of 90 min to 2 hours of time,but I suspect that the film's creator doesn't really care about that. She set out to portray three ordinary yet intriguing characters and,for the most part,I feel like she succeeded.
Delia(Kyra Sedgwick,familiar yet still distinctive here)is an abused housewife and mother who's only known really one thing about herself-her sexuality-and has to find a way out of her sad,low-esteemed predicament,while wondering if she should use her sexuality or not; Greta(Parker Posey,for whom the type of roles she could inhabit are practically limitless) is a career-driven woman whose marriage is peaceful but uninspiring; and Paula(Fairuza Balk,whose angry eyes and wild visage is an ironic contrast to the scared character she's playing),has escaped a horrifying accident and now aids a runaway teen,all the while mindful of the fact that she's just learned she's pregnant.
I must say I was quite pleased with elements of the movie:the narration,the anthology of it and,of course,the actors,who all are very fine here. But I suppose what left me dry here was the way these stories played out. I will not go into any detail so as to inadvertently throw out spoilers,but it to me felt like these stories were resolved in ways that seemed only evident to the writer herself. I read one reviewer describe these tales as sorts of "Women's lib" stories,and that may be true,and not being a woman myself and certainly not a feminist,I suppose if these endings seemed lost on me,well,that's my problem I suppose.
Not a movie for those who absolutely NEED their films to have a sort of set,rising-plot/climax/denouement model in order to digest their usage of 90 min to 2 hours of time,but I suspect that the film's creator doesn't really care about that. She set out to portray three ordinary yet intriguing characters and,for the most part,I feel like she succeeded.
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- How long is Personal Velocity?Alimenté par Alexa
Détails
Box-office
- Budget
- 125 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 811 299 $US
- Week-end de sortie aux États-Unis et au Canada
- 29 943 $US
- 24 nov. 2002
- Montant brut mondial
- 890 502 $US
- Durée1 heure 26 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Personal Velocity: Three Portraits (2002) officially released in India in English?
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