Suçlular Aramizda

Erksan had emerged as a ground-breaking new artist/auteur in Turkish cinema at the end of 1950s and this spark had been usually influential for the following 10 years... but this movie from that period, turns out to be quite disappointing and childish in the way it uses the spaces and objects as symbols or metaphors... in terms of the emphasis made on some crucial-basic social issues, this childish treatment accompanied by bad script, bad dialogue and bad acting ruins the potential of a good story ... the constant use of some jazz melodies as the soundtrack is not that effective and often pointless... 5 stars for the cinematography and the labour of the film crew...