NOTE IMDb
7,9/10
2,5 k
MA NOTE
Ajouter une intrigue dans votre languePortrait of Andy Goldsworthy, an artist whose specialty is ephemeral sculptures made from elements of nature.Portrait of Andy Goldsworthy, an artist whose specialty is ephemeral sculptures made from elements of nature.Portrait of Andy Goldsworthy, an artist whose specialty is ephemeral sculptures made from elements of nature.
- Récompenses
- 7 victoires et 2 nominations au total
Anna Goldsworthy
- Self
- (non crédité)
Holly Goldsworthy
- Self
- (non crédité)
James Goldsworthy
- Self
- (non crédité)
Judith Goldsworthy
- Self
- (non crédité)
Thomas Goldsworthy
- Self
- (non crédité)
Commentaire à la une
On one level, this film can bring out the child in us that just wants to build sandcastles and throw stuff in the air just for the sake of seeing it fall down again. On a deeper level though, it explores a profound desire to reconnect with the land. I thoroughly empathized with the artist when he said, "when I'm not out here (alone) for any length of time, I feel unrooted."
I considered Andy Goldsworthy one of the great contemporary artists. I'm familiar with his works mainly through his coffee-table books and a couple art gallery installations. But to see his work in motion, captured perfectly through Riedelsheimer's lens, was a revelation. Unfrozen in time, Goldsworthy's creations come alive, swirling, flying, dissolving, crumbling, crashing.
And that's precisely what he's all about: Time. The process of creation and destruction. Of emergence and disappearing. Of coming out of the Void and becoming the Universe, and back again. There's a shamanic quality about him, verging on madness. You get the feeling, watching him at work, that his art is a lifeforce for him, that if he didn't do it, he would whither and perish.
Luckily for us, Goldsworthy is able to share his vision through the communication medium of photography. Otherwise, with the exception of a few cairns and walls, they would only exist for one person.
I considered Andy Goldsworthy one of the great contemporary artists. I'm familiar with his works mainly through his coffee-table books and a couple art gallery installations. But to see his work in motion, captured perfectly through Riedelsheimer's lens, was a revelation. Unfrozen in time, Goldsworthy's creations come alive, swirling, flying, dissolving, crumbling, crashing.
And that's precisely what he's all about: Time. The process of creation and destruction. Of emergence and disappearing. Of coming out of the Void and becoming the Universe, and back again. There's a shamanic quality about him, verging on madness. You get the feeling, watching him at work, that his art is a lifeforce for him, that if he didn't do it, he would whither and perish.
Luckily for us, Goldsworthy is able to share his vision through the communication medium of photography. Otherwise, with the exception of a few cairns and walls, they would only exist for one person.
Histoire
Le saviez-vous
- Crédits fous"Andy Goldsworthy" and "Working with Time" appear in a frame on separate lines after the title frame "Rivers and Tides". This was taken to be a cast credit for Goldsworthy.
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Rivers and Tides?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Rivers and Tides: Andy Goldsworthy Working with Time
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 2 200 276 $US
- Montant brut mondial
- 2 260 544 $US
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was Rivers and Tides (2001) officially released in Canada in English?
Répondre