Dans les bidonvilles de Rio, les chemins de deux enfants divergent à mesure que l'un tente de devenir photographe et l'autre un baron de la drogue.Dans les bidonvilles de Rio, les chemins de deux enfants divergent à mesure que l'un tente de devenir photographe et l'autre un baron de la drogue.Dans les bidonvilles de Rio, les chemins de deux enfants divergent à mesure que l'un tente de devenir photographe et l'autre un baron de la drogue.
- Nommé pour 4 Oscars
- 75 victoires et 50 nominations au total
Leandro Firmino
- Zé Pequeno
- (as Leandro Firmino da Hora)
Michel Gomes
- Bené Criança
- (as Michel De Souza Gomes)
Kiko Marques
- Cabeção
- (as Maurício Marques)
Histoire
Le saviez-vous
- AnecdotesWhen we hear Buscapé (Alexandre Rodrigues) talking to Marina (Graziella Moretto) about how "he never took a hot bath", that was not scripted. Actually, that was Rodrigues and Moretto talking off camera, during a pause in the shooting, when the boy (who lived on the slums) was telling her about his life.
- GaffesLil' Ze is taken into custody by the police, Rocket runs after the police truck. The Police truck passes by a late - model Chevrolet S10, black, circa 2001. The movie is set in the seventies.
- Crédits fousThe closing credits shows pictures of the main actors, their name, their character's name and pictures of the real life characters (for the ones based on existing people).
- Versions alternativesThe Indian Censor Board nonsensically deleted the visuals of frontal nudity in the motel scene and the dialogue of a woman talking about her sexual experiences for an 'A' (adults) rating.
- ConnexionsFeatured in Siskel & Ebert & the Movies: The Best Films of 2002 (2003)
- Bandes originalesAlvorada
Written by Cartola / Carlos Cachaça / Hermínio Bello de Carvalho (as Hermínio B. Carvalho)
Performed by Cartola
Peer Music do Brasil Edições Musicais Ltda
Licensed by EMI Music Ltda
Commentaire à la une
The film revolves around the, 'City of God,' a favela (or ghetto) in Rio de Janeiro, Brazil, a horrifying area where drug dealers run the community, and where children killing children is not an uncommon occurrence.
The story begins with the early stages of the City of God (in the 1960's) showing where many of the problems stem from- the extreme poverty, overcrowding etc. Here, in the early stages of the favela, we meet our main characters, along with the supporting cast. The story revolves mainly around two characters living in the favela, Rocket and Lil Ze, and how they take two different paths through life. Rocket's dream is to become a photographer and to escape the City of God while Lil Ze becomes a powerful gang leader and drug dealer.
The film offers an unflinching look at gang life in the City of God, as it follows the favela through three decades; the 60's, 70's and 80's, and shows how violence just spirals into more violence with the disturbingly high amounts of violence in the favela, most involving teenagers and children.
The direction, cinematography, and editing are all Oscar-worthy. The cinematography is some of the best I have ever seen- with a very visceral, jerky feel, very reminiscent of Saving Private Ryan. The editing is very frantic, which makes you feel like you are on the streets of the City of God, and the direction is flawless, seamlessly blending the many elements of the story.
The film was definitely one of the best films I have ever seen. The story, the direction, the cinematography, the editing and the acting all add up to make a excellent movie that I would recommend to all.
10/10, A+
Would also recommend: Bus 174 and Carandiru
The story begins with the early stages of the City of God (in the 1960's) showing where many of the problems stem from- the extreme poverty, overcrowding etc. Here, in the early stages of the favela, we meet our main characters, along with the supporting cast. The story revolves mainly around two characters living in the favela, Rocket and Lil Ze, and how they take two different paths through life. Rocket's dream is to become a photographer and to escape the City of God while Lil Ze becomes a powerful gang leader and drug dealer.
The film offers an unflinching look at gang life in the City of God, as it follows the favela through three decades; the 60's, 70's and 80's, and shows how violence just spirals into more violence with the disturbingly high amounts of violence in the favela, most involving teenagers and children.
The direction, cinematography, and editing are all Oscar-worthy. The cinematography is some of the best I have ever seen- with a very visceral, jerky feel, very reminiscent of Saving Private Ryan. The editing is very frantic, which makes you feel like you are on the streets of the City of God, and the direction is flawless, seamlessly blending the many elements of the story.
The film was definitely one of the best films I have ever seen. The story, the direction, the cinematography, the editing and the acting all add up to make a excellent movie that I would recommend to all.
10/10, A+
Would also recommend: Bus 174 and Carandiru
- ragin_kagin
- 27 nov. 2004
- Permalien
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Ciudad de Dios
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 300 000 R$ (estimé)
- Montant brut aux États-Unis et au Canada
- 7 564 459 $US
- Week-end de sortie aux États-Unis et au Canada
- 88 292 $US
- 19 janv. 2003
- Montant brut mondial
- 30 680 793 $US
- Durée2 heures 10 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant