Cazuza: O Tempo Não Pára

2004
1h 38min

NOTE IMDb

6,9/10

4,3 k

MA NOTE

Docudrama Biography Drama Music Romance

Ajouter une intrigue dans votre langueThe life and times of Cazuza, Brazilian singer/poet/enfant terrible, from his start with rock group "Barão Vermelho", to his death from Aids, in 1990, showing his career, love affairs, and i... Tout lireThe life and times of Cazuza, Brazilian singer/poet/enfant terrible, from his start with rock group "Barão Vermelho", to his death from Aids, in 1990, showing his career, love affairs, and involvement with drugs.The life and times of Cazuza, Brazilian singer/poet/enfant terrible, from his start with rock group "Barão Vermelho", to his death from Aids, in 1990, showing his career, love affairs, and involvement with drugs.

Réalisation
- Walter Carvalho
- Sandra Werneck
Scénario
Casting principal

Voir les informations de production sur IMDbPro

NOTE IMDb

6,9/10

4,3 k

MA NOTE

Réalisation
- Walter Carvalho
- Sandra Werneck
Scénario
Casting principal

Voir les informations de production sur IMDbPro

Récompenses
- 23 victoires et 18 nominations au total

Photos8

Histoire

Modifier

Le saviez-vous

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Anecdotes
In an early concert scene, we see Cazuza's manager, Zeca (Ezequiel Neves), going crazy in the crowd. The real Zeca, middle-aged, is standing next to him, wearing glasses.

Connexions
Referenced in Mussum, Um filme do Cacildis (2019)

Bandes originales
Circo Voador
Written by Guto Graça Mello

Avis des utilisateurs11

Commenter

Commentaire à la une

Looks like a scrapbook

The impression I had on the first hour of the movie was that it was more like a scrapbook of some memorable events in Cazuza's life rather than a biography. The scenes have no connection, it seems they're only there for you to know what happened. It looks like a story told by a fan who collects news about him. There is no drama, nothing to expect, no plot at all.

The last 30 minutes aren't really a change, but it's a more dense part, because of the discovery of the disease that is slowly killing him.

The only things that save the movie are the performance of Daniel de Oliveira, not only on stage but also off, and of course the songs and poetry of Cazuza.