NOTE IMDb
7,9/10
59 k
MA NOTE
Dans l'intention de s'affranchir des restrictions familiales strictes, une jeune femme suicidaire organise un mariage de convenance avec un toxicomane de quarante ans, acte qui va conduire à... Tout lireDans l'intention de s'affranchir des restrictions familiales strictes, une jeune femme suicidaire organise un mariage de convenance avec un toxicomane de quarante ans, acte qui va conduire à une explosion d'amour envieux.Dans l'intention de s'affranchir des restrictions familiales strictes, une jeune femme suicidaire organise un mariage de convenance avec un toxicomane de quarante ans, acte qui va conduire à une explosion d'amour envieux.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 26 victoires et 14 nominations au total
Zarah Jane McKenzie
- Barfrau in der Fabrik
- (as Zarah McKenzie)
Histoire
Le saviez-vous
- AnecdotesBirol Ünel had not been in military service in Turkey and therefore could not travel to Turkey without being arrested. However, as they say on DVD, at the last minute Turkish parliament decided on an amnesty, so he could return to his home country for the first time after 10 years and finish the movie.
- GaffesThe psychiatrist at the beginning of the film tells Cahit about a song by the band The The containing the line "If you can't change the world, change your world". The actual quote (from the song "Lonely Planet", included in the album "Dusk") is "If you can't change the world, change yourself".
- Citations
Dr. Schiller: If you want to end your life, end it. You don't have to kill yourself to do that.
- Crédits fousWhen it comes to Special Thanks, there's a name: Arsen Lüpen. Arsène Lupin is a fictional character, created by the French writer Maurice Leblanc.
- ConnexionsFeatured in 2006 Independent Spirit Awards (2006)
- Bandes originalesSaniye'm
( K/T: Selim Sesler, produced by Alexander Hacke )
Performed by Selim Sesler and Orchestra, Idil Üner
Commentaire à la une
"Head On (Gegen die Wand)" is a completely original love story and shames conventional Hollywood romantic comedies with its fresh take on love and loss as rich as Rhett and Scarlett.
The closest I can think of a dysfunctional couple meeting so oddly cute and playing out an unusual relationship is in Christopher Fry's "The Lady's Not for Burning" which shares self-destructive lovers. The German literal title of "Against the Wall" is more resonant of how they feel, but the American distributors probably thought that had too much political implication.
The completely self-involved he and she here are innately off-kilter because writer/director Faith Akin sets them within a diverse Turkish immigrant community of Germany, so that their personalities are circumscribed by cultural expectations and restrictions, she chafing against binds on women and he lost in the nihilistic punk rock underground.
The rocky journey of how they find their own individuality within their sexual and emotional needs and ethnic identity and what each means to the other is an unpredictable thrill ride as each unexpected action leads to tears, laughter, poignancy and regret of bad timing. This is a baldly brash and frank exploration of the meaning of love and marriage, as individuals and within a web of family, friends and culture.
Craggy-faced Birol Ünel is riveting as the older, burned-out case whose past we only glimpse. Sibel Kekilli at first seems like just another pretty young thing, but brings spunk and sympathy on her maturing roller coaster ride. Evidently, deleted scenes that are available on the European DVD help to expand on the hints as to what her closing motivations are.
Dependant on the English subtitles, I'm sure I lost some significances as I wasn't sure when characters were speaking Turkish or German, let alone able to discern their fluency in either, with the added fillip of recognition of globalization with a sudden concluding discussion in Istanbul in English of their future.
The chapter introductions by an ethnic band playing a traditional sad love song adds to the timeliness of the tale that is reminiscent of old folk ballads of tragic love stories. In between, the punk rock and contemporary world fusion selections are terrific, including the moving closing song.
The closest I can think of a dysfunctional couple meeting so oddly cute and playing out an unusual relationship is in Christopher Fry's "The Lady's Not for Burning" which shares self-destructive lovers. The German literal title of "Against the Wall" is more resonant of how they feel, but the American distributors probably thought that had too much political implication.
The completely self-involved he and she here are innately off-kilter because writer/director Faith Akin sets them within a diverse Turkish immigrant community of Germany, so that their personalities are circumscribed by cultural expectations and restrictions, she chafing against binds on women and he lost in the nihilistic punk rock underground.
The rocky journey of how they find their own individuality within their sexual and emotional needs and ethnic identity and what each means to the other is an unpredictable thrill ride as each unexpected action leads to tears, laughter, poignancy and regret of bad timing. This is a baldly brash and frank exploration of the meaning of love and marriage, as individuals and within a web of family, friends and culture.
Craggy-faced Birol Ünel is riveting as the older, burned-out case whose past we only glimpse. Sibel Kekilli at first seems like just another pretty young thing, but brings spunk and sympathy on her maturing roller coaster ride. Evidently, deleted scenes that are available on the European DVD help to expand on the hints as to what her closing motivations are.
Dependant on the English subtitles, I'm sure I lost some significances as I wasn't sure when characters were speaking Turkish or German, let alone able to discern their fluency in either, with the added fillip of recognition of globalization with a sudden concluding discussion in Istanbul in English of their future.
The chapter introductions by an ethnic band playing a traditional sad love song adds to the timeliness of the tale that is reminiscent of old folk ballads of tragic love stories. In between, the punk rock and contemporary world fusion selections are terrific, including the moving closing song.
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Against the Wall
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 435 395 $US
- Week-end de sortie aux États-Unis et au Canada
- 15 216 $US
- 23 janv. 2005
- Montant brut mondial
- 11 065 801 $US
- Durée2 heures 1 minute
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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