Roadhouse Queen

1933
20min

NOTE IMDb

MA NOTE

Ajouter une intrigue dans votre langueWhen his son breaks of his engagement after falling for a trapeze artist, the father decides to see the temptress who has ensnared his son for himself--and he falls for her, too.When his son breaks of his engagement after falling for a trapeze artist, the father decides to see the temptress who has ensnared his son for himself--and he falls for her, too.When his son breaks of his engagement after falling for a trapeze artist, the father decides to see the temptress who has ensnared his son for himself--and he falls for her, too.

Voir les informations de production sur IMDbPro

NOTE IMDb

6,3/10

MA NOTE

2avis d'utilisateurs

Voir les informations de production sur IMDbPro

Photos

Rôles principaux20

Modifier

Walter Catlett

Walter Knox

Nora Lane

Lulu

Ben Alexander

Junior Knox

Joyce Compton

Dorothy

Arthur Housman

Arthur Young - Attorney
(as Arthur Houseman)

Richard Cramer

Carl
(as Rychard Cramer)

Ernie Alexander

Policeman
(non crédité)

Joe Bordeaux

Cafe Waiter
(non crédité)

Lorena Carr

Stenographer
(non crédité)

Vance Carroll

Starter
(non crédité)

Tom Dempsey

Pierre - Butler
(non crédité)

Betty DeVier

Contortionist
(non crédité)

Hubert Diltz

Cafe Waiter
(non crédité)

Bobby Dunn

Cafe Busboy
(non crédité)

Jean Lacy

Hat Check Girl
(non crédité)

Linda Landi

French Maid
(non crédité)

Betty Mack

Stenographer
(non crédité)

Charles McMurphy

Cab Driver
(non crédité)

Histoire

Modifier

Avis des utilisateurs2

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Commentaire à la une

6/10

They Crammed A Lot Of Gags Into This One

Walter Catlett learns his son Ben Alexander has thrown over fiancee Joyce Compton for acrobat Nora Lane. He takes lawyer Arthur Housman to the road house where she is performing to lay down the law.

Mack Sennett seems to have regained his footing in 1933, what with the Bing Crosby shorts and one or two classics with W. C. Fields. This one is filled with gags, from contortionist Betty DeVier to an Irish butler named Pierre and is very amusing.

It wouldn't last. The declining market for independent short producers, the entry of the majors into the market, and the movement to double features rather than 'selected short subjects' would drive them all out of work.