Un chauffeur de taxi se retrouve pris en otage par un tueur à gages qui va de cible en cible au fil de la nuit à Los Angeles.Un chauffeur de taxi se retrouve pris en otage par un tueur à gages qui va de cible en cible au fil de la nuit à Los Angeles.Un chauffeur de taxi se retrouve pris en otage par un tueur à gages qui va de cible en cible au fil de la nuit à Los Angeles.
- Nommé pour 2 Oscars
- 22 victoires et 73 nominations au total
- FBI Agent
- (as Ken Ver Cammen)
- FBI Agent
- (as Charlie E. Schmidt Jr.)
- Fever Bouncer
- (as Michael A. Bentt)
Histoire
Le saviez-vous
- AnecdotesAccording to Michael Mann, Vincent is a man able to get in and out of anywhere without anyone recognizing or remembering him. To prepare for the movie, Tom Cruise had to make FedEx deliveries in a crowded Los Angeles market without anyone recognizing him.
- GaffesWhen Max and Vincent load the first corpse in the trunk, the "corpse" is holding Max by the wrists as well.
- Citations
Vincent: Look in the mirror. Paper towels, clean cab. Limo company some day. How much you got saved?
Max: That ain't any of your business.
Vincent: Someday? Someday my dream will come? One night you will wake up and discover it never happened. It's all turned around on you. It never will. Suddenly you are old. Didn't happen, and it never will, because you were never going to do it anyway. You'll push it into memory and then zone out in your barco lounger, being hypnotized by daytime TV for the rest of your life. Don't you talk to me about murder. All it ever took was a down payment on a Lincoln town car. That girl,you can't even call that girl. What the fuck are you still doing driving a cab?
- Crédits fousThere are no opening credits of any kind. The title does not appear until the closing credits.
- Bandes originalesDebestar
Written by Rick Garcia, Rene Reyes & Cisco De Luna
Performed by The Green Car Motel
Courtesy of FastKat Records
His worldly insight manages to tear down the defenses of one of his passengers, a State Attorney played by Jada Pinkett Smith, who graces him with her phone number. Max hasn't even begun to revel in the pleasure of possessing the beautiful attorney's digits when he gets his next passenger, Tom Cruise as Vincent, a slick hit-man in town for a night of killing.
When a body drops out of a fourth story window and onto Max's cab, he becomes an unwilling partner on Vincent's murder spree. Director Michael Mann (The Insider, Ali) does a masterful job manipulating texture and tone throughout the movie, taking us to settings as diverse as a junkie's apartment, a penthouse, a hospital room, and a smoky jazz club, all the while making the city of angels a central character in the story.
The soundtrack is also excellent, with a mixture of popular music and ambient tracks perfectly-timed and synced to the story... tribal drumbeats during the chase scenes, haunting rock ballads at pivotal moments, and one track that reminded this viewer of the scene at the other end of Tom Cruise's career, when he drives his father's Porsche out of the garage in "Risky Business" to the accompaniment of a thumping synth track. A bizarre side-note, I know.
As the movie builds to a climax, the police are hunting for Max, believing he is the one on a killing spree, and Vincent stalks his final victim in a blacked-out high-rise office to a backdrop of the brilliant LA skyline, reflected in multiplicity by the office's dozens of glass cubicles.
Tom Cruise, Jamie Foxx, and Jada Pinkett Smith all rise to the occasion in Collateral, and together they transcend their previous appearances on film. Mark Ruffalo gives a good performance as the cop who knows everything is not what it seems.
There are a few minor plot points which didn't sufficiently suspend my disbelief (like when Max agrees to take Vincent the vicious hit-man to see his Mother in the hospital), but overall this is a fantastic movie.
Troy Dayton
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Colateral
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 65 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 101 005 703 $US
- Week-end de sortie aux États-Unis et au Canada
- 24 701 458 $US
- 8 août 2004
- Montant brut mondial
- 220 240 655 $US
- Durée2 heures
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1