Les relations de deux couples deviendront compliquées et trompeuses lorsqu'un l'homme d'un des couples rencontre la femme de l'autre.Les relations de deux couples deviendront compliquées et trompeuses lorsqu'un l'homme d'un des couples rencontre la femme de l'autre.Les relations de deux couples deviendront compliquées et trompeuses lorsqu'un l'homme d'un des couples rencontre la femme de l'autre.
- Nommé pour 2 Oscars
- 22 victoires et 50 nominations au total
Steve Benham
- Car driver
- (non crédité)
Elizabeth Bower
- Chatty Exhibition Guest
- (non crédité)
Rene Costa
- Club Gangster
- (non crédité)
Ray Donn
- Customs Officer
- (non crédité)
Daniel Dresner
- Coughing Man
- (non crédité)
Rrenford Fitz-Junior Fagan
- Bus Passenger
- (non crédité)
Antony Gabriel
- Luke
- (non crédité)
Michael Haley
- Smoking Man
- (non crédité)
Steve Morphew
- Bartender
- (non crédité)
Abdul Popoola Pope
- Doctor
- (non crédité)
Jacqui-Lee Pryce
- Traveller
- (non crédité)
Peter Rnic
- Bodyguard
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesClive Owen played the role of Dan in the original stage production.
- GaffesThe opening action has Dan taking Alice to the hospital, staying with her in the waiting room, and the two leaving together. Unless a patient is unconscious, hospital intake always involves an interview procedure where the patient has to give their name, insurance information, and relevant medical history. To call a patient out of the waiting room, the hospital staff uses the name on the intake records, rather than shouting "hey you" to the next person to be seen. Yet, when Dan and Alice are getting ready to part ways after the bus trip away from the hospital, he says, "I don't even know your name."
- Versions alternativesThere are two versions available. Runtimes are "1h 44m (104 min)" (general theatrical release) and "1h 38m (98 min) (TV) (Turkey)".
- Bandes originalesThe Blower's Daughter
Written and Performed by Damien Rice
Under license to Vector Recordings, LLC/Warner Bros. Records Inc. and 14th Floor Records
By arrangement with Warner Strategic Marketing US and Warner Strategic Marketing UK
Commentaire à la une
Because Closer is, in a way, like sneaking a peek behind the closed doors of people we know, or more so, like looking in a mirror when we are at our most base and humanly human, some people seem to be viscerally turned off by it, as is apparent by a few of its more negative reviews.
To me, the very fact that it opens the door to such "voyeurism", if you will, is part of its deep emotional appeal.
Who among us can say we have never been tempted to be lured away from what we believe is love, by what we momentarily believe to be love? In closer, however these moments go beyond temptation, into lies, deceit, infidelity, misery, painful truths, abandonment, tears and suffering. "Love", in Closer, is shown to be against everything we've been taught to believe it should be, such as: honest/truthful, enduring, constant ... and faithful.
In short, it is a rabidly anti-romantic film, where, unbelievably, somewhere within each of these broken, self-serving, selfish, emotionally-underdeveloped people, brilliantly played by Jude Law, Julia Roberts, Clive Ovens and Natalie Portman, we find beauty, and in the end, a deep satisfaction upon seeing that love of self can lead to release and rebirth.
It had been a while since I watched this, and I am happy to say that I loved it this time around as much as the first time I laid eyes on it. And isn't that the mark of real love? That it endures?
Closer, is one of my favorite films.
9.5
To me, the very fact that it opens the door to such "voyeurism", if you will, is part of its deep emotional appeal.
Who among us can say we have never been tempted to be lured away from what we believe is love, by what we momentarily believe to be love? In closer, however these moments go beyond temptation, into lies, deceit, infidelity, misery, painful truths, abandonment, tears and suffering. "Love", in Closer, is shown to be against everything we've been taught to believe it should be, such as: honest/truthful, enduring, constant ... and faithful.
In short, it is a rabidly anti-romantic film, where, unbelievably, somewhere within each of these broken, self-serving, selfish, emotionally-underdeveloped people, brilliantly played by Jude Law, Julia Roberts, Clive Ovens and Natalie Portman, we find beauty, and in the end, a deep satisfaction upon seeing that love of self can lead to release and rebirth.
It had been a while since I watched this, and I am happy to say that I loved it this time around as much as the first time I laid eyes on it. And isn't that the mark of real love? That it endures?
Closer, is one of my favorite films.
9.5
- Her-Excellency
- 22 mars 2020
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Closer. Llevados por el deseo
- Lieux de tournage
- Postman's Park, Little Britain, Londres, Angleterre, Royaume-Uni(park with Alice Ayres tablet)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 27 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 33 987 757 $US
- Week-end de sortie aux États-Unis et au Canada
- 7 707 972 $US
- 5 déc. 2004
- Montant brut mondial
- 116 671 982 $US
- Durée1 heure 44 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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