NOTE IMDb
7,4/10
33 k
MA NOTE
Ajouter une intrigue dans votre langueThree activists cobble together a kidnapping plot after they encounter a businessman in his home.Three activists cobble together a kidnapping plot after they encounter a businessman in his home.Three activists cobble together a kidnapping plot after they encounter a businessman in his home.
- Récompenses
- 11 victoires et 6 nominations au total
Burghart Klaußner
- Hardenberg
- (as Burghart Klaussner)
Histoire
Le saviez-vous
- AnecdotesThe song "Where's The Real Sky" is credited to Jeff Cole on the soundtrack and was mentioned in the movie as a favorite artist of Jan and Jule. Jeff Cole is a pseudonym for the score-writer, Andreas Wodraschke. The singer is his friend Sam Genders of London.
- GaffesThe Mercedes that Jule keys in the parking garage is also used as Hardenberg's Mercedes when he arrives at his house right before catching Jule and Jan. You can see this by matching the license plate to each scene.
- Citations
[last words]
Note on Wall: "Some People Never Change."
- Crédits fousThere is an additional take after the credits related to the last project of the three protagonists.
- Versions alternativesAll foreign (non-German) theatrical versions omit a scene in the ending. The reason for this is that the scene had not been finished at the time the movie was shown at the Cannes film festival. But the distribution rights had already been sold to 44 countries and the director didn't want to force local distributors to take the new ending.
- ConnexionsReferenced in Free Rainer (2007)
- Bandes originalesDarts Of Pleasure
by Franz Ferdinand
Commentaire à la une
Don't let anyone tell you horror stories about the camera work, they probably never had an ounce of imagination anywhere in their bodies!
For those of us who are bored blind with standard Hollywood-ian movies, this kind of camera work is very refreshing. The constant motion puts us right into the characters' world and helps foster an instant connection with them. Not that one wouldn't connect with them without the fancy directing! On the contrary, Jan, Jule, and Peter will reawaken the idealist in anyone.
The movie is essentially about three friends with seemingly no particular direction in life other than petty political activism now and then. But Peter and Jan have found a very clever way of subverting the socio-economic system they so despise. Calling themselves "the Edukators", they break into the homes of the fabulously wealthy only to make some absurd adjustments to the arrangement of their furniture and leave a simple note behind: "You have too much money."
With this basic plot, The Edukators delves into that ill-defined human notion of morality, eventually blurring the line between the ethics of social politics and the ethics of personal relationships.
Don't let the plot scare you, you don't have to be an anarchist to enjoy this movie! It's well-written, beautifully shot, and flawlessly performed. Some of the drawbacks are that it gets a little long and preachy at the end (which happens fairly often to new directors), but let's not nitpick. I'm willing to gloss over the film's (rare) faults because, in the end, there is far too much to take home from this movie. It's a real shame that some would wish to dismiss it as some crackpot anarchist film.
For those of us who are bored blind with standard Hollywood-ian movies, this kind of camera work is very refreshing. The constant motion puts us right into the characters' world and helps foster an instant connection with them. Not that one wouldn't connect with them without the fancy directing! On the contrary, Jan, Jule, and Peter will reawaken the idealist in anyone.
The movie is essentially about three friends with seemingly no particular direction in life other than petty political activism now and then. But Peter and Jan have found a very clever way of subverting the socio-economic system they so despise. Calling themselves "the Edukators", they break into the homes of the fabulously wealthy only to make some absurd adjustments to the arrangement of their furniture and leave a simple note behind: "You have too much money."
With this basic plot, The Edukators delves into that ill-defined human notion of morality, eventually blurring the line between the ethics of social politics and the ethics of personal relationships.
Don't let the plot scare you, you don't have to be an anarchist to enjoy this movie! It's well-written, beautifully shot, and flawlessly performed. Some of the drawbacks are that it gets a little long and preachy at the end (which happens fairly often to new directors), but let's not nitpick. I'm willing to gloss over the film's (rare) faults because, in the end, there is far too much to take home from this movie. It's a real shame that some would wish to dismiss it as some crackpot anarchist film.
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- How long is The Edukators?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Eğitmenler
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 175 493 $US
- Week-end de sortie aux États-Unis et au Canada
- 10 075 $US
- 24 juil. 2005
- Montant brut mondial
- 8 152 859 $US
- Durée2 heures 7 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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