NOTE IMDb
7,5/10
60 k
MA NOTE
Richard, un ancien soldat, retourne dans sa ville natale pour se venger des voyous qui ont brutalisé son frère, handicapé mental, il y a des années.Richard, un ancien soldat, retourne dans sa ville natale pour se venger des voyous qui ont brutalisé son frère, handicapé mental, il y a des années.Richard, un ancien soldat, retourne dans sa ville natale pour se venger des voyous qui ont brutalisé son frère, handicapé mental, il y a des années.
- Nomination aux 1 BAFTA Award
- 4 victoires et 14 nominations au total
Seamus O'Neill
- Big Al
- (as Seamus O'Neal)
Histoire
Le saviez-vous
- AnecdotesWhen Richard breaks into the flat he spray paints "Cheyne Stoking" on the wall. In very sick patients, this is the name of the breathing pattern that is a sign of impending death.
- GaffesWhen Sonny, Soz and Herbie set off up the stairs with weapons to check for Richard's presence, they get to the top of the stairs in a different order than they started.
- Bandes originalesVessel in Vain
Written by Bill Callahan
Performed by Bill Callahan (as Smog)
(p) Domino Record Company
© Rough Trade Publishin
Commentaire à la une
I was already a huge fan of Meadows' work (A Room for Romeo Brass, 24/7) before going to watch this film and had extremely high hopes for it. Another reviewer hit the nail on the head when he said he was manipulated from the off with deep anxiety and anticipation. It recently came out to rent on DVD and I must have watched it about six or seven times now and loved every viewing and there are very few films that I can say that about. It is superb, if you have not seen it, don't read on, just go and watch it. It is obviously not technically the best film of all time, but I don't care what anyone says, it has become my second favourite film ever made, its that good. My reasons for loving it are probably very personal, so excuse my if you think I'm overrating it. I showed it to my mates though and they all loved it.
SPOILERS AHOY Its a dark, yes very dark film, but Meadows has a knack of using humour to ensure his work is never miserable or too depressing. The scene where Sonny accidentally shoots his mate in the head with a sniper rifle is gloriously farcical. I even had to chuckle during the scene where Richard shows Herbie the mangled body of Tuff because of Paddys fantastic acting- 'D'ya wanna give 'im kiss?', 'D'ya want me t' shut it? yeah', unbelievable. The drug scenes are some of the most realistic I've ever scene; whoever suggests they aren't needs to go out and drop some trips and say that again.
Just like all his films (except Once Upon A Time In The Midlands), the soundtrack is spot on. Perfect songs used with impeccable timing create a distinct, moody atmosphere. All the acting is fantastic (even the little kids at the end) the improvisation works a treat and you genuinely feel as if you know these characters, or have met them somewhere before.
I feel sorry for anyone who didn't like this film, you really are missing out. There's a few small continuity mistakes, but I only noticed them after watching it a few times and you've got to be a miserable git to let that spoil the experience. Shane and Paddy (if you're reading this), you are the best thing to happen to the British film industry since Loach, forget cockney gangsters. I can't wait for 'Le Donk'. 'thtweet boys and girth'. 11 out of 10 from me.
SPOILERS AHOY Its a dark, yes very dark film, but Meadows has a knack of using humour to ensure his work is never miserable or too depressing. The scene where Sonny accidentally shoots his mate in the head with a sniper rifle is gloriously farcical. I even had to chuckle during the scene where Richard shows Herbie the mangled body of Tuff because of Paddys fantastic acting- 'D'ya wanna give 'im kiss?', 'D'ya want me t' shut it? yeah', unbelievable. The drug scenes are some of the most realistic I've ever scene; whoever suggests they aren't needs to go out and drop some trips and say that again.
Just like all his films (except Once Upon A Time In The Midlands), the soundtrack is spot on. Perfect songs used with impeccable timing create a distinct, moody atmosphere. All the acting is fantastic (even the little kids at the end) the improvisation works a treat and you genuinely feel as if you know these characters, or have met them somewhere before.
I feel sorry for anyone who didn't like this film, you really are missing out. There's a few small continuity mistakes, but I only noticed them after watching it a few times and you've got to be a miserable git to let that spoil the experience. Shane and Paddy (if you're reading this), you are the best thing to happen to the British film industry since Loach, forget cockney gangsters. I can't wait for 'Le Donk'. 'thtweet boys and girth'. 11 out of 10 from me.
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Détails
Box-office
- Budget
- 695 393 £GB (estimé)
- Montant brut aux États-Unis et au Canada
- 6 408 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 825 $US
- 14 mai 2006
- Montant brut mondial
- 241 688 $US
- Durée1 heure 30 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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