NOTE IMDb
6,1/10
4,6 k
MA NOTE
Ajouter une intrigue dans votre langueA man who is being driven crazy by the noise in New York City decides to take vigilante action against it.A man who is being driven crazy by the noise in New York City decides to take vigilante action against it.A man who is being driven crazy by the noise in New York City decides to take vigilante action against it.
- Réalisation
- Scénario
- Casting principal
Eric L. Abrams
- Security Cop #1
- (as Eric Lenox Abrams)
Louis Carbonneau
- Officer Moretti
- (as Lou Carbonneau)
Histoire
Le saviez-vous
- AnecdotesHenry Bean based David Owen on himself. In real life, Bean broke into people's cars to disable their noisy alarms. He was eventually arrested and jailed.
- Citations
Helen Owen: Close the window, you know... don't think about it.
David Owen: I can't.
Helen Owen: You can't close the window?
David Owen: What if I want it open?
Commentaire à la une
I've been using IMDb for a few years now, but have never written any reviews before. However, this movie so disappointed me (even with a modest score of 6.4 at the time of writing) that I couldn't keep quiet anymore.
Noise is the story of a New Yorker (Tim Robbins)who is so perturbed by noise pollution that he takes on an alter-ego as a as a vigilante, "The Rectifier", and vandalizes any cars he finds with a car-alarm sounding.
I take the name of the movie to be somewhat of a misnomer. Although there are one or two instances of other sources of noise being addressed or mentioned, the only true focus of our protagonist is car alarms. Car alarms, car alarms, car alarms. There is really no other focus. When the movie tries to tie other examples of noise pollution to the problem of car alarms, it seems to be just thrown in to give merit to the actions of Robbins' character.
Yes, we're all annoyed by noise. Nobody likes the sound of car alarms. Of course we all have that internal urge to take a baseball bat to a shrieking vehicle, and this movie uses that fact, and pretty much that fact alone, to sell this movie. I say 'pretty much' because there is also a blatantly contrived sexual relationship (including a completely needless threesome) which is obviously thrown in for those movie-goers who need such things thrown in in order to enjoy a movie. Honestly, it's eye-rolling.
Robbin's character, very shortly into the movie, becomes completely unrelatable. It seems less that he decides not to put up with the noise anymore, and more that by focusing so much on the noise he has begun to lose his sanity. The first half of the movie is essentially the story of how he turns from just an angry, car-bashing dude into this hero of the little guy, The Rectifier. However... the transformation doesn't take place. He just renames himself.
I could go on for a while. Annoying generalized social commentary comes in every now and then to add to the pretentiousness of the movie, and the self-satisfied smirk which never quite leaves Robbins face doesn't help either.
Overall, I think it's very obvious what this movie is trying to be, as it's pretty much shoved down your throat, but in my opinion, it fails in a big way. Just one guy's opinion, cheers.
Noise is the story of a New Yorker (Tim Robbins)who is so perturbed by noise pollution that he takes on an alter-ego as a as a vigilante, "The Rectifier", and vandalizes any cars he finds with a car-alarm sounding.
I take the name of the movie to be somewhat of a misnomer. Although there are one or two instances of other sources of noise being addressed or mentioned, the only true focus of our protagonist is car alarms. Car alarms, car alarms, car alarms. There is really no other focus. When the movie tries to tie other examples of noise pollution to the problem of car alarms, it seems to be just thrown in to give merit to the actions of Robbins' character.
Yes, we're all annoyed by noise. Nobody likes the sound of car alarms. Of course we all have that internal urge to take a baseball bat to a shrieking vehicle, and this movie uses that fact, and pretty much that fact alone, to sell this movie. I say 'pretty much' because there is also a blatantly contrived sexual relationship (including a completely needless threesome) which is obviously thrown in for those movie-goers who need such things thrown in in order to enjoy a movie. Honestly, it's eye-rolling.
Robbin's character, very shortly into the movie, becomes completely unrelatable. It seems less that he decides not to put up with the noise anymore, and more that by focusing so much on the noise he has begun to lose his sanity. The first half of the movie is essentially the story of how he turns from just an angry, car-bashing dude into this hero of the little guy, The Rectifier. However... the transformation doesn't take place. He just renames himself.
I could go on for a while. Annoying generalized social commentary comes in every now and then to add to the pretentiousness of the movie, and the self-satisfied smirk which never quite leaves Robbins face doesn't help either.
Overall, I think it's very obvious what this movie is trying to be, as it's pretty much shoved down your throat, but in my opinion, it fails in a big way. Just one guy's opinion, cheers.
- johnbrophy81
- 17 janv. 2009
- Permalien
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- How long is Noise?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Sobrepasando el límite
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 000 € (estimé)
- Montant brut aux États-Unis et au Canada
- 16 513 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 687 $US
- 11 mai 2008
- Montant brut mondial
- 16 934 $US
- Durée1 heure 32 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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