Un groupe d'anciens combattants de la guerre d'Irak cherchent à blanchir leur nom auprès de l'armée américaine, qui soupçonne les quatre hommes d'avoir commis un crime pour lequel ils ont ét... Tout lireUn groupe d'anciens combattants de la guerre d'Irak cherchent à blanchir leur nom auprès de l'armée américaine, qui soupçonne les quatre hommes d'avoir commis un crime pour lequel ils ont été piégés.Un groupe d'anciens combattants de la guerre d'Irak cherchent à blanchir leur nom auprès de l'armée américaine, qui soupçonne les quatre hommes d'avoir commis un crime pour lequel ils ont été piégés.
- Récompenses
- 2 victoires et 4 nominations au total
Yul Vazquez
- General Javier Tuco
- (as Yul Vázquez)
Histoire
Le saviez-vous
- AnecdotesB.A. Baracus (Quinton 'Rampage' Jackson) bears the tattoos "Pity" and "Fool" on his knuckles, as a tribute to Mr. T's catchphrase from Rocky III : L'Œil du tigre (1982): "I pity the fool!" Contrary to popular belief, Mr. T never uttered that exact phrase on L'agence tous risques (1983).
- GaffesTo replace a firing pin in a 1911 requires at the very least a punch and a retainer plate. It would have been impossible for Hannibal to simply drop the firing pin into his pistol and have it function, as there is a spring that provides constant rearward pressure and must be put under tension before the retaining plate can be slid into place.
- Citations
Col. John 'Hannibal' Smith: Give me a minute, I'm good. Give me an hour, I'm great. Give me six months, I'm unbeatable.
- Crédits fousThe film's theatrical release features two out-of-place scenes after the closing credits, featuring two of the original L'agence tous risques (1983):
- at Penascola, Face gets tips from fellow inmate Milt (played by Dirk Benedict, the original Face)
- Frankfurt, Murdock is analyzed by a German doctor (played by Dwight Schultz, the original Murdock).
These scenes were set back in their chronological place in the film's extended edition/home release.
- Versions alternativesThe UK release was cut, two reels from this film were originally shown to the BBFC in unfinished form to consider language issues. The distributor were advised that two inadequately obscured uses of 'motherfucker' would result in a 15 classification rather than the requested 12A. When the finished version of the film was submitted for formal classification, the two uses of the term had been further obscured and the film was classified 12A.
- ConnexionsFeatured in De wereld draait door: Épisode #5.82 (2010)
- Bandes originalesThe A-Team (Theme)
Written by Mike Post and Pete Carpenter
Commentaire à la une
I remember first hearing about this. Cautious optimism was among my immediate reactions. Later, I caught a trailer(on that, do not think for a second that you saw all the good stuff, there's plenty they didn't give away). I was still not sure what to think. Then I watched it tonight. I enjoyed every single frame. No, I'm not kidding, this works from the very start and never loses you. I love the show, and this pays a lot of respect to it(at times, a tad much... early on, Neeson's every other line contains the word "plan"), and this not only nails the four characters(who all get an unforgettable introduction each, and several individual heroic moments), it doesn't merely imitate, but builds and slightly reinterprets to update them. They are played rather well; Liam looks like he was born with that cigar in his mouth, Bradley genuinely is charming and suave, Sharlto(from District 9; he reverts to his dialect here and there) comes across as a lunatic without that making us dislike him, and Jackson... well, he looks cool, he's not asked to do anything he can't handle, and he's certainly got more charisma than any other wrestlers on the silver screen(or Vin Diesel). The acting is in general marvelous, and every role is well-cast. Everybody is a bad-ass in this(on/off at least), and that does get old every now and then. Biel is largely eye-candy(as is all other females in this), though we know that she can do this kind of thing, and she doesn't let us down. The dialog wants to be as clever and full of banter as 2008's Iron Man, and this leads to it trying too hard some(with that said, two thirds of it works perfectly, and it's not a complete buzz-kill when it doesn't). It is hilarious a lot of the time, and the half-full theater I was in all clearly got a kick out of it. This is two hours of pure fun with non-stop, awesome action that doesn't repeat itself, with shoot-outs, chases and fights. It's not realistic, and it's not meant to be. The plans are *brilliant* and seeing them gather materials for them is a blast. This keeps to an immensely fast pace, without overwhelming us, and it fits in plenty of well-thought out plot(that doesn't confuse, in spite of twists and such, that hold up). The script is by the guy who did Wolverine, Swordfish and Hit-man and a rookie; however, maybe because of help from the director(who I've only seen one other thing by, his outstanding The Hire short), they turn in something magnificent. FX are plentiful(occasionally overshadowing the people... be careful, Carnahan), and excellent with a few brief poor bits. The editing is tight, cinematography stylish. While it's black and white, switch-off-your-brain-at-the-door, Hollywood popcorn flick, it doesn't claim or attempt to be anything else, and it's an utterly well-made and re-watchable one at that. There is a little strong language and brutality to the violence in this(no blood). I recommend this to fans of the television series who don't have impossible-to-reach expectations, and everyone who can get into a movie that just entertains you for a solid 120 minutes. 8/10
- TBJCSKCNRRQTreviews
- 10 juin 2010
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Brigada A - Los magníficos
- Lieux de tournage
- Cold Lake, Alberta, Canada(escape from Germany)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 110 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 77 222 099 $US
- Week-end de sortie aux États-Unis et au Canada
- 25 669 455 $US
- 13 juin 2010
- Montant brut mondial
- 177 238 796 $US
- Durée1 heure 57 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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