Fred Vogel, director of the (mostly) effective faux snuff August Underground trilogy, takes the basic plot of Sam Raimi's The Evil Deada group of people travel to a remote abandoned building where, one-by-one, they fall victim to an evil spirit that possesses their bodiesand gives it the ToeTag treatment: the characters are universally loathsome; there is plenty of swearing and female nudity; and, of course, Vogel (with help from make-up FX guy Jerami Cruise) delivers oodles of violence and general nastiness.
Unfortunately, despite sounding like a gore-hound's dream-come-true, The Redsin Tower is actually a rather disappointing film that suffers badly from an uneventful beginning (a good 40 minutes pass before anything really interesting happens), some rather confusing moments and an unnecessary sub-plot (featuring a psycho ex-boyfriend of one of the girls), and bloody awful lighting that often makes it impossible to see what is going on.
Vogel would have done much better if he'd 'borrowed' more than just the plot from Raimi's 1982 masterpiece for his first stab at a 'real' film. Had he emulated the actual structure and pacing of The Evil Dead, which was a non-stop horror roller-coaster ride, then the result might've been much more successful. Instead, the first half of the film is wasted watching a despicable bunch of losers do nothing but take drugs and talk about sex; the second half is spent watching them stumble around an old building in the dark before being killed. And with absolutely no-one likable in the whole movie, it's hard to give a damn what happens to them anyway.
Even those viewers who settle down to watch this film purely for the gore will end up feeling a tad cheated. Although there are some violent deaths (my favourite being when a pretty goth chick gets axed), everything is shot in such poor lighting that it's almost impossible to see any of the bloodletting clearly. It's a shame that the only special effect that really sticks in my mind is a very silly looking bat creature.
With his undeniably powerful faux snuff movies, Fred Vogel certainly made a name for himself on the underground horror circuit. However, if he wishes to create such a stir with fans of more 'traditional' horror films, then he really needs to come up with something better than this.
