World Trade Center
- 2006
- Tous publics
- 2h 9min
NOTE IMDb
6,0/10
89 k
MA NOTE
Deux policiers de l'Autorité portuaire sont pris au piège sous les décombres du World Trade Center.Deux policiers de l'Autorité portuaire sont pris au piège sous les décombres du World Trade Center.Deux policiers de l'Autorité portuaire sont pris au piège sous les décombres du World Trade Center.
- Récompenses
- 4 victoires et 12 nominations au total
William Jimeno
- Port Authority Officer
- (as Will Jimeno)
Histoire
Le saviez-vous
- AnecdotesThe city of New York absolutely prohibited the recreation of 9/11 destruction or chaos on location. The filmmakers were not even allowed to film actors looking upward toward where the towers would be. The drive of the officers up to the site was permitted to be filmed, but all scenes depicting events at or near the WTC were filmed in Los Angeles.
- Gaffes(at around 35 mins) There is a brief scene set in Hong Kong, where locals are stunned by what they see happening in New York on TV. The background clearly shows that it is daytime. However, when the 9/11 events occurred, it was night time in Hong Kong.
- Citations
Will Jimeno: Where did that wind come from all the sudden, Sarge?
John McLoughlin: I don't know.
Will Jimeno: The fire just goes out like that, Sarge! Why is that?
John McLoughlin: I don't know!
Will Jimeno: You're not a big talker, are you?
John McLoughlin: No!
Will Jimeno: Well gee, you gotta talk to me 'cause...
John McLoughlin: Aaaahhhh! Aaaahhhh! Aaaahhhh! Aah! I can't 'cause my knees are crushed again! That's why I can't fucking talk!
- Bandes originalesOnly in America
by Kix Brooks, Don Cook & Randall Rogers
Performed by Brooks & Dunn
Courtesy of Arista Records
By Arrangement with SONY BMG Music Entertainment
Commentaire à la une
Stone cold, that's what I call the new Oliver Stone film, World Trade Center. Taking the story of two Port Authority Police who survived, Stone manages to make the singular event of the last decade a boring made-for-TV story of two cops buried and waiting rescue, by the Marines no less. There are marks of an auteur to be sure such as the set design, just as authentic looking as when I visited ground zero after the attack. But the mark of the real Stone, one that carries the heft of his personal opinion about an event (Platoon) or his off-center look at history (JFK), is absent.
Let's face it: Two cops, John McLoughlin (Cage) and Will Jimeno (Michael Pena), buried beneath rubble with small talk to keep themselves alive is neither great drama nor riveting suspense when you know ahead of time they are 2 of the 20 to be saved and their dialog doesn't come close to the bite of WWII film foxhole repartee. Cutting as often as he can to the dull families in New Jersey waiting for word about their lost loved ones, Stone still fails to make even this horrific event interesting.
As a matter of fact, he fails to put the event into its larger context of a world crisis that changes the way we live forever. It's a challenge to do so if you choose only a small part of the event, but a great director should be able to as Stone did, for instance, with Wall Street, where the shenanigans of one broker clearly represented a corrupt generation of self-centered consumers.
It's as if Oliver Stone promised Hollywood after his disastrous Alexander (which I liked) that he'd be a good boy and not editorialize about 9/11. Heck, point of view is Stone: Remember the conspiracy theory of JFK? Google "Loose Change" to get an introduction to 9/11 conspiracy theory and wonder why Oliver Stone couldn't have gone there rather than the straight way. Or at least part of the way.
"While you here do snoring lie, Open-eyed conspiracy His time doth take. If of life you keep a care, Shake off slumber, and beware: Awake, awake!" Shakespeare, the Tempest
Let's face it: Two cops, John McLoughlin (Cage) and Will Jimeno (Michael Pena), buried beneath rubble with small talk to keep themselves alive is neither great drama nor riveting suspense when you know ahead of time they are 2 of the 20 to be saved and their dialog doesn't come close to the bite of WWII film foxhole repartee. Cutting as often as he can to the dull families in New Jersey waiting for word about their lost loved ones, Stone still fails to make even this horrific event interesting.
As a matter of fact, he fails to put the event into its larger context of a world crisis that changes the way we live forever. It's a challenge to do so if you choose only a small part of the event, but a great director should be able to as Stone did, for instance, with Wall Street, where the shenanigans of one broker clearly represented a corrupt generation of self-centered consumers.
It's as if Oliver Stone promised Hollywood after his disastrous Alexander (which I liked) that he'd be a good boy and not editorialize about 9/11. Heck, point of view is Stone: Remember the conspiracy theory of JFK? Google "Loose Change" to get an introduction to 9/11 conspiracy theory and wonder why Oliver Stone couldn't have gone there rather than the straight way. Or at least part of the way.
"While you here do snoring lie, Open-eyed conspiracy His time doth take. If of life you keep a care, Shake off slumber, and beware: Awake, awake!" Shakespeare, the Tempest
- JohnDeSando
- 3 août 2006
- Permalien
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- How long is World Trade Center?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- September
- Lieux de tournage
- Marina del Rey, Californie, États-Unis(World Trade Center set)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 65 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 70 278 893 $US
- Week-end de sortie aux États-Unis et au Canada
- 18 730 762 $US
- 13 août 2006
- Montant brut mondial
- 163 247 198 $US
- Durée2 heures 9 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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