NOTE IMDb
6,5/10
1,3 k
MA NOTE
Pendant la Première Guerre mondiale, dans un pays sans nom, un soldat du nom de Tamino est envoyé par la Reine de la Nuit pour sauver sa fille Pamina des griffes du soi-disant méchant Sarast... Tout lirePendant la Première Guerre mondiale, dans un pays sans nom, un soldat du nom de Tamino est envoyé par la Reine de la Nuit pour sauver sa fille Pamina des griffes du soi-disant méchant Sarastro. Néanmoins, tout n'est pas aussi simple qu'il y paraît.Pendant la Première Guerre mondiale, dans un pays sans nom, un soldat du nom de Tamino est envoyé par la Reine de la Nuit pour sauver sa fille Pamina des griffes du soi-disant méchant Sarastro. Néanmoins, tout n'est pas aussi simple qu'il y paraît.
- Récompenses
- 1 victoire et 1 nomination au total
Histoire
Le saviez-vous
- AnecdotesThis movie was funded by the Sir Peter Moores Foundation. This institution has backed numerous operatic recordings in English released on CD. Although this movie is the Foundation's first movie, it is their second recording of the opera (the first was released on CD in 2005). The cast for this movie is entirely new.
- Crédits fousThe overture to the opera is played both at the beginning and the end, but only at the end is it played over the film's credits.
- ConnexionsFeatured in Kenneth Branagh Films 'The Magic Flute' (2008)
- Bandes originalesThe Magic Flute
Based on the opera ("Die Zauberflöte") by Wolfgang Amadeus Mozart
Libretto by Emanuel Schikaneder
Musical Direction by James Conlon
English libretto and dialogue written by Stephen Fry
Performed by Joseph Kaiser, Amy Carson, Ben Davis, Silvia Moi,
René Pape, Lyubov Petrova, Tom Randle, Teuta Koço, Louise Callinan,
, Kim-Marie Woodhouse, Charne Rochford and many others, with Chamber Orchestra of Europe
Commentaire à la une
When a soldier is near-fatally wounded in battle, he is recovered by three women and wakes to find himself in a strange land. Here he sees a beautiful woman that he is instantly besotted with. However when he learns that the woman has been kidnapped by the evil Queen of the Night, he sets out with a new companion to rescue her.
OK so this flopped in the cinemas but did anyone expect otherwise? Branagh may have sold Shakespeare to the masses but opera is not as generally accepted as an art form; most of us see Shakespeare as of value (even if we never go to the theatre) but yet things like opera and ballet still have the air of snobbery about them. Despite this though I was interested in this enough to put it on my rental list. Coming to it to see what it offers me helped me I think because I was in the middle of two extremes that I think reject this film. On one hand we have those that reject the film for being opera and hard to follow. On the other hand are those that cannot believe the opera has been "sullied". The truth for me is somewhere in the middle because the film is not as good as it could have been but is not a failure either.
The music is the selling point of course and Mozart is treated well with really well delivered music throughout. To the untrained ear it contains recognisable emotion and beauty and it was this that held me. Juts as well really because the plot is hard to follow something I found strange from the man who has delivered Shakespeare with such clarity and accessibility. The lyrics may be English but many of them are rendered almost indecipherable by the nature of the singing. This doesn't affect the music but it does affect the story-telling and makes it almost easier to listen to than watch at times. This isn't ever totally true though because Branagh does do the best he can with a limited budget. His sets and effects have a consistently "unreal" quality which feels like a cross between a film and a filmed opera. Sometimes it gets a bit tiresome (too many elevated/elevating shots) but mostly it works.
The cast are all OK: really good in regards giving "stage" performances but on film it doesn't totally work and mostly they add to the feeling of watching a stage performance through a camera. This isn't a fantastic film by any means then, but it is not a deserving flop either. Instead it is an interesting attempt at something different that has strengths in the music and creativity but never really engaged me beyond the superficial trimmings.
OK so this flopped in the cinemas but did anyone expect otherwise? Branagh may have sold Shakespeare to the masses but opera is not as generally accepted as an art form; most of us see Shakespeare as of value (even if we never go to the theatre) but yet things like opera and ballet still have the air of snobbery about them. Despite this though I was interested in this enough to put it on my rental list. Coming to it to see what it offers me helped me I think because I was in the middle of two extremes that I think reject this film. On one hand we have those that reject the film for being opera and hard to follow. On the other hand are those that cannot believe the opera has been "sullied". The truth for me is somewhere in the middle because the film is not as good as it could have been but is not a failure either.
The music is the selling point of course and Mozart is treated well with really well delivered music throughout. To the untrained ear it contains recognisable emotion and beauty and it was this that held me. Juts as well really because the plot is hard to follow something I found strange from the man who has delivered Shakespeare with such clarity and accessibility. The lyrics may be English but many of them are rendered almost indecipherable by the nature of the singing. This doesn't affect the music but it does affect the story-telling and makes it almost easier to listen to than watch at times. This isn't ever totally true though because Branagh does do the best he can with a limited budget. His sets and effects have a consistently "unreal" quality which feels like a cross between a film and a filmed opera. Sometimes it gets a bit tiresome (too many elevated/elevating shots) but mostly it works.
The cast are all OK: really good in regards giving "stage" performances but on film it doesn't totally work and mostly they add to the feeling of watching a stage performance through a camera. This isn't a fantastic film by any means then, but it is not a deserving flop either. Instead it is an interesting attempt at something different that has strengths in the music and creativity but never really engaged me beyond the superficial trimmings.
- bob the moo
- 28 mai 2008
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Détails
Box-office
- Budget
- 27 000 000 $US (estimé)
- Montant brut mondial
- 2 000 853 $US
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By what name was La flûte enchantée (2006) officially released in Canada in English?
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