Gradiva

Alain Robbe-Grillet's work is long, especially in the beginning. Whereas eternity is in the ending: Gradiva can't be that bad. A Robbe-Grillet's film is supposed to mix reality and dreams (no doubt!), hence Gradiva is no surprise. The actors do not necessarily understand their part (whether you decide they should or not), just as we do not understand what 'life' is, we players. Robbe-Grillet asks questions through stories, e.g. 'who is playing', 'who is being played', 'what is allowed', 'who is the director'... But he doesn't give definitive answers. He achieves his goal in the meantime. He just says that dreams can kill. So books and films can. All protect us from eternity. Can you hear Gradiva's call?