Cracker
- Téléfilm
- 2006
- 1h 49min
Ajouter une intrigue dans votre langueFitz returns to Manchester after living 10 years in Australia with his wife and youngest son. He is soon drawn into the investigation of a British soldier who may have been traumatized by hi... Tout lireFitz returns to Manchester after living 10 years in Australia with his wife and youngest son. He is soon drawn into the investigation of a British soldier who may have been traumatized by his years serving in Northern Ireland.Fitz returns to Manchester after living 10 years in Australia with his wife and youngest son. He is soon drawn into the investigation of a British soldier who may have been traumatized by his years serving in Northern Ireland.
- Récompenses
- 1 nomination au total
- Lilly Fitzgerald
- (as Lilli-Ella Kelleher)
Histoire
Le saviez-vous
- Citations
DI Walters: I've read all your books.
Dr. Eddie 'Fitz' Fitzgerald: Have you?
DI Walters: Yes. Refreshingly free of jargon.
Dr. Eddie 'Fitz' Fitzgerald: Ah, 'refreshingly free of jargon' is jargon, of course.
- ConnexionsFeatured in Screenwipe: Review of the Year (2006)
- Bandes originalesWedding March
Written by Felix Mendelssohn
The two hour special was certainly controversial, raising issues about the US's financing of terrorism in the Middle East and in Northern Ireland that most TV dramas, certainly ITV dramas, would usually steer well clear of.
The problem was it just didn't feel like a Cracker episode, McGovern had things he wanted to say and just tacked Fitz onto an idea to make it more accessible to a wide audience. As always, McGovern's ideas were interesting but they just didn't work in this context, it felt rushed and would have benefited from being developed further, into a more rounded Cracker episode or maybe a separate project altogether.
The police were completely 2 dimensional, embarrassingly underwritten when compared to the likes of Beck, Wise, Penhaligan and Billborough, while Fitz really had very little to do - it seemed obvious that McGovern had grown tired of writing for this character, in contrast, he seemed to relish writing for Kenny, the killer, the only new character in this film who seemed at all believable.
Stylistically the production was also a failure. Flashing boxes flickered at the beginning of the programme and in and out of the breaks for no apparent reason - they looked horrible and distracted from the story! I can't believe anybody thought it was a good idea to sacrifice the classic white on black text of the original shows for these new graphics and text - if it isn't broke don't fix it! Cracker shouldn't be trying to emulate the style of Spooks and CSI - it was 10 times better than these shows in it's heyday!
And what was with all the flashbacks?? What worked so well in the original series is that Fitz would get into the head of the killer and we'd understand their motives through ACTING!
Did we have flashbacks to Hillsborough in To Be A Somebody? NO!
Did we have flashbacks to Floyd sitting in a bath of bleach in Men Should Weep? NO!
WHY? Because we didn't need them because the performances alone were strong enough for us to understand the motives of the killers. Flashbacks are usually a cheap devise used to reinforce a story when the writing isn't strong enough - and weren't necessary here. Anthony Flanagan's performance as Kenny was the stand out of the episode and the constant flashbacks to Ireland and the completely unnecessary 9-11 and Iraq news footage only distracted from the story.
Nine Eleven was something of a wasted opportunity, it had good elements - Fitz trying to fit into a very changed Manchester, a classic Cracker killer, and a controversial storyline - but this could have been so much better if supporting characters had been better written and the style and feel of the original series had been retained. On this evidence, I wouldn't want any more Cracker films in the future.
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Cracker: A New Terror
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 49 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1