Ajouter une intrigue dans votre langueAn aunt's struggle to survive in Japan during World War II while caring for her niece and nephew.An aunt's struggle to survive in Japan during World War II while caring for her niece and nephew.An aunt's struggle to survive in Japan during World War II while caring for her niece and nephew.
Photos
Yasunori Danta
- Eisaku Matsui (Motoko's husband)
- (as Yasunori Danda)
Hôshi Ishida
- Seita Yokokawa (Setsuko's big brother)
- (as Hoshi Ishida)
Histoire
Le saviez-vous
- AnecdotesThis movie also has a lot of differences from the original animated film: -The candy fruit tin was kept by Hisako and Natsu, until Natsu spread Setsuko's ashes over a river 60 years in the future. -The movie also began in the future with Natsu as a full grown adult. -The movie also shows Hisako (the aunt) being much crueler to Seita and Setsuko, such as giving the two smaller portions of food.
- ConnexionsVersion of Le Tombeau des lucioles (1988)
Commentaire à la une
"Why do fireflies have to die so soon?"
Between the punitive firebombing of Tokyo by the Americans and the Japanese militarists who were still shouting "Long live the emperor" despite the devastation, it was poor civilians who suffered, many of them children, and this film is a brutal, very sad reminder of that. I liked how it didn't sugarcoat human behavior under such conditions and yet retained a touch of sweetness in the little girl and her brother playing in the moments they could, showing the lives they should have had. It also wisely focused on a single family, without trying to explain the larger context or just how many such people suffered (in Japan or the countries they invaded). It's powerful and heartbreaking, though perhaps a little manipulative and predictable. The quality of the animation and the grace with which such a painful subject was rendered make it essential viewing, but it's a tough watch.
Between the punitive firebombing of Tokyo by the Americans and the Japanese militarists who were still shouting "Long live the emperor" despite the devastation, it was poor civilians who suffered, many of them children, and this film is a brutal, very sad reminder of that. I liked how it didn't sugarcoat human behavior under such conditions and yet retained a touch of sweetness in the little girl and her brother playing in the moments they could, showing the lives they should have had. It also wisely focused on a single family, without trying to explain the larger context or just how many such people suffered (in Japan or the countries they invaded). It's powerful and heartbreaking, though perhaps a little manipulative and predictable. The quality of the animation and the grace with which such a painful subject was rendered make it essential viewing, but it's a tough watch.
- gbill-74877
- 14 août 2021
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Grave of the Fireflies
- Société de production
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By what name was Hotaru no haka (2005) officially released in Canada in English?
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