Une travailleuse sociale se bat pour sauver une fille de ses parents violents, et elle découvre que la situation est plus dangereuse qu'elle ne l'avait jamais imaginée.Une travailleuse sociale se bat pour sauver une fille de ses parents violents, et elle découvre que la situation est plus dangereuse qu'elle ne l'avait jamais imaginée.Une travailleuse sociale se bat pour sauver une fille de ses parents violents, et elle découvre que la situation est plus dangereuse qu'elle ne l'avait jamais imaginée.
- Récompenses
- 3 nominations au total
- Judge
- (as John Carroll)
Histoire
Le saviez-vous
- AnecdotesThis movie was completed in 2007, and was initially scheduled for an American release in August 2008, but was delayed twice before its final release date on October 1, 2010, three years after completing production.
- Gaffes(at around 31 mins) When the cop lets Emily into the house, he hands her the key and tells her to lock up when she leaves; but the door frame is still visibly broken from being kicked in earlier, leaving the door obviously impossible to lock.
- Citations
Douglas J. Ames: Everybody has fears... now, what scares you?
Lillith Sullivan: Me.
Douglas J. Ames: You scare yourself?
Lillith Sullivan: Sometimes.
Douglas J. Ames: Why? What about yourself scares you?
Lillith Sullivan: I have bad thoughts.
Douglas J. Ames: About what?
Lillith Sullivan: People.
Douglas J. Ames: People in general or... certain people?
Lillith Sullivan: Certain people.
Douglas J. Ames: Like who?
Lillith Sullivan: You.
Douglas J. Ames: You have bad thoughts about me? Why?
Lillith Sullivan: I just do.
Douglas J. Ames: Did I do something or say something that upset you?
Lillith Sullivan: It's just... the way you are.
Douglas J. Ames: How am I?
Lillith Sullivan: Facile.
Douglas J. Ames: Facile? Pfff... do you even know what that means?
Lillith Sullivan: Easily comprehended, often lacking sincerity or depth. You're smug too... want me to tell you what that means?
Douglas J. Ames: Uhm, If I... seem smug or facile, I want...
Lillith Sullivan: Don't apologize.
Douglas J. Ames: Why not?
Lillith Sullivan: You're a grown-up... it's embarrassing.
- ConnexionsFeatured in Phelous & the Movies: Phelous Is on Case 39 (2010)
The clever plot isn't quite clever enough to keep you going through the whole movie, but almost. And both Renee Zellwegger as the passionate and trapped social worker and Jodelle Ferland as the adorable but mysterious child are quite amazing. Both are actors at the best of their powers, Zellwegger limited only by the role and the writing, which is very good but not quite flexible enough to let her show as many of those perplexed and touching nuances she is so good at (seen equally in "Bridget Jones's Diary" and "Nurse Betty"). But it's possible Ferland has the role of her life here. She's not only playing a precocious child, but is clearly a precocious young actress, bright, expressive, surprising, and not merely cute. By the way she was fifteen when it was filmed, even though she looks and acts, in most ways, like she's ten.
You can't ignore the plot, of course, since this is a plot driven movie saved by two great actresses, not the other way around. And the story is a little bit of a formula with a twist. The twist is good, but it is singular. Eventually we are carried from a personal and social drama with some evil people to a supernatural drama. It's here where things get scariest, but also where things wobble slightly in terms of believability or logic, if logic has any place here. For example, once the antagonist is shown to have really limitless powers of some kind (possibly imaginary), why does this person not have the power to just kill someone out and out? There is dangled the idea that this bad force depends on fear to proceed, but this isn't developed clearly, or maybe you have to see it twice to get.
On the other hand, if you just go with the flow, it's really increasingly scary. There are some scenes, like the woman in the hospital room that turns into a kind of large oven, that are chilling and really well done. Certainly Zellwegger's character is able to find the outlines of logic as she tries to survive by outsmarting the situation, and we're on her side. Eventually it comes to a dramatic climax, and it's pretty exciting. A sleeper, for sure.
- secondtake
- 28 janv. 2011
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Case 39
- Lieux de tournage
- Portland, Oregon, États-Unis(flyover shots)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 26 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 13 261 851 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 350 570 $US
- 3 oct. 2010
- Montant brut mondial
- 28 190 603 $US
- Durée1 heure 49 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1