Priest
Dans un monde ravagé par des siècles de guerre entre l'homme et les vampires, un prêtre guerrier se retourne contre l'église afin de traquer une bande de vampires meurtriers qui ont kidnappé... Tout lireDans un monde ravagé par des siècles de guerre entre l'homme et les vampires, un prêtre guerrier se retourne contre l'église afin de traquer une bande de vampires meurtriers qui ont kidnappé sa nièce.Dans un monde ravagé par des siècles de guerre entre l'homme et les vampires, un prêtre guerrier se retourne contre l'église afin de traquer une bande de vampires meurtriers qui ont kidnappé sa nièce.
- Récompenses
- 3 nominations au total
Histoire
Le saviez-vous
- AnecdotesThe animated opening was a compromise solution, since the studios had no interest in going over budget for a live-action version of the centuries-long battle of humans against vampires, so the scene was done by animation which was much cheaper to realize.
- GaffesIn many scenes, the cross on Priest's face, which is supposed to be a tattoo, is wiped off from the end of his nose and reappears as a full cross. One of the most noticeable moments in a short time span is at the Nightshade Reservation. Priest has one of the familiars pinned to the ground and when the camera focuses on his face, the end of the cross has been wiped off. Camera switches back to the familiar who points to the sky and when Priest turns to face the sun, the cross is fully drawn on again.
- Citations
Black Hat: The church teaches us that the eyes are the windows to the soul. And that since vampire evolved without eyes, it is a soulless creature, to be eradicated. And I have seen the soul of the vampire, and let me tell you that it is far more pure than that of any man. Now you ask me what I am. I am the bringer of the tide. I am the wave that will wash clean this unclean world. And you, and your Priest, will help me do it.
- Crédits fousWhen the Screen Gems opening logo is completed, it cuts to the opening scene.
- Versions alternativesIn the USA the cut Theatrical Version is MPAA PG-13 rated and BBFC 12A rated in the UK; the film was toned down by small edits to reduce noise of blows and to reduce blood. There is also an Unrated Version and is rated 12 by the BBFC and is the version that features on all home media.
- ConnexionsFeatured in Projector: Priest (2011)
- Bandes originalesMozart: 3. Sequentia: Tuba mirum (Requiem in D minor, K. 626)
Written by Wolfgang Amadeus Mozart (as Mozart)
Performed by The Academy of St. Martin-in-the-Fields (as The Academy of St. Martin in the Fields) - Conductor Neville Marriner (as Sir Neville Marriner)
Courtesy of Decca Music Group Limited under license from Universal Music Enterprises
Paul Bettany plays Priest, utilizing a wonderful Western-esque American accent and looking fine as Mr. Tall, Blonde, and Broody. He lives in a religiously-themed authoritarian city reminiscent of the walled cities in Attack on Titan, where the only thing darker and stinkier than the gritty streets is the Order he has dedicated his life to, led by the always-talented Christopher Plummer. When word gets to him that a family member is in peril after a vampire attack, he rebels against his Order's wishes and goes on a mission to save her, picking up two companions along the way.
Priest starts out a little slow at first before we get insight into Bettany's character, but once he flees the city the film is a feast for the eyes if you love dark, gritty environments. There are also a few bright, post-apocalyptic vistas here, with giant deserts and canyons, fallen city husks, and giant, worn religious monuments. The action scenes stretch the boundaries of realism at times, but always in a fun "Wait, he did WHAT?" kind of way rather than a distraction. Priest has a variety of weapons, gadgets, and moves at his disposal, though Priestess (played by Maggie Q) has the honor of executing the best kill of the movie in its climax. How they must have cleaned up the scene to keep the movie PG-13!
Speaking of the rating: though low on gore, Priest never felt particularly tame or stunted due to its low rating. The more gore and giblets the merrier, but its absence wasn't missed here, aided in part by the film's overall dark tone. Other reviews lament Priest's lack of gripping story; I never had a problem with its straightforward nature, though I liked the movie enough to wish for further films in the franchise (at this point, unlikely).
Some high points of Priest for me: Karl Urban, who intrigues me in everything he does, brings out his inner sass to play the wonderfully intimidating Black Hat. The vampires (save for Black Hat) are creatures, not sensual humans with funny accents, which is my favorite rendition of the myth that is rarely done in modern media. Brad Dourif (Chucky from Child's Play) has a fun bit role as a sleazy salesman. And lastly...vampires are cool, but what's even better? Trains. That's right, folks, the climax features one determined steampunk-esque locomotive, and that just lit a spark in my little girl heart.
I understand why many don't consider Priest one of their favorite movies, but its low score baffles me. There are things Priest could have done better, sure. There are deeper stories to be told in this unique and interesting universe. But Priest was never offensively bad or even mediocre, and as a fan of both video games and graphic novels, it provided something special for me. To my brother: I'm sorry I didn't watch this before you passed, but you were right about Priest. I really liked it.
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Détails
Box-office
- Budget
- 60 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 29 137 000 $US
- Week-end de sortie aux États-Unis et au Canada
- 14 953 664 $US
- 15 mai 2011
- Montant brut mondial
- 78 309 505 $US
- Durée1 heure 27 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1