The Duchess
- 2008
- Tous publics
- 1h 50min
NOTE IMDb
6,9/10
89 k
MA NOTE
Une chronique de la vie de l'aristocrate du dix-huitième siècle Georgiana, duchesse de Devonshire, qui fut dénigrée pour sa vie politique et personnelle extravagante.Une chronique de la vie de l'aristocrate du dix-huitième siècle Georgiana, duchesse de Devonshire, qui fut dénigrée pour sa vie politique et personnelle extravagante.Une chronique de la vie de l'aristocrate du dix-huitième siècle Georgiana, duchesse de Devonshire, qui fut dénigrée pour sa vie politique et personnelle extravagante.
- Récompensé par 1 Oscar
- 8 victoires et 21 nominations au total
Andrew Armour
- Burleigh
- (as Andy Armour)
Bruce Mackinnon
- Sir Peter Teazle
- (as Bruce MacKinnon)
Histoire
Le saviez-vous
- AnecdotesThe current Duchess of Devonshire invited Keira Knightley to her stately home to inspect artefacts that belonged to the real Georgiana. One of these was her debt book. Georgiana was a gambling addict in real life and racked up considerable debts. Knightley was keen to have this aspect of her character worked into the film but it proved to be a nut that the writers and production team failed to crack.
- GaffesGeorgiana, Duchess of Devonshire was born in 1757. Charles Grey was seven years younger, born in 1764. According to the subtitle, the scene depicting a wager among the young ladies over a footrace between Charles Grey and other young men was held in 1774. Georgiana was correctly seventeen at the time, but Charles Grey was ten. He would have been a boy, not the young man about to attend Cambridge portrayed in the film.
- Citations
Duke of Devonshire: This will be the mistake of your life.
Georgiana, The Duchess of Devonshire: No, I made that many years ago. I trust you can see yourself out.
- Versions alternativesParamount Vantage preferred a PG-13 version for the United States and in order to get that rating some cuts and alternate shots were used.
- ConnexionsFeatured in The Orange British Academy Film Awards (2009)
- Bandes originalesAllemande from French Suite V in G Major
Written by Johann Sebastian Bach
Commentaire à la une
The Duchess is a superior slice of costume drama which manages to craft interesting, multi dimensional characters and an involving storyline from the well worn confines of the genre.
Keira Knightley plays a very similar role to the one she played in Pride and Prejudice, a feisty, modern woman trapped in a male dominated society. However, whereas Lizzie Bennett's heart and character inspires affection, the Duchess of Devonshire's fosters only reproach and punishment from her traditional and patriarchal husband. Her performance is a standout and demonstrates why she is so highly rated in the face of many disappointing roles in other films. She brings both strength and weakness to the character. Able to deliver withering put downs at her husband and others, whilst showing the pain of her loveless marriage etched into her face.
If Knightley is the lynchpin of the piece then it is Ralph Fiennes that elevates it above a crowded genre. Resisting the temptation to play his character as evil, instead he simply plays him as a man of his times. In Fiennes' hands the Duke feels no need to win any bouts of verbal jousting with his wife as he is secure in the knowledge that, as a husband, he is in complete control of the relationship. The Duke also clearly sees very little wrong in his treatment of his wife and acts, as he sees it, in a logic manner making the whole film feel more believable and, as a result, tragic.
In terms of the cast the only misstep is Dominic Cooper as Charles Grey, who lends the wide eyes of a political dreamer but doesn't have convincing chemistry with Knightley and plays one of the more one dimensional characters in the piece. However Hayley Atwell impresses by playing her character so well it is possible to describe her as scheming, and manipulative as well as sympathetic and loyal without it seeming a contradiction.
The film is deliberately paced so as to give characters and events time to breathe, encouraging the mood that the marriage is a car crash in slow motion, inextricably drawing all the characters further into the muddled mess of their relationships. Overall it's a fully recommended slice of real life costume drama that draws a multi layered drama full of compellingly deep characters from what could easily have been a one note story.
Keira Knightley plays a very similar role to the one she played in Pride and Prejudice, a feisty, modern woman trapped in a male dominated society. However, whereas Lizzie Bennett's heart and character inspires affection, the Duchess of Devonshire's fosters only reproach and punishment from her traditional and patriarchal husband. Her performance is a standout and demonstrates why she is so highly rated in the face of many disappointing roles in other films. She brings both strength and weakness to the character. Able to deliver withering put downs at her husband and others, whilst showing the pain of her loveless marriage etched into her face.
If Knightley is the lynchpin of the piece then it is Ralph Fiennes that elevates it above a crowded genre. Resisting the temptation to play his character as evil, instead he simply plays him as a man of his times. In Fiennes' hands the Duke feels no need to win any bouts of verbal jousting with his wife as he is secure in the knowledge that, as a husband, he is in complete control of the relationship. The Duke also clearly sees very little wrong in his treatment of his wife and acts, as he sees it, in a logic manner making the whole film feel more believable and, as a result, tragic.
In terms of the cast the only misstep is Dominic Cooper as Charles Grey, who lends the wide eyes of a political dreamer but doesn't have convincing chemistry with Knightley and plays one of the more one dimensional characters in the piece. However Hayley Atwell impresses by playing her character so well it is possible to describe her as scheming, and manipulative as well as sympathetic and loyal without it seeming a contradiction.
The film is deliberately paced so as to give characters and events time to breathe, encouraging the mood that the marriage is a car crash in slow motion, inextricably drawing all the characters further into the muddled mess of their relationships. Overall it's a fully recommended slice of real life costume drama that draws a multi layered drama full of compellingly deep characters from what could easily have been a one note story.
- milofromtheblock
- 4 sept. 2008
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Nữ Công Tước
- Lieux de tournage
- Somerset House, Strand, Londres, Angleterre, Royaume-Uni(Devonshire House exteriors)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 13 500 000 £GB (estimé)
- Montant brut aux États-Unis et au Canada
- 13 848 978 $US
- Week-end de sortie aux États-Unis et au Canada
- 190 426 $US
- 21 sept. 2008
- Montant brut mondial
- 43 343 384 $US
- Durée1 heure 50 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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