La découverte d'un vaisseau spatial extra-terrestre dans un centre de recherche en Antarctique, met en conflit Kate Lloyd, jeune diplômée, et le Dr. Sander Halvorson.La découverte d'un vaisseau spatial extra-terrestre dans un centre de recherche en Antarctique, met en conflit Kate Lloyd, jeune diplômée, et le Dr. Sander Halvorson.La découverte d'un vaisseau spatial extra-terrestre dans un centre de recherche en Antarctique, met en conflit Kate Lloyd, jeune diplômée, et le Dr. Sander Halvorson.
- Récompenses
- 6 nominations au total
Jonathan Walker
- Colin
- (as Jonathan Lloyd Walker)
Histoire
Le saviez-vous
- AnecdotesThe producers convinced Universal Studios to allow them to create a prequel to John Carpenter's The Thing (1982) instead of a remake, as they felt Carpenter's film was already perfect, so making a remake would be like "painting a mustache on the Mona Lisa". However, the prequel still has the title of the original film, because they couldn't think of a subtitle (for example, "The Thing: Begins") that sounded good.
- Gaffes(at around 5 mins) When Kate is introduced, she is examining a cave bear. She is doing so under normal room temperature conditions. Hence the corpse of the animal will thaw and rapidly decay. Specimens like frozen animals are kept frozen all the time to prevent the decay.
- Citations
Adam Finch: So, I'm gonna get killed because I floss?
- Crédits fousSPOILER: There are a few short scenes during the first part of the end credits, which tie the ending of this film to the beginning of the 1982 film.
- ConnexionsFeatured in De wereld draait door: Épisode #7.31 (2011)
Commentaire à la une
First off, I will have to make a disclaimer: I love the 1982 John Carpenter's "The Thing". That being said, this review will try to be fair. Hopefully.
First off, "The Thing" is a prequel. I always have a fascination of prequels because they have a unique approach to writing in that the events must lead up logically to a movie already made rather than taking the idea of the first movie and going in different directions with it. This creates a lot of confinement and there have been some really cool prequels that, even in this confinement, still feel fresh and take whatever franchise into a new direction (case in point, From Dusk Til Dawn 3). So already, this movie has both a reputation to live up to (the 1982 movie is very highly regarded by John Carpenter fans, horror fans and even fans of good drama and story telling) and adding in the fact that the writers must somehow lead up to the original movie is a tough task to undertake. Overall, it was a valiant effort...but missed the mark.
The entire concept of the monster of this movie is that it dissolves any sort of trust between people. When these people are in a confined location like Antarctica, it becomes a boiler room situation with wills being tested, fears being escalated and the overall sense of any safety even with someone you've known for a while completely in chaos. I feel that this Thing movie missed that sense of despair, confinement and overall breakdown of the relationships between colleagues and comrades and even enemies when a shape shifting impostor is thrown into the mix. This is made blatantly evident when over half the characters don't seem worthy of care by the audience. Most have no personality to connect to, and the sheer number of characters just makes it worse to get to know these people. So when they start dropping like flies, one really doesn't care a whole lot.
And really, that's the fundamental flaw with the movie and why the whole thing feels forced. The pacing wasn't as deliberately slow, the whodunnit aspect didn't feel properly in place, and finally...and again, this criticism is as a fan of the original movie...why on earth did the thing not try to hide more than it did? At one point, it seemed like the movie shifted gears into a simple monster movie with *insert beastly monster* just running around killing which was completely uncharacteristic of the original movie where the thing, even when found out, would try to make an escape to hide again...
So in all, as a standalone movie, it wasn't bad at all. It was a nice return to gory disgusting things that go bump in the dark. But as a prequel, it missed the mark I think the film makers were trying to hit. John Carpenter laid out a very specific and deliberate tone to the original movie that this one just couldn't seem to figure out how to replicate...no blood test needed to find this impostor.
First off, "The Thing" is a prequel. I always have a fascination of prequels because they have a unique approach to writing in that the events must lead up logically to a movie already made rather than taking the idea of the first movie and going in different directions with it. This creates a lot of confinement and there have been some really cool prequels that, even in this confinement, still feel fresh and take whatever franchise into a new direction (case in point, From Dusk Til Dawn 3). So already, this movie has both a reputation to live up to (the 1982 movie is very highly regarded by John Carpenter fans, horror fans and even fans of good drama and story telling) and adding in the fact that the writers must somehow lead up to the original movie is a tough task to undertake. Overall, it was a valiant effort...but missed the mark.
The entire concept of the monster of this movie is that it dissolves any sort of trust between people. When these people are in a confined location like Antarctica, it becomes a boiler room situation with wills being tested, fears being escalated and the overall sense of any safety even with someone you've known for a while completely in chaos. I feel that this Thing movie missed that sense of despair, confinement and overall breakdown of the relationships between colleagues and comrades and even enemies when a shape shifting impostor is thrown into the mix. This is made blatantly evident when over half the characters don't seem worthy of care by the audience. Most have no personality to connect to, and the sheer number of characters just makes it worse to get to know these people. So when they start dropping like flies, one really doesn't care a whole lot.
And really, that's the fundamental flaw with the movie and why the whole thing feels forced. The pacing wasn't as deliberately slow, the whodunnit aspect didn't feel properly in place, and finally...and again, this criticism is as a fan of the original movie...why on earth did the thing not try to hide more than it did? At one point, it seemed like the movie shifted gears into a simple monster movie with *insert beastly monster* just running around killing which was completely uncharacteristic of the original movie where the thing, even when found out, would try to make an escape to hide again...
So in all, as a standalone movie, it wasn't bad at all. It was a nice return to gory disgusting things that go bump in the dark. But as a prequel, it missed the mark I think the film makers were trying to hit. John Carpenter laid out a very specific and deliberate tone to the original movie that this one just couldn't seem to figure out how to replicate...no blood test needed to find this impostor.
- jlandry-154-934678
- 15 oct. 2011
- Permalien
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- La cosa del otro mundo
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 38 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 16 928 670 $US
- Week-end de sortie aux États-Unis et au Canada
- 8 493 665 $US
- 16 oct. 2011
- Montant brut mondial
- 31 505 287 $US
- Durée1 heure 43 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant