NOTE IMDb
3,9/10
39 k
MA NOTE
Le bal de fin d'année de Donna est censé être la meilleure nuit de sa vie, mais un sadique tueur issu de son passé nourrit des projets différents pour elle et ses amis.Le bal de fin d'année de Donna est censé être la meilleure nuit de sa vie, mais un sadique tueur issu de son passé nourrit des projets différents pour elle et ses amis.Le bal de fin d'année de Donna est censé être la meilleure nuit de sa vie, mais un sadique tueur issu de son passé nourrit des projets différents pour elle et ses amis.
- Récompenses
- 1 victoire et 4 nominations au total
Ming-Na Wen
- Dr. Elisha Crowe
- (as Ming Wen)
Histoire
Le saviez-vous
- AnecdotesAside from the title and the concept of teenagers being stalked by a killer at prom, this film shares no connection to the original Prom Night (1980).
- GaffesAfter the fire alarm is pulled, Donna rides the elevator to the 3rd floor. When a fire alarm sounds, all elevators go to the first floor and stop working, so no one gets stuck in the elevator during a fire.
- Citations
[from trailer]
Officer Shawn: Three years ago... a high school teacher got obsessed with a female student... He went psycho!... He's been in a maximum security prision until three days ago.
- Versions alternativesWhen shown on Sky Movies UK, the film features additional scenes not in theatrical or home video versions.
- ConnexionsFeatured in Beauty and the Geek: From Geek to Chic (2008)
Commentaire à la une
Prom Night is shot with the artistic eye someone gives while finely crafting a Lifetime original film. You know the one. This October, Lifetime takes a break from the courageous tale of a woman surviving (insert disease name here) to tell the somewhat creepy tale of a woman pursued by a stalker ex-boyfriend. It's dramatic
it's sappy
it's immensely dull. It does nothing to further a genre, tell an original story, or strive for ANY sort of newness. Prom Night shares this plight. Watching the killer poke holes in his victims, we sit silently as they slump to the floor with not a drop of blood spilled. It occurred to me that this was the cleanest killer in movie history.
Our director is working with a fairly good-looking killer so he is forced to pour on the camera angles to make him appear creepier. Think about Matthew McConaughey coming at you with a knife. You'd probably go "OH! Good lookin guy is going to kill me? Naaaa." Not scary even for a second, so the director throws Schaech into shadows and over the shoulder in the mirror. This mirror shot is repeated to the point of sickness as it practically becomes a fetish of the creator. You'll get 15 jump scares in this film, 2 of which made my date jump (I might mention she is afraid of EVERYTHING). I'd also mention she decided to take a nap halfway through the film and at one point threatened to leave me.
As if this film were not disjointed enough, it appears to be cut to shreds. I'm not saying it looks like key points were left on the cutting room floor as the crew scrambled to salvage some semblance of a horror film; I'm saying as the film moves from scene to scene, you often get a jarring jump. This is the kind of thing you'd expect when a film catches fire and a projectionist is forced to splice ends together, cross his fingers, and hope for the best. The editor should be shot.
With a plot you can pack into two sentences, one stray spray of blood, an emo killer, and the tension of a very special episode of "Silver Spoons", we're left with no reason to support horror this weekend at least on the big screen. In fact, this is the sort of film that should be punished. Is it really that hard to make a scary movie? Was this crew even aware they were making a horror film??!! A complete waste of my time and yours. I bit the bullet to get you this review. Don't let my sacrifice be in vain. DON'T GO INTO THE MOVIE!!!
Our director is working with a fairly good-looking killer so he is forced to pour on the camera angles to make him appear creepier. Think about Matthew McConaughey coming at you with a knife. You'd probably go "OH! Good lookin guy is going to kill me? Naaaa." Not scary even for a second, so the director throws Schaech into shadows and over the shoulder in the mirror. This mirror shot is repeated to the point of sickness as it practically becomes a fetish of the creator. You'll get 15 jump scares in this film, 2 of which made my date jump (I might mention she is afraid of EVERYTHING). I'd also mention she decided to take a nap halfway through the film and at one point threatened to leave me.
As if this film were not disjointed enough, it appears to be cut to shreds. I'm not saying it looks like key points were left on the cutting room floor as the crew scrambled to salvage some semblance of a horror film; I'm saying as the film moves from scene to scene, you often get a jarring jump. This is the kind of thing you'd expect when a film catches fire and a projectionist is forced to splice ends together, cross his fingers, and hope for the best. The editor should be shot.
With a plot you can pack into two sentences, one stray spray of blood, an emo killer, and the tension of a very special episode of "Silver Spoons", we're left with no reason to support horror this weekend at least on the big screen. In fact, this is the sort of film that should be punished. Is it really that hard to make a scary movie? Was this crew even aware they were making a horror film??!! A complete waste of my time and yours. I bit the bullet to get you this review. Don't let my sacrifice be in vain. DON'T GO INTO THE MOVIE!!!
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Prom Night
- Lieux de tournage
- Newport, Oregon, États-Unis(opening sequence with lighthouse and bridge/bridge sequence with limo going to prom)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 20 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 43 869 350 $US
- Week-end de sortie aux États-Unis et au Canada
- 20 804 941 $US
- 13 avr. 2008
- Montant brut mondial
- 57 197 876 $US
- Durée1 heure 28 minutes
- Mixage
- Rapport de forme
- 2.35 : 1
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