NOTE IMDb
5,6/10
835
MA NOTE
Un libraire vivant seul avec sa fille voit son quotidien chamboulé par l'irruption d'une voisine plutôt exubérante.Un libraire vivant seul avec sa fille voit son quotidien chamboulé par l'irruption d'une voisine plutôt exubérante.Un libraire vivant seul avec sa fille voit son quotidien chamboulé par l'irruption d'une voisine plutôt exubérante.
- Récompenses
- 1 victoire et 1 nomination au total
Nassim Lyes
- Alain
- (as Nassim Lyes Si Ahmed)
Bruno Gouery
- Cleptomane
- (as Bruno Gouéry)
Domitilla D'Amico
- Yolande
- (voix)
Histoire
Le saviez-vous
Commentaire à la une
Please, don't assume you're gifted in any way. The only gift some might like to receive from this movie has to do with M De Angelis; and still here she shows nothing that she hasn't already shown in "The Undoing".
Writer-Director E. Scola who depicted with his 50yo career a lot of the italian esprit before dying recently, wrote the story - which became a comic - going way out of his depth IMO. Someone thought it was worth a movie with Castellitto starring-directing and that's it.
I just recently reviewed another disaster of a movie: "La mecanica popular" which deals with art, fiction, literature, etc just like this "Il Materiale Emotivo". I shoud have guessed... Ofc all the emotional material I found were my desperate disappointment for the mediocre prosaic mummified nothingness I witnessed. Luckily here the quantity of pretentious and meaningless shouted lines is lower, and yet... it doesn't make any difference: why people produce these things? Why not spending a couple of nights for an innocent poem (or a comic) no one will read, and instead polluting the world with these costly, vacuous, artificial, unfunny, anachronistic and brainless allegories?
Let's add that the dubbing of B. Bejo is abysmal. I still don't get why you pick foreign actors if they can't speak the film scripted language... Foreign producers wanted their actors in as well? Well... get a bad review.
Writer-Director E. Scola who depicted with his 50yo career a lot of the italian esprit before dying recently, wrote the story - which became a comic - going way out of his depth IMO. Someone thought it was worth a movie with Castellitto starring-directing and that's it.
I just recently reviewed another disaster of a movie: "La mecanica popular" which deals with art, fiction, literature, etc just like this "Il Materiale Emotivo". I shoud have guessed... Ofc all the emotional material I found were my desperate disappointment for the mediocre prosaic mummified nothingness I witnessed. Luckily here the quantity of pretentious and meaningless shouted lines is lower, and yet... it doesn't make any difference: why people produce these things? Why not spending a couple of nights for an innocent poem (or a comic) no one will read, and instead polluting the world with these costly, vacuous, artificial, unfunny, anachronistic and brainless allegories?
Let's add that the dubbing of B. Bejo is abysmal. I still don't get why you pick foreign actors if they can't speak the film scripted language... Foreign producers wanted their actors in as well? Well... get a bad review.
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- A Bookshop in Paris
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 000 000 € (estimé)
- Montant brut mondial
- 589 847 $US
- Durée1 heure 29 minutes
- Couleur
- Rapport de forme
- 2.39 : 1
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By what name was Un dragon en forme de nuage (2021) officially released in India in English?
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