Shin Ultraman
- 2022
- 1h 52min
Alors que la menace des formes de vie géantes non identifiées connues sous le nom d'"espèces de classe S" s'aggrave au Japon, un géant argenté apparaît au-delà de l'atmosphère terrestre.Alors que la menace des formes de vie géantes non identifiées connues sous le nom d'"espèces de classe S" s'aggrave au Japon, un géant argenté apparaît au-delà de l'atmosphère terrestre.Alors que la menace des formes de vie géantes non identifiées connues sous le nom d'"espèces de classe S" s'aggrave au Japon, un géant argenté apparaît au-delà de l'atmosphère terrestre.
- Récompenses
- 4 victoires et 5 nominations au total
Histoire
Le saviez-vous
- AnecdotesThe filmmakers used still frames from the original series Urutoraman: Kûsô tokusatsu shirîzu (1966) as storyboards.
- Citations
Yumi Funaberi: [livid about losing all of her work] Who insisted on making these regulations? A close environment and no backups? I want to **** them!
Akihisa Taki: [still stunned; in English] ... me, too...
- Crédits fousThe title swirls into place in a manner homaging the Urutora Q (1965)/Urutoraman: Kûsô tokusatsu shirîzu (1966) title sequence... to reveal the Shin Godzilla (2016) film title. It then changes to the actual film title in the classic red and white Ultraman colors.
- ConnexionsFeatured in Horror's Greatest: Giant Monsters (2024)
- Bandes originalesM87 (Em HachijuuNana)
Music and Lyrics by Kenshi Yonezu
Performed by Kenshi Yonezu
(Sony Music Labels Inc.)
Dub aside, I still think I would've been slightly disappointed with this even if I'd watched it the way it was intended. It's oddly paced, and features action that progressively gets less exciting as the film goes on. There are certain fun sequences that balance being silly and cool well, but I felt the action generally ran out of steam after about the first hour or so. And then it kept feeling like it was building to a climax, only for the scene not to be the climax, and then on and on until it eventually ended.
The character stuff is all acceptable, and having the human storyline intersect with the giant monster stuff by having a man who can transform into Ultraman is a nice way to bridge what often feels like separate parts of the same kaiju movie. It feels like Shin Godzilla in parts, when it comes to the human stuff, but never feels quite as cutting or clever as that film was, with its satirical elements and the way it unapologetically mocked bureaucracy.
For some fun action and spectacle, I think it would've been a decent watch if it had been in Japanese with subs. The dubbed version I'd give lower than a 6/10, but I won't knock the film overall for that; I'm trying to imagine how I'd feel if the version I'd watched had been the proper one. And I do ultimately think I still would've felt disappointed by the final half-hour or so of this, the pacing, and the familiarness of many of its sci-fi concepts, even if there is still a bit of fun to be had within its two-hour runtime.
- Jeremy_Urquhart
- 15 juil. 2023
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Tân Siêu Nhân Điện Quang
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 900 000 000 JPY (estimé)
- Montant brut aux États-Unis et au Canada
- 601 490 $US
- Montant brut mondial
- 32 137 136 $US
- Durée1 heure 52 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1