Une femme en deuil se lance dans un voyage émotionnel après la perte de son bébé.Une femme en deuil se lance dans un voyage émotionnel après la perte de son bébé.Une femme en deuil se lance dans un voyage émotionnel après la perte de son bébé.
- Nommé pour 1 Oscar
- 10 victoires et 63 nominations au total
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- AnecdotesAs Vanessa Kirby has never given birth in real life, she watched numerous documentaries and videos and shadowed midwives in a hospital in North London and even was allowed to be in a room with a woman who was giving birth.
- GaffesThe painting in the lawyer's room, which her partner referred to as Tacoma Bridge, is actually Bosphorous Bridge in Istanbul, Turkey, with Ortaköy Mosque in the foreground.
- Citations
Elizabeth: And I'm ashamed of me. That I wasn't a good enough mother to teach you how to stand up and speak for yourself, for God's sakes. And to deal with this. Like my mother taught me. After my father went into the ghetto, my mother found a shack, an empty shack, that she went into and gave birth to me. Without any help at all. She stashed me under the floorboards when she had to go out and steal food. So she could make milk enough to keep me alive, but just alive. Not strong enough to cry, or we'd be caught. When she finally got me to a doctor, he advised her to just let me go. That I wasn't... I wasn't strong enough to survive. But when she absolutely insisted, he picked me up by my feet and held me up like a chicken and said, "If she tries to lift her head, then there's hope." And you know what I did, Martha? I lifted my head. That's what I'm asking you to do now. Lift your head and fight for yourself, for God's sakes! Go out there and face that woman.
- Crédits fousThe title appears around the 30-minute mark.
- Bandes originalesUntitled #3
Written by Orri P. Dyrason (as Orri Pall Dyrason), Kjartan Sveinsson, Jon Thor Birgisson, Georg Holm
Performed by Sigur Rós
Courtesy of Krunk Records/ADA UK
By arrangement with ADA Licensing, a division of Warner Music Group Film & TV Licensing
I loved the cinematography for this film! The colour palettes were subtle yet very visually pleasing and all the shots were framed really well. The camera panning was good and I liked how it tracked the characters, especially in this birth scene. The extreme close-ups used helped to convey the characters' emotions to the max and were very effective!
The score was super melancholic throughout the whole film and immediately set the tone well. It was somewhat basic at points but I still found that it added a lot to the film and didn't really need to be 'unique' per say.
All the performances were strong, with some well written and intense dialogue. The characters felt so real. Vanessa Kirby was phenomenal as the lead and her acting during the birth scene was unreal! I thought Ellen Burstyn was great in her role too, as she always is! My only criticism is that I'd have liked to have seen more of Benny Safdie's character! Also, I wanted to mention that the casting of the sister was accurate and a great choice!
The film had strong themes of grief, and I found it to be brutally realistic in addressing such themes. I'm sure this is a movie many people, unfortunately, can relate to. Also, I loved the apple metaphor and it was beautifully addressed during the court scene, which was probably my favourite scene of the movie!
Lastly, the pacing was slow and steady, but managed to keep me engaged and interest through the whole duration! I was completely drawn in to these people's lives, and it left me wanting more!
- becky-92346
- 3 sept. 2022
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Những Mảnh Vỡ Của Người Phụ Nữ
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée2 heures 6 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1