Morning Glory
- 2010
- Tous publics
- 1h 47min
Un producteur de télévision accepte de ranimer un programme matinal avec des coprésentateurs en conflit.Un producteur de télévision accepte de ranimer un programme matinal avec des coprésentateurs en conflit.Un producteur de télévision accepte de ranimer un programme matinal avec des coprésentateurs en conflit.
- Récompenses
- 1 victoire et 3 nominations au total
- Channel 9 Weatherperson
- (as Stephen Park)
Histoire
Le saviez-vous
- AnecdotesRachel McAdams initially was not keen on making the film - a comedy - as she felt she was unsuited to being funny. Director Roger Michell took her out for dinner several times to convince her otherwise.
- GaffesWhen Becky approaches Pomeroy on the hill, he fires two shots at some birds. As the second shot goes off, it is seen that his finger is not on the trigger, but behind it. Actualy this type of double barrel shotgun has two triggers, one behind the other. When you take a good look you see that his finger is indeed behind the first one but also on the second trigger which is correct.
- Citations
Mike Pomeroy: Nobody really cares that I can do this job, but... but I can. I wanted you to see that.
Becky Fuller: That was a great story, Mike. That was... that was better than a great story, that was great television. I mean, that was bran with a donut. A bran donut.
Mike Pomeroy: I've got a grandkid. Did you know that? Alexander. I haven't seen him since I got fired. I was embarrassed... after all I'd accomplished. And then to... come back to the news... this way. The truth is, I'd... I'd screwed up with my kids way before I got canned. Anyway, I was never at home and... when I was, I took every phone call, watching TV out of the corner of my eye. Why am I telling you this? You're worse than I am. You'd sleep at the office if you could. Let me tell you how it turns out. You end up with... with nothing. Nothing. Which is... which is what I had. 'Till you came along.
Becky Fuller: Wait a second. Did you just say something nice to me?
Mike Pomeroy: I told you I could banter.
- Crédits fousThe Bad Robot logo fades to the opening scene within the box the robot was in. The box, with the opening scene in it, then proceeds to expand in size until it fills the frame.
- ConnexionsFeatured in Richard Roeper & the Movies: Fall Preview 2010 (2010)
- Bandes originalesFree Me
Written by Joss Stone, Leo Nocentelli, Jonathan Shorten, Conner Reeves, and Eric "Kenya" Baker
Performed by Joss Stone
Courtesy of Virgin Records Ltd
I'll add that I enjoyed this film on a number of levels.
First, was the pure comedic value, which was high. Rachel McAdams owned nearly every scene she was in with not just her drop-dead-gorgeous-good-looks but with her well applied talent invested into this somewhat quirky, high energy character. McAdams' Becky was a finely crafted portrait of a warm, likable, very intelligent, hyper-kinetic, lovable screwball of a young woman. Her every moment on screen exuded lovable charm by the truckload; she's never looked more appealing or more lovely.
But McAdams certainly didn't have to carry this funny film on her own. She was ably assisted by some of the finest people in Hollywood in the persons of Harrison Ford, Diane Keaton, Jeff Goldblum, John Pankow, Patrick Wilson, Matt Malloy, Ty Burrell, Patti D'Arbanville and a long list of equally great supporters. What a great selection of professionals.
Ford was splendid as the emotionally parsimonious codger of an over-the-hill anchor. Not to be outdone, Diane Keaton was as terrific as ever in her turn as Ford's cynical, combative co-anchor; which she carried off with a wonderful exuberance and energy.
Jeff Goldblum - who always seems to land roles as some kind of "different" personality - was excellent as Ms. McAdams' crabby boss. McAdams' colleague Lenny was well worn by John Pankow who seems to add to everything I've ever seen him in. Patrick Wilson as McAdams' love interest wasn't given much material to work with but his time on screen was well spent, adding a quality performance in just the right place. Ty Burrell was funny and at the same time kind of spooky as an unappealingly unctuous departing anchor. Though a small part, it was pleasant to see Patti D'Arbanville play McAdams' mother with appropriate love and concern.
I saved Matt Malloy for last because he was an unexpected treasure. His portrayal of the show's weatherman suddenly thrust into a new and challenging role was particularly hilarious; the proverbial icing on the cake.
The second area of enjoyment was the overall effort put into the sets, art direction, sound and the other technical areas. Everything was first rate which added to the realism.
Finally, their depiction of the behind the scenes areas of a hectic television studio came across as spot on, actually heightening the chaos that seemed to follow McAdams everywhere. You can't go wrong seeing this film if you're looking for a fun night at the movies.
A big thank you to the makers of this entertaining gem! By Bruce L. Jones http://webpages.charter.net/bruce.jones1/
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Xin Chào Buổi Sáng
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 40 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 31 011 732 $US
- Week-end de sortie aux États-Unis et au Canada
- 9 203 266 $US
- 14 nov. 2010
- Montant brut mondial
- 60 040 976 $US
- Durée1 heure 47 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1