NOTE IMDb
5,8/10
141 k
MA NOTE
Après la mort macabre du tueur au puzzle, Mark Hoffman est salué comme un héros, mais l'agent Strahm se méfie et fouille dans le passé d'Hoffman. Pendant ce temps, un autre groupe de personn... Tout lireAprès la mort macabre du tueur au puzzle, Mark Hoffman est salué comme un héros, mais l'agent Strahm se méfie et fouille dans le passé d'Hoffman. Pendant ce temps, un autre groupe de personnes est soumis à une série de tests horribles.Après la mort macabre du tueur au puzzle, Mark Hoffman est salué comme un héros, mais l'agent Strahm se méfie et fouille dans le passé d'Hoffman. Pendant ce temps, un autre groupe de personnes est soumis à une série de tests horribles.
- Récompenses
- 1 victoire et 2 nominations au total
Histoire
Le saviez-vous
- AnecdotesScott Patterson was apprehensive about sticking his head in a sealed box that would fill with water. The trap was tested beforehand and didn't go well, which only added to his concern. He ultimately stepped up and did the scene himself without resorting to a stuntman. The trick to the stunt is that the walls of the box were slid open by stagehands, draining the trap as soon as he signaled with his hands. Several takes were required, however, to capture the scene as he found himself uncomfortable at various points during the shooting of this scene.
- Gaffes(at around 1h 7 mins) Detective Mark Hoffman steals Agent Peter Strahm's cellphone out of the evidence locker, and uses it to call Agent Dan Erickson. Erickson answers the phone thinking it was actually Agent Peter Strahm. However Erickson should have known that Strahm's cellphone was in evidence, and therefore known that it could have been someone else using the cellphone.
- Versions alternativesAlso available in an unrated director's cut version, which restores deleted scenes and the violence originally cut for an "R" rating.
- ConnexionsEdited from Saw (2004)
Commentaire à la une
After so many sequels, one should expect a series to be driven to the ground. Although it's getting a bit tiring, Saw fans, & for that matter, fans of gore, shouldn't be disappointed with the fifth movie. Saw 5 still follows the same routine of the cat and mouse game... but of course, as always, telling you too much of the plot is a ruining the game for you. Let's keep it at the thin plot description already given: a detective goes out of his way to make sure that his secret is kept, before an agent uncovers his identity. The subplot involves 5 individuals who are somehow connected, and must work their way out of traps.
The traps still prove to be especially cruel, perhaps a little too cruel, but even that is worked into the story. It involves quite a bit of the past, much like Saw 4, it will give you more of the origin of the characters, whether it's needed or not. Minimizing flashbacks, it instead will fill in a number of plot and character holes.
This is David Hackl's directional debut. Considering he's been around since Saw 2 as production designer, this is a solid step forward. There's no doubt that these somehow ingenious, if not over the top story lines that interconnect were made up well after the fact, but that doesn't change the fact that the scriptwriters were keen on at least making an effort to do exactly that. Tie things in, making the package look neater, & hoping you don't think about it too much that you start to see the implausibility of it all.
If you have not seen the previous Saw's, you will be lost here, as you will be left with confusing tie in's and past incidents that mesh too well with the present. It's just not kind to new viewers.
All in all, I can't complain about Saw 5, because I got exactly what I expected. Clever, deadly traps, uncomfortable situations, & of course, the "twist" at the end. There's no denying that one particular actor that's been in all the Saw's is especially good at what he does.
For the most part, I would suggest waiting for a rental. I think that some viewers may grow tired of the series because it comes out every year. The nature of an audience viewing sequels is that it dwindles in number over time, as "sequelitis" sets in. But if you enjoyed the previous Saws & all their abusive, bloody, cruel, & heartless drama, you don't need me to suggest anything to you.
The traps still prove to be especially cruel, perhaps a little too cruel, but even that is worked into the story. It involves quite a bit of the past, much like Saw 4, it will give you more of the origin of the characters, whether it's needed or not. Minimizing flashbacks, it instead will fill in a number of plot and character holes.
This is David Hackl's directional debut. Considering he's been around since Saw 2 as production designer, this is a solid step forward. There's no doubt that these somehow ingenious, if not over the top story lines that interconnect were made up well after the fact, but that doesn't change the fact that the scriptwriters were keen on at least making an effort to do exactly that. Tie things in, making the package look neater, & hoping you don't think about it too much that you start to see the implausibility of it all.
If you have not seen the previous Saw's, you will be lost here, as you will be left with confusing tie in's and past incidents that mesh too well with the present. It's just not kind to new viewers.
All in all, I can't complain about Saw 5, because I got exactly what I expected. Clever, deadly traps, uncomfortable situations, & of course, the "twist" at the end. There's no denying that one particular actor that's been in all the Saw's is especially good at what he does.
For the most part, I would suggest waiting for a rental. I think that some viewers may grow tired of the series because it comes out every year. The nature of an audience viewing sequels is that it dwindles in number over time, as "sequelitis" sets in. But if you enjoyed the previous Saws & all their abusive, bloody, cruel, & heartless drama, you don't need me to suggest anything to you.
- silentcheesedude
- 23 oct. 2008
- Permalien
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Détails
Box-office
- Budget
- 10 800 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 56 746 769 $US
- Week-end de sortie aux États-Unis et au Canada
- 30 053 954 $US
- 26 oct. 2008
- Montant brut mondial
- 113 864 059 $US
- Durée1 heure 32 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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