I Love You, Man
- 2009
- Tous publics
- 1h 45min
Peter Klaven n'a pas d'ami. Il se lance à la rencontre de plusieurs hommes afin de trouver un garçon d'honneur pour son mariage. Mais, lorsqu'il se lie d'amitié instantanément avec sa nouvel... Tout lirePeter Klaven n'a pas d'ami. Il se lance à la rencontre de plusieurs hommes afin de trouver un garçon d'honneur pour son mariage. Mais, lorsqu'il se lie d'amitié instantanément avec sa nouvelle meilleure amie, sa relation avec sa fiancée est mise à l'épreuve... le trio peut-il app... Tout lirePeter Klaven n'a pas d'ami. Il se lance à la rencontre de plusieurs hommes afin de trouver un garçon d'honneur pour son mariage. Mais, lorsqu'il se lie d'amitié instantanément avec sa nouvelle meilleure amie, sa relation avec sa fiancée est mise à l'épreuve... le trio peut-il apprendre à vivre heureux pour toujours ?
- Récompenses
- 1 victoire et 8 nominations au total
Histoire
Le saviez-vous
- GaffesWhen Peter confronts Sydney about the billboards, the audio has Peter saying "Eight thousand dollars?" but Peter clearly mouths "five" instead of "eight"
- Citations
Sydney Fife: You get home safe, Pistol.
Peter Klaven: You got it, Joben.
Sydney Fife: I'm sorry, what?
Peter Klaven: Er... nothing.
Sydney Fife: No, what did you say?
Peter Klaven: Nah, I don't know... You nicknamed me Pistol, and I just called you... "Joben"... It means nothing... I don't... I'm drunk... I'm gonna call a cab.
- Crédits fousScenes from the wedding reception play during the credits.
- Bandes originalesShut Up and Drive
Written by Gillian Gilbert, Peter Hook, Stephen Morris, Evan Rogers, Carl Sturken and Bernard Sumner
Performed by Rihanna
Courtesy of The Island Def Jam Music Group
Under license from Universal Music Enterprises
Fortunately, ILYM does do this and it does it in a way that will please the majority of viewers. The plot is simple and sets up the obvious gags but does also produce a solid "bromance" narrative, which is enjoyable while not saying much more than the basics about the nature of modern men. What helps it a great deal is that it is funny. The tone of it is well maintained and it did keep me in the mood to laugh, which is half the battle. It manages this through the main characters being likable in the most part as well as having plenty of pretty funny asides or episodes based on plot or character, which are again delivered well by a cast containing endless faces that will be familiar to anyone who watches US comedy on even a semi-regular basis.
I'm not sure that Paul Rudd is close to being an all-round leading man type of actor but certainly this type of film (like some of his other recent turns) plays to his strengths. He is comically awkward but yet also keeps the audience with him by being easy to like – helped by the film being light on crude or crass comedy, which can put me off some characters. He works well with TV comedian Segel, who is perhaps a less engaging and likable character but does convince within it and is funny. Beyond the two of them everyone else is pretty much in a supporting role and, as well as having lots of famous faces, they do mostly deliver laughs in "asides". Pressly and Favreau are both very good at this and steal a lot of scenes. I liked The Office's Jones turn as the fiancé as I generally like her delivery. There are many other faces to recognise (such as Simmons, Samberg, Curtin, Chaandrasekhar, Ferrigno, Wilmore) and some of them do provide value even if others only provide a face.
Overall though, ILYM delivers what it sets its stall out to do – which is a gentle and funny comedy that is easy to watch and entertaining even if it is fleeting and not particularly memorable as a film in and of itself. Rudd plays to his strengths and provides the thin plot with a likable and engaging core, while the material is very funny at best and amusing at worst. Not a classic by any means but it has laughs and it has charm.
- bob the moo
- 19 août 2009
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Te amo, brother
- Lieux de tournage
- 1 Electra Court, Los Angeles, Californie, États-Unis(Lou Ferrigno's house)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 40 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 71 440 011 $US
- Week-end de sortie aux États-Unis et au Canada
- 17 810 270 $US
- 22 mars 2009
- Montant brut mondial
- 91 980 359 $US
- Durée1 heure 45 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1