NOTE IMDb
6,3/10
7,2 k
MA NOTE
Dans un futur proche, une crise financière frappe la Corée et des bidonvilles apparaissent à travers le pays. Dans ces régions, un groupe de jeunes commet des crimes pour survivre.Dans un futur proche, une crise financière frappe la Corée et des bidonvilles apparaissent à travers le pays. Dans ces régions, un groupe de jeunes commet des crimes pour survivre.Dans un futur proche, une crise financière frappe la Corée et des bidonvilles apparaissent à travers le pays. Dans ces régions, un groupe de jeunes commet des crimes pour survivre.
- Récompenses
- 3 nominations au total
Tony Azzolino
- Additional Voices
- (English version)
- (voix)
Johnny Yong Bosch
- Ki-Hoon
- (English version)
- (voix)
David Chen
- Additional Voices
- (English version)
- (voix)
Stephen Fu
- Sang-Soo
- (English version)
- (voix)
Todd Haberkorn
- Additional Voices
- (English version)
- (voix)
Judy Alice Lee
- Additional Voices
- (English version)
- (voix)
Christopher Sean
- Additional Voices
- (English version)
- (voix)
Stephanie Sheh
- Additional Voices
- (English version)
- (voix)
Histoire
Le saviez-vous
- AnecdotesThe film premiered at the 70th Berlin International Film Festival on February 22, 2020, making it the first Korean film to be screened in the Berlinale Special section.
- ConnexionsReferenced in Film Junk Podcast: Episode 781: Another Round (2021)
- Bandes originalesPassing By (Prod. Primary)
Commentaire à la une
Finally on Netflix after the resolution of the rights issue, Time to Hunt sadly proves itself an example of a movie good on paper but pretty much disappointing once made.
'Cause it reveals itself to be just an exercise in style over substance, very very intriguing and convincing visually (thanks to a dark, atmospheric cinematography and to the wonderful production design creating a city that it's almost as gloomy, "claustrophobic" and oppressing as the Blade Runner's one), but very very disappointing narratively.
A mediocre movie that it's also totally self-indulgent in its "enormous" runtime, which is clearly unjustified given the thinness of the plot. Time to Hunt ultimately it's just an ordinary caper and chase action movie that it's content in basically jump back and forth between one location and the other, maybe to show off the results reached in the production design and special effects departments thanks, we should suppose, to a more robust budget than usual. And, not surprisingly, said locations are usually pretty much evocative, even though they are not exactly original (to make a couple of examples: look at the almost nightmarish dark and empty hospital or at the giant palaces encircled by rampant weed...). The problem is that the movie as a whole well, it's not. It's not very evocative, or very interesting for that matter. It's just frustrating.
The heist sequence manages to pump up the rhythm for a while (even though it's almost implausible), but from there on the movie keeps on going following the predictable "run-bad guy arrives-another furious run" scheme that wears out pretty soon. And so monotony prevails. (And, by the way, the movie could have concluded after the first run, but for some reasons: SPOILER: the villain lets the guys escape, 'cause he finds it really, really amusing END OF SPOILER).
Matter of fact, all the characters seem condemned to do all the bad decisions possible (they don't turn off cellphones, they separate with no logical reason whatsoever etc. etc.), the villain is of course indestructible like Terminator and, well, the so-called ending manages to definitely drag the movie down ('cause it's actually a cliffhanger and 'cause it's just stupid).
So, to conclude I'd say that Time to Hunt it's a disappointing feature (but, if you reached this point, I guess you already grasped that). A shallow movie that wastes the talents involved (the actors, the director, the director of photography, the production designer). It's happy in just offering us mediocre entertainment while it could have been much, much more.
'Cause it reveals itself to be just an exercise in style over substance, very very intriguing and convincing visually (thanks to a dark, atmospheric cinematography and to the wonderful production design creating a city that it's almost as gloomy, "claustrophobic" and oppressing as the Blade Runner's one), but very very disappointing narratively.
A mediocre movie that it's also totally self-indulgent in its "enormous" runtime, which is clearly unjustified given the thinness of the plot. Time to Hunt ultimately it's just an ordinary caper and chase action movie that it's content in basically jump back and forth between one location and the other, maybe to show off the results reached in the production design and special effects departments thanks, we should suppose, to a more robust budget than usual. And, not surprisingly, said locations are usually pretty much evocative, even though they are not exactly original (to make a couple of examples: look at the almost nightmarish dark and empty hospital or at the giant palaces encircled by rampant weed...). The problem is that the movie as a whole well, it's not. It's not very evocative, or very interesting for that matter. It's just frustrating.
The heist sequence manages to pump up the rhythm for a while (even though it's almost implausible), but from there on the movie keeps on going following the predictable "run-bad guy arrives-another furious run" scheme that wears out pretty soon. And so monotony prevails. (And, by the way, the movie could have concluded after the first run, but for some reasons: SPOILER: the villain lets the guys escape, 'cause he finds it really, really amusing END OF SPOILER).
Matter of fact, all the characters seem condemned to do all the bad decisions possible (they don't turn off cellphones, they separate with no logical reason whatsoever etc. etc.), the villain is of course indestructible like Terminator and, well, the so-called ending manages to definitely drag the movie down ('cause it's actually a cliffhanger and 'cause it's just stupid).
So, to conclude I'd say that Time to Hunt it's a disappointing feature (but, if you reached this point, I guess you already grasped that). A shallow movie that wastes the talents involved (the actors, the director, the director of photography, the production designer). It's happy in just offering us mediocre entertainment while it could have been much, much more.
- BitingMovieJunkie
- 2 mai 2020
- Permalien
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Durée2 heures 14 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
What is the Japanese language plot outline for La traque: Time to Hunt (2020)?
Répondre