Ryan Bingham aime vivre dans une valise pour son travail, voyager à travers le pays, virer des gens, mais trouve ce style de vie menacé par la présence d'un intérêt amoureux potentiel, et un... Tout lireRyan Bingham aime vivre dans une valise pour son travail, voyager à travers le pays, virer des gens, mais trouve ce style de vie menacé par la présence d'un intérêt amoureux potentiel, et une nouvelle embauche.Ryan Bingham aime vivre dans une valise pour son travail, voyager à travers le pays, virer des gens, mais trouve ce style de vie menacé par la présence d'un intérêt amoureux potentiel, et une nouvelle embauche.
- Nommé pour 6 Oscars
- 75 victoires et 171 nominations au total
- Kevin
- (as Chris Lowell)
Histoire
Le saviez-vous
- AnecdotesWhen Bob shows Ryan a photo of his two children, it is a photo of J.K. Simmons's real children.
- GaffesWhen Ryan asks how many miles a round-the-world flight would cost, he's told it's 500,000 miles. On American a first class round-the-world flight costs 300,000 miles (and even less for lower classes). However, the trip is for two people, not just one.
- Citations
Ryan Bingham: [on the docks in Miami] You know that moment when you look into somebody's eyes and you can feel them staring into your soul and the whole world goes quiet just for a second?
Natalie Keener: Yes.
Ryan Bingham: [shrugs] Right. Well, I don't.
Natalie Keener: you're an asshole.
- Crédits fousThere is a voice recording by Kevin Renick addressing to Jason Reitman mid-credit, stating the reason he wrote the song and the original recording of the song.
- ConnexionsEdited into De wereld draait door: Épisode #5.84 (2010)
- Bandes originalesThis Land Is Your Land
Written by Woody Guthrie
Performed by Sharon Jones and The Dap-Kings
Courtesy of Daptone Records
Clooney's Bingham is the loner businessman whose only relationships exist from random meetings with attractive females at the multiple airports he frequents. His wallet of plastic has become his lifeblood—credit cards from airlines that accumulate his mileage, hotel status perk cards that let him cut the disgruntled travelers and go straight to the front, and numerous room keys that never seem to be thrown out, causing him to always use more than one before finally opening his hotel suite's door. Detached from his family for years as the brother that exists but cannot be counted on for anything, he contemplates whether he should, or really wants to, attend his sister's wedding—the little girl of the family and someone he should have been involved with after the passing of their father. A series of style cramping incidents for him begins with a phone call from his other sister and the request to take a cardboard cutout of the happy couple, (Melanie Lynskey and Danny McBride, in a role that might actually show some nuance for a guy that usually flies by the cuff), and photograph it in front of famous places he travels to for work "like that French gnome movie,"—I love the Amélie reference. Then comes the threat of being taken out of the air, his home for decades, in order to impersonally let go more people more efficiently; the challenge of taking Natalie on his next schedule of jobs to prove to her why the new system won't work; and the addition of a love interest in Vera Farmiga's Alex, a woman who describes herself to him with "just think of me as you with a vagina"—one of many great lines.
There is a lot of subtlety and intricate weaving of plot lines throughout the story, details and sequences that need to be seen fresh to get the full benefit of the film. What you might initially think is a witty comedy about a jerk of a guy who not only thinks he's better than everyone else, but actually is, that either finds the error of his ways or gets dropped down a peg or two, eventually becomes a tale chock full of heart and emotion. The real success story of the film is a revelatory performance from Clooney who really knocks this on out of the park. He always showed the charisma and chops to play confident and successful, but here is allowed to also branch out and express the pent-up frustration that comes with isolated loneliness, the passion one can have for a job that seems horrible, yet, when treated carefully, is a job to take seriously, and the compassion for humanity on the whole, softening enough to realize that there are people around him that need help besides his laid off strangers, help that only he can provide. The evolution he undertakes is really pretty amazing and I credit Kirn, Reitman, and Clooney for pulling it off with grace and laughter.
Every single actor is unforgettable—even the bit parts like Zach Galifianakis and especially J.K. Simmons as two corporate employees who's jobs have been eliminated. Jason Bateman is hilarious as Clooney's smug boss, fully embodying the take no crap nonchalance he made famous in "Arrested Development"; Farmiga is gorgeous and competent to be able to go toe-to-toe with Clooney in the detachment and power-hungry attitude of flying in style for half a year or more; and, if George's reinvention of character is revelatory, then Kendrick's naïve Natalie is masterful. This girl was top in her class, able to get a job in her field wherever her heart desired, yet settled for this firm specializing in firing people so as to not dirty the workers' real superior's hands. Young and confused about life in the big world of adulthood—set on a plan for marriage and children to occur as though set times on a clock—her eyes are opened to the intimacy and fragility with which a person's mental state can be affected by mere words. When you put them all together, Up in the Air resonates on so many levels; deserving of any praise and accolades to be bestowed upon it. Hilariously funny every second of the way, it is still unafraid to dig into the dark moments of life and treat them with respect and relevancy, going places you wouldn't think it would have the guts to go. You really can't say too much about the film, a top ten of the year entry for sure. Reitman proving to be a force to reckon with and Clooney that he just keeps getting better with age.
- jaredmobarak
- 18 sept. 2009
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Amor sin escalas
- Lieux de tournage
- Cheshire Inn, Saint-Louis, Missouri, États-Unis(Wedding shower scene)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 25 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 83 823 381 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 181 450 $US
- 6 déc. 2009
- Montant brut mondial
- 166 842 739 $US
- Durée1 heure 49 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1