Bugonia
- 2025
- 12 avec avertissement
- 1h 58min
Deux jeunes hommes obsédés par la conspiration kidnappent la PDG d'une grande entreprise, convaincus qu'elle est un extraterrestre qui a l'intention de détruire la planète Terre.Deux jeunes hommes obsédés par la conspiration kidnappent la PDG d'une grande entreprise, convaincus qu'elle est un extraterrestre qui a l'intention de détruire la planète Terre.Deux jeunes hommes obsédés par la conspiration kidnappent la PDG d'une grande entreprise, convaincus qu'elle est un extraterrestre qui a l'intention de détruire la planète Terre.
- Réalisation
- Scénaristes
- Stars
- Récompenses
- 3 victoires et 17 nominations au total
Momma Cherri
- Tina
- (as Charita 'Momma Cherri' Jones)
Janlyn Bales
- Andromedan
- (as Janlyn Mallis Bales)
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Avis à la une
8Ehi7
Lanthimos-stone tackles sci fi, horror, comedy and drama
This movie is a really good mix of genres in typical lanthimos styles, there's especially a lot of his sicked black humour as well as unexpected drama, horror and sci fi. Performances are all great but it's the finale that for me really elevates the movie. Funny, coherent, surprising, visually amazing.
The soundtrack was great too, looking forward to its general release to see the audience reaction.
The soundtrack was great too, looking forward to its general release to see the audience reaction.
Time for Jesse Plemons to get an Oscar
Don't get me wrong, Emma Stone is terrific here, carrying that same cool, unreadable spark that Tilda Swinton built a career on, only with a younger, brighter edge. Stone has already collected two Oscars, though, and what really catches you off guard is Jesse Plemons, who turns in a performance so sharp and so unsettling that you keep thinking you've never quite seen him push himself like this.
"Bugonia" eases in with what looks like a simple setup, just two men talking, one dominating the dialogue while the other tries to keep pace, and before you realize it the whole thing has shifted into a story that moves fast yet stays grounded enough to feel like something that could unfold a few blocks from where you live. I was hooked from the first scene and stayed that way nearly all the way through, though the ending lingers longer than it needs to, just enough to place it a step below "Poor Things." Even so, it is unmistakably a Yorgos Lanthimos production, and it carries that same strange, irresistible flavor that makes his work so easy to sink into.
"Bugonia" eases in with what looks like a simple setup, just two men talking, one dominating the dialogue while the other tries to keep pace, and before you realize it the whole thing has shifted into a story that moves fast yet stays grounded enough to feel like something that could unfold a few blocks from where you live. I was hooked from the first scene and stayed that way nearly all the way through, though the ending lingers longer than it needs to, just enough to place it a step below "Poor Things." Even so, it is unmistakably a Yorgos Lanthimos production, and it carries that same strange, irresistible flavor that makes his work so easy to sink into.
A darkly funny and surreal thriller
Bugonia is a classic Yorgos Lanthimos movie as it examines the darkest parts of human nature in a characteristically darkly comedic fashion but it also offers something different when it operates as a tense thriller. It's a neatly structured film that only gets better once things properly escalate in a genuinely shocking way and it reaches a satisfying conclusion. This is another recent release which really feels of the moment.
Jesse Plemons is amazing by being fully committed to the naivety of his character which makes him equally threatening and gullible. Emma Stone is effortlessly confident and funny as she slowly begins to control the situation, continuing her winning collaboration with Yorgos in a way that shows her full potential once again. It's the constantly shifting power play between these two that keeps it so investing and unpredictable.
Director Yorgos Lanthimos delivers one of his strongest films to date where the trademark surrealism feels more appropriate thanks to the premise whilst working with some of his most consistent collaborators behind the camera. Robbie Ryan's cinematography knows how to make each scene look beautiful and surreal at the same time, complimented by Jerskin Fendrix's suitably paranoid score ensuring everything feels ominous when needed.
Jesse Plemons is amazing by being fully committed to the naivety of his character which makes him equally threatening and gullible. Emma Stone is effortlessly confident and funny as she slowly begins to control the situation, continuing her winning collaboration with Yorgos in a way that shows her full potential once again. It's the constantly shifting power play between these two that keeps it so investing and unpredictable.
Director Yorgos Lanthimos delivers one of his strongest films to date where the trademark surrealism feels more appropriate thanks to the premise whilst working with some of his most consistent collaborators behind the camera. Robbie Ryan's cinematography knows how to make each scene look beautiful and surreal at the same time, complimented by Jerskin Fendrix's suitably paranoid score ensuring everything feels ominous when needed.
Plemons dropped a nuclear bomb of a performance.
Plemons sinks into this role like wet cement.
If Heath Ledger's Joker was chaos on fire, Plemons is the silence that burns before the explosion. The yin to that yang. No makeup, no theatrics, just a man quietly losing his grip one inch at a time. You can't look away.
His scenes of him 'brainwashing' his cousin exudes a natural darkness I cannot recall ever seeing on screen before.
If Heath Ledger's Joker was chaos on fire, Plemons is the silence that burns before the explosion. The yin to that yang. No makeup, no theatrics, just a man quietly losing his grip one inch at a time. You can't look away.
His scenes of him 'brainwashing' his cousin exudes a natural darkness I cannot recall ever seeing on screen before.
Almost as groundbreaking as the Substance.
If you are a Horror Thriller fan, go see this! It has Comedy but it was too serious of a subject to make me laugh, kidnapping, torture, abuse, the movie is basically horror thriller and you can see why i say this...I did not enjoy poor things, it ended up being a Victorian Era P0RN0.... This movie is more straightforward and easier to get behind...it's a movie you must see in theaters...I went in blind, i only knew about emma stone being baId and kidnapped because this guy thinks she's an Alien...It's one of those movies you can rewatch and better than most films that have came out this year...I would compare it to the Substance, although Substance is way more wild...Go SEE THIS.
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Le saviez-vous
- AnecdotesAidan Delbis, who had never acted professionally before, was cast as Don after Yorgos Lanthimos decided to find a non-professional neurodivergent actor to provide a different dynamic alongside Emma Stone and Jesse Plemons.
- GaffesWhen Teddy mispronounces "shibboleth," Michelle mocks him for using poor grammar. But grammar is the set of rules for how a language is structured (e.g. order of words in a sentence, inflection of words etc.), a mispronunciation is not a grammatical error.
- Crédits fousThe Focus Features, Element Pictures and CJ ENM production companies are mentioned at the start of the film in cursive font without their production logos.
- Bandes originalesGood Luck, Babe
Performed by Chappell Roan
Written by Dan Nigro (as Daniel Leonard Nigro), Chappell Roan (as Kayleigh Rose Amstutz) and Justin Tranter
Courtesy of Island Records
Under license from Universal Music Operations Limited
Published by Sony Music Publishing and Old Mine Cut Publishing pub designee (BMI)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Bugonia Bugonia
- Lieux de tournage
- Sarakiniko Beach, Milos Island, Grèce(beach in the end)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 17 374 275 $US
- Week-end de sortie aux États-Unis et au Canada
- 709 848 $US
- 26 oct. 2025
- Montant brut mondial
- 34 800 847 $US
- Durée
- 1h 58min(118 min)
- Couleur
- Mixage
- Rapport de forme
- 1.50 : 1
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