NOTE IMDb
6,9/10
4,5 k
MA NOTE
Ajouter une intrigue dans votre langueThis movie focuses on a dozen of the five hundred characters depicted in Bruegel's painting. The theme of Christ's suffering is set against religious persecution in Flanders in 1564.This movie focuses on a dozen of the five hundred characters depicted in Bruegel's painting. The theme of Christ's suffering is set against religious persecution in Flanders in 1564.This movie focuses on a dozen of the five hundred characters depicted in Bruegel's painting. The theme of Christ's suffering is set against religious persecution in Flanders in 1564.
- Récompenses
- 10 victoires et 7 nominations au total
Histoire
Le saviez-vous
- GaffesA few minutes before the end of the movie, a red automobile crosses the background between two houses, while Bruegel and Nicholas Jonghelinck are speaking in the foreground.
- Bandes originalesMiserere, Opus 44
By Henryk Mikolaj Górecki
Performed by the Silesia Philharmonic Choir (Chorus Master Jan Wojtacha)
Commentaire à la une
The Mill and the Cross is a painting (so not a lot of plot!) come to life and it is unlike any movie I have ever seen before (and I have seen a few)! Directed by Polish filmmaker, Lech Majewski, it is a recreation and interpretation of the famous 1564 painting by Pieter Bruegel, "The Way to Calvary".
Glacially-paced and nearly-silent (at first) ... one film critic (Stephen Cole of "Globe and Mail") said that this film's detractors will likely lament that watching this "is like watching a painting dry" (a point I can understand some having). If it doesn't grab one's interest early-on -- the film's opening is the painting coming to life and than slowly drying back onto the canvas -- there is no point in watching it.
Another film about the inspiration of a painting (that I loved) -- The Girl with the Pearl Earring -- told a possible story of how a Vermeer masterpiece came into being AND each scene was as lovely as a painted picture. Here each scene looks like a painting as well; but this story isn't necessarily one about a "what-if" (although as a film it technically is). Instead, The Mill and the Cross pretends to show us THIS painting (not the inspiration behind it) as it is being painted.
The painting is of the re-imagined crucifixion of Christ in 16th Century Flanders while the region is under BRUTAL Spanish occupation. As Bruegel (Rutger Hauer - Batman Begins, Hobo with a Shotgun, Blade Runner) draws and explains his painting, the scene comes to life so that the audience sees what Bruegel "sees". The premise and style are highly unusual but I appreciated the delicate take (layer-upon-layer of computer imaging) of telling this story.
The Mill and the Cross isn't content with looking at a piece of art -- this film is about experiencing it which is rather marvelous as the Flanders countryside comes to life (and it is as if the audience has stumbled upon the same setting/scene as Bruegel). We get bits and pieces of story but no major plot other than the painting and its scenes/images coming to life.
This wasn't a favorite of mine by any means; but I do like the originality of it and anybody with a serious interest in art might want to check it out.
Glacially-paced and nearly-silent (at first) ... one film critic (Stephen Cole of "Globe and Mail") said that this film's detractors will likely lament that watching this "is like watching a painting dry" (a point I can understand some having). If it doesn't grab one's interest early-on -- the film's opening is the painting coming to life and than slowly drying back onto the canvas -- there is no point in watching it.
Another film about the inspiration of a painting (that I loved) -- The Girl with the Pearl Earring -- told a possible story of how a Vermeer masterpiece came into being AND each scene was as lovely as a painted picture. Here each scene looks like a painting as well; but this story isn't necessarily one about a "what-if" (although as a film it technically is). Instead, The Mill and the Cross pretends to show us THIS painting (not the inspiration behind it) as it is being painted.
The painting is of the re-imagined crucifixion of Christ in 16th Century Flanders while the region is under BRUTAL Spanish occupation. As Bruegel (Rutger Hauer - Batman Begins, Hobo with a Shotgun, Blade Runner) draws and explains his painting, the scene comes to life so that the audience sees what Bruegel "sees". The premise and style are highly unusual but I appreciated the delicate take (layer-upon-layer of computer imaging) of telling this story.
The Mill and the Cross isn't content with looking at a piece of art -- this film is about experiencing it which is rather marvelous as the Flanders countryside comes to life (and it is as if the audience has stumbled upon the same setting/scene as Bruegel). We get bits and pieces of story but no major plot other than the painting and its scenes/images coming to life.
This wasn't a favorite of mine by any means; but I do like the originality of it and anybody with a serious interest in art might want to check it out.
- twilliams76
- 18 janv. 2012
- Permalien
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- How long is The Mill and the Cross?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- The Mill and the Cross
- Lieux de tournage
- Wieliczka, Malopolskie, Pologne(mill interiors)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 312 187 $US
- Week-end de sortie aux États-Unis et au Canada
- 11 354 $US
- 18 sept. 2011
- Montant brut mondial
- 1 116 180 $US
- Durée1 heure 32 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Bruegel, le moulin et la croix (2011) officially released in Canada in English?
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