"Welcome to Pine Lake" attempts to tackle significant themes surrounding a small Georgia city's political landscape, but it ultimately falters due to its lack of a cohesive storyline. The film presents itself as a quasi-documentary, yet it feels more like a disjointed collection of scenes rather than a well-structured narrative.

Part of this is due to the fact the filmmakers decided after completing filming that they needed to point out that people were getting ticketed for traffic violations. In doing so they abandoned their original concept of a documentary about the city which was governed by an all women mayor, council, police chief, and magistrate. After a pang of conscious Gambino and company thought they could cash in with a more racially motivated film. Without going back and asking city leaders direct questions about their concerns they proceeded with a poorly constructed hatchet piece.

From the outset, the film meanders aimlessly, failing to establish a clear direction or purpose. Viewers are left wondering what the central message is, as the content shifts from one topic to another without any logical progression. This lack of focus makes it incredibly dull and frustrating to watch. The film's exploration of over policing and liberal ideals in Pine Lake is overshadowed by its inability to weave these elements into a compelling story.

"Welcome to Pine Lake" resembles a political advertisement more than a documentary, which detracts from its credibility. The film's attempt to showcase the city's progressive image is undermined by its incoherence, leaving audiences with more questions than answers. Overall, the lack of a cohesive storyline renders "Welcome to Pine Lake" a tedious viewing experience, failing to engage or inform its audience effectively.

Documentary reveals how a small Georgia city's history of overpolicing belies its liberal image

Patrick Kirst, Wendy Eley Jackson, Neal Broffman, and Elisa Gambino in Welcome to Pine Lake (2020)

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