Inspiré des dossiers réels du père Gabriele Amorth, l'exorciste en chef du Vatican, The Pope's Exorcist suit Amorth alors qu'il enquête sur la terrible possession d'un petit garçon.Inspiré des dossiers réels du père Gabriele Amorth, l'exorciste en chef du Vatican, The Pope's Exorcist suit Amorth alors qu'il enquête sur la terrible possession d'un petit garçon.Inspiré des dossiers réels du père Gabriele Amorth, l'exorciste en chef du Vatican, The Pope's Exorcist suit Amorth alors qu'il enquête sur la terrible possession d'un petit garçon.
- Récompenses
- 1 victoire et 3 nominations au total
Alexandra Essoe
- Julia
- (as Alex Essoe)
Edward Harper-Jones
- Young Amorth
- (as Edward Harper Jones)
Histoire
Le saviez-vous
- AnecdotesWhile researching the life and work of Fr. Gabriel Amorth, Russell Crowe discovered that Amorth's personal favorite movie was L'Exorciste (1973), so much so, that Amorth became good friends with its director William Friedkin who later directed a documentary of Amorth's work as an exorcist, The Devil and Father Amorth (2017). This would be the second to last film Friedkin directed to be released in his lifetime before his death on August 7, 2023.
- GaffesThere is no mention of the Iron Maiden device prior to the 19th century. Additionally, there is no evidence that it was ever used by the Inquisition and may, in all probability, have been a myth fabricated to sell tickets at a tourist attraction.
- Citations
Father Gabriel Amorth: A mother's love is the closest thing we know to God's love.
- ConnexionsFeatured in Projector: The Pope's Exorcist (Russell Crowe) (2023)
- Bandes originalesShe Sells Sanctuary
Written by Ian Astbury (as Ian Robert Astbury) and Billy Duffy (as William Henry Duffy)
Performed by The Cult
Courtesy of Beggars Banquet Records Ltd.
By arrangement with Beggars Group Media Limited
Commentaire à la une
I was pleasantly surprised at how much I enjoyed The Pope's Exorcist. After initially seeing the trailers, I wrote this movie off as a standard possession film that I have seen time and time again, and while most of that is still true, there is something about this film that made it a joy to watch.
The film does not attempt to do anything particularly new or groundbreaking in the genre, but everything it has is handled with care and precision. The direction is fantastic, with a very quick pace that makes each scene have a sense of urgency as our characters attempt to perform the exorcism. There is particularly deep lore that is established within the church structure, with different factions and politics at play that add a slightly different dimension rather than just your run-of-the-mill "insert random priest here."
My favorite aspect of the film is the acting. I think all of the adult characters do a tremendous job here. Russell Crowe kills it in every scene he is in and definitely gives an entirely different take on the exorcist character. Where most are intensely serious and melodramatic, Crowe adds a bit of whimsicalness and youth to the character that creates a calming presence to every intense scene. His rapport with Daniel Zovatto is excellent. The two really play off each other well and carried the film in many ways. Alex Essoe was great, although underutilized. The two children were okay. The boy gave a very stereotypical portrayal of a possessed child, and the daughter was flat in many ways.
My only complaint about the entire film is its lack of originality and the story. Every single beat is something that we have seen before; there were no new or fresh ideas that were interjected into the story. The tension was fine, but nothing was particularly scary. Overall, if not for the film's fantastic director and cast, it would have been a bomb.
Score: 63% 👍 Verdict: Decent.
The film does not attempt to do anything particularly new or groundbreaking in the genre, but everything it has is handled with care and precision. The direction is fantastic, with a very quick pace that makes each scene have a sense of urgency as our characters attempt to perform the exorcism. There is particularly deep lore that is established within the church structure, with different factions and politics at play that add a slightly different dimension rather than just your run-of-the-mill "insert random priest here."
My favorite aspect of the film is the acting. I think all of the adult characters do a tremendous job here. Russell Crowe kills it in every scene he is in and definitely gives an entirely different take on the exorcist character. Where most are intensely serious and melodramatic, Crowe adds a bit of whimsicalness and youth to the character that creates a calming presence to every intense scene. His rapport with Daniel Zovatto is excellent. The two really play off each other well and carried the film in many ways. Alex Essoe was great, although underutilized. The two children were okay. The boy gave a very stereotypical portrayal of a possessed child, and the daughter was flat in many ways.
My only complaint about the entire film is its lack of originality and the story. Every single beat is something that we have seen before; there were no new or fresh ideas that were interjected into the story. The tension was fine, but nothing was particularly scary. Overall, if not for the film's fantastic director and cast, it would have been a bomb.
Score: 63% 👍 Verdict: Decent.
- nathangoffnett
- 15 mai 2023
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- How long is The Pope's Exorcist?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- El exorcista del papa
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 18 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 20 009 380 $US
- Week-end de sortie aux États-Unis et au Canada
- 9 006 368 $US
- 16 avr. 2023
- Montant brut mondial
- 76 987 621 $US
- Durée1 heure 43 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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