Demain, quand la guerre a commencé
Titre original : Tomorrow, When the War Began
- 2010
- Tous publics
- 1h 44min
NOTE IMDb
6,1/10
32 k
MA NOTE
Ajouter une intrigue dans votre langueWhen their country is invaded and their families are taken, eight unlikely teenagers band together to fight.When their country is invaded and their families are taken, eight unlikely teenagers band together to fight.When their country is invaded and their families are taken, eight unlikely teenagers band together to fight.
- Récompenses
- 8 victoires et 14 nominations au total
Andrew Ryan
- Chris Lang
- (as Andy Ryan)
Histoire
Le saviez-vous
- AnecdotesThe language spoken by the invaders in the film is a totally made up language, sampled from many languages worldwide and then scrambled.
- GaffesWhen Lee is getting worked on by the doctor his pant leg is cut off, but later as he climbs into the dump bucket he has a full length pant leg again.
- Citations
Ellie Linton: Good book?
Corrie Mackenzie: Better than the movie.
Ellie Linton: Yeah, books usually are.
- ConnexionsFeatured in The 7PM Project: Épisode #1.274 (2010)
- Bandes originalesSteer
Written & Performed by Missy Higgins
Commentaire à la une
Fans of the Tomorrow book series rejoiced at the news of a cinematic adaptation of John Mardson's iconic Australian teen epic, Tomorrow When the War Began. As an enthusiast of the first 3 books (in a series of 7), I was ecstatic that it would get big screen treatment and not some shitty b-grade telly movie as I had feared. I'm pleased to announce that I walked out of this energised, with a racing pulse and a smile on the face.
For those unfamiliar with the material, the concept of is pretty much identical to Red Dawn – a group of teens from a country town go camping for a weekend to find out their country has been invaded, and their family have been held captive. They hide out and guerrilla warfare ensues.
Thematically, the film captures the clichéd 'working together' virtues of friendship corn from the novel. It is definitely in the writing that the film falls down well, more of a stumble than a fall. I found this particularly unusual given the writer/director is Stuart Beattie – a screenwriter with an exceptional resume. He handles action far better than he handles characters in his directorial debut. Despite the ham and cheese in the writing, the broader screenplay is emotionally satisfying.
Whilst the acting is not of the highest calibre, I would say it was on par with other large franchise films with a young, teen cast (specifically Harry Potter and Twi). The actor who plays Lee is the weakest link here. Although he has the visual presence for the role, his delivery is consistently wooden. Caitlyn Stacey was a standout for me. She displays genuine emotion, genuine intensity and fear. I would have preferred if she spoke like less of a 'toff', and ripped into that bogan Aussie accent, but she brings a solid and believable strength.
As well as capturing the essence of the novel, the action sequences have been stunningly realised. The visuals have a polished look and feel, on par with films with a much higher budget (this had only $20AUD million) thus I believe it would stand up well in an international market. By any standards, the action is exhilarating and has been directed with clarity. Although I wouldn't have minded a bit more grit to the imagery, the cinematography is exceptional and captures the Australian landscapes beautifully. The soundtrack and score was nicely chosen, and the balance of humour and darker tones was effective.
Whilst not being the major box office success some would have liked, The Dead of the Night has been green lit, so thankfully there is more to come in this promising franchise. Despite some awkwardness, there is an energy in the characters and action that permeates Tomorrow When the War Began, making it an entirely gripping experience. For me, this was resonant action that sweeps you up and takes you on an exhilarating and emotionally fulfilling ride.
For those unfamiliar with the material, the concept of is pretty much identical to Red Dawn – a group of teens from a country town go camping for a weekend to find out their country has been invaded, and their family have been held captive. They hide out and guerrilla warfare ensues.
Thematically, the film captures the clichéd 'working together' virtues of friendship corn from the novel. It is definitely in the writing that the film falls down well, more of a stumble than a fall. I found this particularly unusual given the writer/director is Stuart Beattie – a screenwriter with an exceptional resume. He handles action far better than he handles characters in his directorial debut. Despite the ham and cheese in the writing, the broader screenplay is emotionally satisfying.
Whilst the acting is not of the highest calibre, I would say it was on par with other large franchise films with a young, teen cast (specifically Harry Potter and Twi). The actor who plays Lee is the weakest link here. Although he has the visual presence for the role, his delivery is consistently wooden. Caitlyn Stacey was a standout for me. She displays genuine emotion, genuine intensity and fear. I would have preferred if she spoke like less of a 'toff', and ripped into that bogan Aussie accent, but she brings a solid and believable strength.
As well as capturing the essence of the novel, the action sequences have been stunningly realised. The visuals have a polished look and feel, on par with films with a much higher budget (this had only $20AUD million) thus I believe it would stand up well in an international market. By any standards, the action is exhilarating and has been directed with clarity. Although I wouldn't have minded a bit more grit to the imagery, the cinematography is exceptional and captures the Australian landscapes beautifully. The soundtrack and score was nicely chosen, and the balance of humour and darker tones was effective.
Whilst not being the major box office success some would have liked, The Dead of the Night has been green lit, so thankfully there is more to come in this promising franchise. Despite some awkwardness, there is an energy in the characters and action that permeates Tomorrow When the War Began, making it an entirely gripping experience. For me, this was resonant action that sweeps you up and takes you on an exhilarating and emotionally fulfilling ride.
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Tomorrow, When the War Began
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 25 000 000 $AU (estimé)
- Montant brut aux États-Unis et au Canada
- 4 936 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 172 $US
- 26 févr. 2012
- Montant brut mondial
- 16 533 595 $US
- Durée1 heure 44 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was Demain, quand la guerre a commencé (2010) officially released in India in English?
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