La Mère de tous les mensonges

In her film "White Lies", the director tries to draw a picture from her memory to reveal the secrets and worlds of the years of political instability and the political turmoil that accompanied it in the country. The film also reflects the personalities and spirit of the children of the 1990s in Morocco through that image The film is summed up in the end by saying that all the pictures that I browsed About that stage, it disappeared, except for the picture of King Hassan II that remained on the walls. Moroccan director Asmaa says, "For 10 years, I have been researching and collecting documents about that difficult stage, and I wanted that photo to be linked to my photo at school, returning to the difficult stages that the Moroccan street went through.