Ce film suit la vie de la famille Charles, qui aborde les thèmes de l'héritage familial et plus encore, en décidant de ce qu'il faut faire d'un bien de famille, le piano familial.Ce film suit la vie de la famille Charles, qui aborde les thèmes de l'héritage familial et plus encore, en décidant de ce qu'il faut faire d'un bien de famille, le piano familial.Ce film suit la vie de la famille Charles, qui aborde les thèmes de l'héritage familial et plus encore, en décidant de ce qu'il faut faire d'un bien de famille, le piano familial.
- Récompenses
- 14 victoires et 14 nominations
Malik J Ali
- Willie Boy
- (as Malik J. Ali)
Eilan Joseph
- Papa Boy Walter
- (as Hanniel Joseph)
Histoire
Le saviez-vous
- AnecdotesSamuel L. Jackson, John David Washington, Ray Fisher and Michael Potts all starred together in the Broadway production on The Piano Lesson from 2022-2023.
- GaffesWhen Boy Willie is talking about his plans, at one point Doaker places his right hand in front of his chin and the left on the table. However, on the next immediate cut, he has both hands on the table with fingers interlaced.
- ConnexionsRemake of The Piano Lesson (1995)
- Bandes originalesWashington Post 2
Written by John Philip Sousa
Commentaire à la une
Rating - 6.8:
Overall, a film very similar to other August Wilson works, as it uses authentic dialogue and good acting, especially from Danielle Deadwyler, to tell a profound story; but the movie is held back by its amateur filmmaking and inconsistent tone.
Direction - Pretty Bad: The direction on a macroscale feels very amateur and not that well executed; the direction on a microscale is fine as it mimics other August Wilson movies in that it allows the actors to act with minimal intervention, similar to a play; the storytelling is a bit muddy as they did not know what tone they wanted to go with throughout the movie; tension is not built that well because they try to force this horror, ghost story that is not that well executed
Story - Decent: The concept deviates from the original play and makes the movie an unnecessary supernatural ghost story, which kind of hurts the story dealing with the generational trauma from their ancestors; the plot structure is nothing special; the character writing is not that great because they keep introducing many characters and do not do a good job providing them backstory to make you root for them, except for maybe Deadwyler's character
Screenplay - Good: The dialogue is very authentic to the source material and other August Wilson works; the humor is pretty true to other August Wilson works; the symbolism is profound as the whole movie deals with generational trauma this family has dealt with from slavery and racism; the foreshadowing is present but kinda expected
Acting - Pretty Good to Good: Samuel L. Jackson - Good (Feels like he pulls a lot from his experience as an actor in this role, but he does not feel like he is used as much as he should have been), John David Washington - Pretty Good to Good (Plays the lead role decently well, as this character feels like it plays to his strengths as an actor), Ray Fisher - Pretty Bad (Really feels off in comparison to the rest of the cat as his comedic humor feels very forced), Michael Potts - Pretty Good to Good, Erykah Badu - Pretty Good, Skylar Aleece Smith - Pretty Good, Danielle Deadwyler - Very Good (Steals the show in all her scenes as she shows a wide range of emotions and accurately displays a mother trying to hold onto her family and ancestry), Corey Hawkins - Good (Plays his role well and has good chemistry with Deadwyler), Rest of the cast - Pretty Good to Good (The cast as a whole works well together; it was evident that the director let the actors act in a way similar to the play)
Score - Decent: Used decently well throughout the movie; for a movie called 'The Piano Lesson' it would have been great to have at least heard one piano motif throughout the movie, so not having this feels like a wasted opportunity
Cinematography - Pretty Bad: Felt pretty amateur and not that well executed, especailly in the climax
Editing - Pretty Bad: Felt pretty amateur
Sound - Pretty Good: Helps enhance those horror elements
Visual Effects - Pretty Bad: Felt pretty tacky
Production Design - Good: Felt authentic to the time period
Costumes - Good: Felt authentic to the time period
Pacing - Pacing is pretty slow as it tries to mimic the play's pacing
Climax - Climax is chaotic and poorly executed; the ending felt very anticlimactic
Tone - Tone is a big issue for this movie because there never felt like there was a consistent tone as they tried to make this movie both a historical drama and a ghost story; they tried to do a lot of things and couldn't do any of them well
Final Notes - Saw premiere at the Austin Film Festival.
Direction - Pretty Bad: The direction on a macroscale feels very amateur and not that well executed; the direction on a microscale is fine as it mimics other August Wilson movies in that it allows the actors to act with minimal intervention, similar to a play; the storytelling is a bit muddy as they did not know what tone they wanted to go with throughout the movie; tension is not built that well because they try to force this horror, ghost story that is not that well executed
Story - Decent: The concept deviates from the original play and makes the movie an unnecessary supernatural ghost story, which kind of hurts the story dealing with the generational trauma from their ancestors; the plot structure is nothing special; the character writing is not that great because they keep introducing many characters and do not do a good job providing them backstory to make you root for them, except for maybe Deadwyler's character
Screenplay - Good: The dialogue is very authentic to the source material and other August Wilson works; the humor is pretty true to other August Wilson works; the symbolism is profound as the whole movie deals with generational trauma this family has dealt with from slavery and racism; the foreshadowing is present but kinda expected
Acting - Pretty Good to Good: Samuel L. Jackson - Good (Feels like he pulls a lot from his experience as an actor in this role, but he does not feel like he is used as much as he should have been), John David Washington - Pretty Good to Good (Plays the lead role decently well, as this character feels like it plays to his strengths as an actor), Ray Fisher - Pretty Bad (Really feels off in comparison to the rest of the cat as his comedic humor feels very forced), Michael Potts - Pretty Good to Good, Erykah Badu - Pretty Good, Skylar Aleece Smith - Pretty Good, Danielle Deadwyler - Very Good (Steals the show in all her scenes as she shows a wide range of emotions and accurately displays a mother trying to hold onto her family and ancestry), Corey Hawkins - Good (Plays his role well and has good chemistry with Deadwyler), Rest of the cast - Pretty Good to Good (The cast as a whole works well together; it was evident that the director let the actors act in a way similar to the play)
Score - Decent: Used decently well throughout the movie; for a movie called 'The Piano Lesson' it would have been great to have at least heard one piano motif throughout the movie, so not having this feels like a wasted opportunity
Cinematography - Pretty Bad: Felt pretty amateur and not that well executed, especailly in the climax
Editing - Pretty Bad: Felt pretty amateur
Sound - Pretty Good: Helps enhance those horror elements
Visual Effects - Pretty Bad: Felt pretty tacky
Production Design - Good: Felt authentic to the time period
Costumes - Good: Felt authentic to the time period
Pacing - Pacing is pretty slow as it tries to mimic the play's pacing
Climax - Climax is chaotic and poorly executed; the ending felt very anticlimactic
Tone - Tone is a big issue for this movie because there never felt like there was a consistent tone as they tried to make this movie both a historical drama and a ghost story; they tried to do a lot of things and couldn't do any of them well
Final Notes - Saw premiere at the Austin Film Festival.
- cinemapersonified
- 6 nov. 2024
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- How long is The Piano Lesson?Alimenté par Alexa
Détails
- Durée2 heures 5 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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