Un magicien de cirque frustré du Kansas est transporté dans un pays magique appelé Oz, où il devra accomplir une prophétie pour devenir roi, et libérer le pays de vilaines sorcières en utili... Tout lireUn magicien de cirque frustré du Kansas est transporté dans un pays magique appelé Oz, où il devra accomplir une prophétie pour devenir roi, et libérer le pays de vilaines sorcières en utilisant ses formidables (mais faux) pouvoirs.Un magicien de cirque frustré du Kansas est transporté dans un pays magique appelé Oz, où il devra accomplir une prophétie pour devenir roi, et libérer le pays de vilaines sorcières en utilisant ses formidables (mais faux) pouvoirs.
- Récompenses
- 6 victoires et 31 nominations au total
Abigail Spencer
- May
- (as Abigail Leigh Spencer)
Histoire
Le saviez-vous
- AnecdotesThe Tin Man is the only one of Dorothy's three companions in Le Magicien d'Oz (1939) not to be directly referenced in this film. The Tinkers are a loose reference to the Tin Man, written in for this adaptation. A Quadling also says that he can work with iron.
- GaffesWhen Oz and Theodora flee from the crash site, Theodora's boots are flat; moments later, when he boosts her into the cave, the boots have high heels.
- Crédits fousThe opening credits are seen in a 1930s nickelodeon, with certain credits having their own qualities:
- James Franco's credit appears in a puff of smoke
- Mila Kunis' credit appears alongside a couple dancing (whose shadow turns into that of the Wicked Witch)
- Rachel Weisz's credit is held by monkeys
- Michelle Williams' credit is contained within a bubble
- Zach Braff's credit appears with a puppet of Finley
- the make-up credits Greg Nicotero and Howard Bergman are seen with an eye mask
- VFX supervisor Scott Stokdyk's credit is seen within an optical illusion
- composer Danny Elfman's credit is seen with a trumpet
- the costume designers' credits are seen fitting clothes on an elephant
- production designer Robert Stromberg's credit is seen in China Town
- cinematographer Peter Deming's credit is seen with the projector
- the screenwriters' credit is seen within a tornado
- and director Sam Raimi's credit is seen within a crystal ball.
- Versions alternativesThe film was also shown in 3D. Some shots displaying 3D effects are exclusive to the 3D version, being altered or removed in the 2D cut.
- ConnexionsFeatured in Fantástico: Épisode datant du 17 février 2013 (2013)
- Bandes originalesAlmost Home
Performed by Mariah Carey
Written by Simone Porter, Justin Gray, Lindsey Ray, Tor Erik Hermansen (as Tor Erik Hermansen), Mikkel Storleer Eriksen (as Mikkel Eriksen), and Mariah Carey
Produced by Mariah Carey and Stargate for 45th & 3rd Music LLC
Courtesy of Island Records
Commentaire à la une
Oz the Great and Powerful is, although admittedly very imperfect, a grand, colourful and often immersive adventure.
As usual, Sam Raimi's energy shines in the action and horror, with the Dutch tilts and sudden zoom ins bringing a sense of camp and unease into the tension. The flying monkeys brought back the trauma from the original in such an overkill fashion where their terror is mostly concealed and portrayed in silhouette until around the halfway mark. James Franco as Oz was a surprisingly good fit, with him able to pull off portraying a sympathetic con-man. Although portrayed mostly through CGI, the land of Oz looks dazzling most of the time, and then there are a few times where it looks distractingly too glamorous and over-polished. Make-up and costumes are mostly on point, harkening back to the aesthetic of the original with more modern capabilities, although the same could be said with a lot of other aspects of the film.
Although the CGI is used to great effect in many ways throughout the movie, it eventually ends up feeling a bit overused, especially in the final battle between two of the witches. The story revolving around how certain characters from the original film behaved before the events of that film ranged from feeling plausible to almost downright silly. Oz as the con-man was a good connection to the deceptive yet humble wizard in the original, yet the portrayal of the wicked Witch of the West as a heartbroken, temper-tamtrum-a-minute villain with an obsessive relationship to the wizard just doesn't feel like it matches up with the purely maniacal and unhinged character from the original. Each of the romantic aspects of the movie come off as weird fan-fiction where I feel like it just doesn't work. Sometimes a few of the actors looked like their heart wasn't really in it either.
Overall, though not particularly an amazing prequel, it's a technically impressive one with a good cast, decent story and great direction.
As usual, Sam Raimi's energy shines in the action and horror, with the Dutch tilts and sudden zoom ins bringing a sense of camp and unease into the tension. The flying monkeys brought back the trauma from the original in such an overkill fashion where their terror is mostly concealed and portrayed in silhouette until around the halfway mark. James Franco as Oz was a surprisingly good fit, with him able to pull off portraying a sympathetic con-man. Although portrayed mostly through CGI, the land of Oz looks dazzling most of the time, and then there are a few times where it looks distractingly too glamorous and over-polished. Make-up and costumes are mostly on point, harkening back to the aesthetic of the original with more modern capabilities, although the same could be said with a lot of other aspects of the film.
Although the CGI is used to great effect in many ways throughout the movie, it eventually ends up feeling a bit overused, especially in the final battle between two of the witches. The story revolving around how certain characters from the original film behaved before the events of that film ranged from feeling plausible to almost downright silly. Oz as the con-man was a good connection to the deceptive yet humble wizard in the original, yet the portrayal of the wicked Witch of the West as a heartbroken, temper-tamtrum-a-minute villain with an obsessive relationship to the wizard just doesn't feel like it matches up with the purely maniacal and unhinged character from the original. Each of the romantic aspects of the movie come off as weird fan-fiction where I feel like it just doesn't work. Sometimes a few of the actors looked like their heart wasn't really in it either.
Overall, though not particularly an amazing prequel, it's a technically impressive one with a good cast, decent story and great direction.
- Kademan-02092005
- 17 mai 2024
- Permalien
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Oz, el poderoso
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 215 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 234 911 825 $US
- Week-end de sortie aux États-Unis et au Canada
- 79 110 453 $US
- 10 mars 2013
- Montant brut mondial
- 493 311 825 $US
- Durée2 heures 10 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant