Un magicien de cirque frustré du Kansas est transporté dans un pays magique appelé Oz, où il devra accomplir une prophétie pour devenir roi, et libérer le pays de vilaines sorcières en utili... Tout lireUn magicien de cirque frustré du Kansas est transporté dans un pays magique appelé Oz, où il devra accomplir une prophétie pour devenir roi, et libérer le pays de vilaines sorcières en utilisant ses formidables (mais faux) pouvoirs.Un magicien de cirque frustré du Kansas est transporté dans un pays magique appelé Oz, où il devra accomplir une prophétie pour devenir roi, et libérer le pays de vilaines sorcières en utilisant ses formidables (mais faux) pouvoirs.
- Récompenses
- 6 victoires et 31 nominations au total
Abigail Spencer
- May
- (as Abigail Leigh Spencer)
Histoire
Le saviez-vous
- AnecdotesThe Tin Man is the only one of Dorothy's three companions in Le Magicien d'Oz (1939) not to be directly referenced in this film. The Tinkers are a loose reference to the Tin Man, written in for this adaptation. A Quadling also says that he can work with iron.
- GaffesWhen Oz and Theodora flee from the crash site, Theodora's boots are flat; moments later, when he boosts her into the cave, the boots have high heels.
- Crédits fousThe opening credits are seen in a 1930s nickelodeon, with certain credits having their own qualities:
- James Franco's credit appears in a puff of smoke
- Mila Kunis' credit appears alongside a couple dancing (whose shadow turns into that of the Wicked Witch)
- Rachel Weisz's credit is held by monkeys
- Michelle Williams' credit is contained within a bubble
- Zach Braff's credit appears with a puppet of Finley
- the make-up credits Greg Nicotero and Howard Bergman are seen with an eye mask
- VFX supervisor Scott Stokdyk's credit is seen within an optical illusion
- composer Danny Elfman's credit is seen with a trumpet
- the costume designers' credits are seen fitting clothes on an elephant
- production designer Robert Stromberg's credit is seen in China Town
- cinematographer Peter Deming's credit is seen with the projector
- the screenwriters' credit is seen within a tornado
- and director Sam Raimi's credit is seen within a crystal ball.
- Versions alternativesThe film was also shown in 3D. Some shots displaying 3D effects are exclusive to the 3D version, being altered or removed in the 2D cut.
- ConnexionsFeatured in Fantástico: Épisode datant du 17 février 2013 (2013)
- Bandes originalesAlmost Home
Performed by Mariah Carey
Written by Simone Porter, Justin Gray, Lindsey Ray, Tor Erik Hermansen (as Tor Erik Hermansen), Mikkel Storleer Eriksen (as Mikkel Eriksen), and Mariah Carey
Produced by Mariah Carey and Stargate for 45th & 3rd Music LLC
Courtesy of Island Records
Commentaire à la une
A con man is transported to the Land of Oz, where he is mistaken for the wizard prophesied to save them.
This is definitely somewhat of a disappointment. It is a pale imitation of the 1939 original, which at times it seems to be a prequel to, however, there are major inconsistencies that seem to rule this out. It's also this kind of awkward middle ground between something only meant for children and a more intelligent complex film. Still, there are positives. A lot of the time, the CGI is convincing. Every so often, there will be a sequence where 1 or more people will move from one place to another(walk, run, fly, be chased) and we'll get a good look at the beautiful country that it's set in. And there are many scenes of actual real people having conversations where only the background is fake. I'm talking eye contact, they play off each other, the whole nine yards.
The acting of James Franco and Mila Kunis is a major problem. They are both talented, but woefully miscast. Don't get me wrong, the amazing performances of Michelle Williams and Rachel Weisz help pick up the slack. Meanwhile, our lead is simply not completely convincing. Zach Braff proved surprisingly funny, and Joey King remarkably emotional, as the two companions created by special effects. A lot of the time they do feel like they're really there. It helps that the actors were both on set delivering their lines. The best thing about this is almost definitely the camera work and general visual style of Sam Raimi.
I recommend this only to the biggest fans of the director and franchise. 6/10.
This is definitely somewhat of a disappointment. It is a pale imitation of the 1939 original, which at times it seems to be a prequel to, however, there are major inconsistencies that seem to rule this out. It's also this kind of awkward middle ground between something only meant for children and a more intelligent complex film. Still, there are positives. A lot of the time, the CGI is convincing. Every so often, there will be a sequence where 1 or more people will move from one place to another(walk, run, fly, be chased) and we'll get a good look at the beautiful country that it's set in. And there are many scenes of actual real people having conversations where only the background is fake. I'm talking eye contact, they play off each other, the whole nine yards.
The acting of James Franco and Mila Kunis is a major problem. They are both talented, but woefully miscast. Don't get me wrong, the amazing performances of Michelle Williams and Rachel Weisz help pick up the slack. Meanwhile, our lead is simply not completely convincing. Zach Braff proved surprisingly funny, and Joey King remarkably emotional, as the two companions created by special effects. A lot of the time they do feel like they're really there. It helps that the actors were both on set delivering their lines. The best thing about this is almost definitely the camera work and general visual style of Sam Raimi.
I recommend this only to the biggest fans of the director and franchise. 6/10.
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- 29 avr. 2022
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Oz, el poderoso
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 215 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 234 911 825 $US
- Week-end de sortie aux États-Unis et au Canada
- 79 110 453 $US
- 10 mars 2013
- Montant brut mondial
- 493 311 825 $US
- Durée2 heures 10 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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