The Dictator
- 2012
- Tous publics
- 1h 23min
L'histoire héroïque d'un dictateur qui a risqué sa vie afin d'assurer que la démocratie ne viendrait jamais dans le pays qu'il oppressait avec tant d'amour.L'histoire héroïque d'un dictateur qui a risqué sa vie afin d'assurer que la démocratie ne viendrait jamais dans le pays qu'il oppressait avec tant d'amour.L'histoire héroïque d'un dictateur qui a risqué sa vie afin d'assurer que la démocratie ne viendrait jamais dans le pays qu'il oppressait avec tant d'amour.
- Récompenses
- 1 victoire et 1 nomination au total
John C. Reilly
- Clayton
- (non crédité)
Nazanin Homa
- Virgin Guard
- (as Naz Homa)
Dawn Jackson
- Virgin Guard
- (as Dawn Zimniak)
Histoire
Le saviez-vous
- AnecdotesThe mock-Arabic language that Aladeen (Sacha Baron Cohen) and Nadal (Jason Mantzoukas) speak on the helicopter tour is actually Hebrew.
- GaffesAt 09:40 (After leaving the nuclear research campsite), A Waving Spanish Flag can be found on the top of the palace instead of Wadiyan Flag.
- Citations
General Aladeen: [to his pregnant wife] Are you having a boy or an abortion?
- Crédits fousIn loving memory of Kim Jong-il
- Versions alternativesUnrated version - 99mins
- ConnexionsFeatured in The Tonight Show with Jay Leno: Épisode #20.126 (2012)
- Bandes originalesWala Ala Baloh
Written by Khaled Ezz, Mohamed Refahy & Mohamed Rahem
Performed by Amr Diab (as Amir Diab)
Courtesy of EMI Music Arabia
Under License from EMI Film & Television Music
Commentaire à la une
The non-stop jokes, off-color humor, slapstick and under 90 minute running time of "The Dictator" hearkens back to early Woody Allen gems like "What's Up Tiger Lily," "Take The Money and Run," "Bananas," and "Love and Death. And, in the world of comedy, that's quite a compliment.
Like Cohen, Allen's first films were often misunderstood. Some folks just did not get the joke. Many still don't get it today. The object of comedy has always been to take down the high and mighty by whatever means necessary. And, if you happen to be a Middle Eastern despot, you will find much to be offended by here. But, as Allen often did as well, Cohen uses racial and gender stereotypes to shine a light on people's attitudes, and that's likely to put off others as well. That's fine. Some comedy just isn't for everyone.
While his writing style owes much to Allen, his acting chops are also influenced heavily by one of Britain's greatest comics, Peter Sellers. You can see it in his outrageous accents and in his ridiculous pratfalls. Like Sellers, Cohen is fearless in his characterizations and, again, like Sellers, there will be those who will take offense in this. Again, not for everyone. But, if you laughed your butt off at Sellers' simpleton Indian character destroying a Hollywood party, you will be laughing here too.
And that's what we're talking about; laughs. Not every joke works. Many fall flat. But the film starts off fast and furious with a rapid succession of gags, most of which work hilariously, settles down for a bit and then takes off again, literally. His verbal sparring with co-star Jason Mantzoukas is one of the highlights as are many of the fun cameo appearances and a running joke about his name that I will not reveal here. There are many great sight gags that are easily missed and the appearance of his Efawadh character at the U.N. channels a scene right out of Allen's "Sleeper." There's a few scatological and sex jokes also (one about excrement, one about urination, one about masturbation, several about body parts), and these, if you ask me, are the low point of the film (except a child birth scene that's as funny as it is outrageous). But, the bodily fluid gags, so rampant in comedy films today, are actually few and far between. And there's a bit of a message, too.
We're not dealing with "Citizen Kane" here. But, then, this film made me laugh much more.
Like Cohen, Allen's first films were often misunderstood. Some folks just did not get the joke. Many still don't get it today. The object of comedy has always been to take down the high and mighty by whatever means necessary. And, if you happen to be a Middle Eastern despot, you will find much to be offended by here. But, as Allen often did as well, Cohen uses racial and gender stereotypes to shine a light on people's attitudes, and that's likely to put off others as well. That's fine. Some comedy just isn't for everyone.
While his writing style owes much to Allen, his acting chops are also influenced heavily by one of Britain's greatest comics, Peter Sellers. You can see it in his outrageous accents and in his ridiculous pratfalls. Like Sellers, Cohen is fearless in his characterizations and, again, like Sellers, there will be those who will take offense in this. Again, not for everyone. But, if you laughed your butt off at Sellers' simpleton Indian character destroying a Hollywood party, you will be laughing here too.
And that's what we're talking about; laughs. Not every joke works. Many fall flat. But the film starts off fast and furious with a rapid succession of gags, most of which work hilariously, settles down for a bit and then takes off again, literally. His verbal sparring with co-star Jason Mantzoukas is one of the highlights as are many of the fun cameo appearances and a running joke about his name that I will not reveal here. There are many great sight gags that are easily missed and the appearance of his Efawadh character at the U.N. channels a scene right out of Allen's "Sleeper." There's a few scatological and sex jokes also (one about excrement, one about urination, one about masturbation, several about body parts), and these, if you ask me, are the low point of the film (except a child birth scene that's as funny as it is outrageous). But, the bodily fluid gags, so rampant in comedy films today, are actually few and far between. And there's a bit of a message, too.
We're not dealing with "Citizen Kane" here. But, then, this film made me laugh much more.
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- El dictador
- Lieux de tournage
- Plaza de España, Seville, Andalucía, Espagne(Palace of Wadiya exterior scenes)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 65 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 59 650 222 $US
- Week-end de sortie aux États-Unis et au Canada
- 17 435 092 $US
- 20 mai 2012
- Montant brut mondial
- 179 379 533 $US
- Durée1 heure 23 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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