L'histoire d'une famille de vacanciers au Thailande lors de la déstruction et les séquelles catastrophiques du tsunami dans l'Océan Indien en 2004.L'histoire d'une famille de vacanciers au Thailande lors de la déstruction et les séquelles catastrophiques du tsunami dans l'Océan Indien en 2004.L'histoire d'une famille de vacanciers au Thailande lors de la déstruction et les séquelles catastrophiques du tsunami dans l'Océan Indien en 2004.
- Nommé pour 1 Oscar
- 28 victoires et 70 nominations au total
Histoire
Le saviez-vous
- AnecdotesThe scene where the tsunami hits the resort could only be filmed once. It would have cost too much money to rebuild the set.
- GaffesWhen Daniel meets with his father, he says in Swedish - "vad tung du är Johan (how heavy you are, Johan)" instead of the character's name Daniel. This is because the real name of the character Daniel, is Johan, and it's his real father Jan.
- Citations
[first lines]
Title Card: On December 26th, 2004, the deadliest tsunami on record hit the South East Coast of Asia. The lives of countless families all over the world changed forever. This is the true story of one of those families.
- Crédits fousThe title and the rest of the credits do not appear until the end of the film. The only credits that appear at the beginning are the production companies' logos and an explanation of how the Tsunami came about.
- Versions alternativesThere are two versions, the general theatrical release, and a slightly edited cut released in China. The different runtimes are, respectively, "1h 54m (114 min)" and "1h 53m (113 min) (China)".
- ConnexionsFeatured in The Tonight Show with Jay Leno: Épisode #21.55 (2012)
- Bandes originalesIylm
Composed and Performed by For Fiesta
Voice by Lluís Segura (as Lluís Segura)
Guitar by Marc Prades
Solo Guitar by Marc Gómez del Moral
Bass by David Gallart
Drums by Bernat Vilaplana
Commentaire à la une
Disaster films have an odd reputation, often merely dismissed as popcorn fodder, so it's strange to have a film billed as such but to put character and drama over spectacle. Then again, as it's based on a true story, it's probably unfair to label 'The Impossible' as such a movie because the plight of the characters is at its heart throughout the entire duration. Perhaps this film is best described as a family drama with elements of disaster, then.
The Boxing Day tsunami was one of those events that put our lives into perspective, and the film achieves the same feat. Ewan McGregor and Naomi Watts play the parents of three children who decide to spend an exotic Christmas in Thailand. Suitcases are unpacked, presents are exchanged, but the sense of impending disaster is overwhelmingly unsettling. When the inevitable does happen, the following 15 minutes are intense, realistic and terrifying; an onslaught of terrific practical effects and incredible sound design. However, after that concentrated outburst, the drama shifts down a gear to a more intimate, personal level, which is no less frightful.
That is why this film shines; it's about the smaller picture. By focusing on the survival of this one family rather than the scale of the event itself, a better, and more human, representation of the disaster is displayed. The performances from the central cast are nothing short of spectacular, especially Tom Holland, who carries the film for a hefty chunk of the running time with a gravitas that many older actors would fail to achieve.
Many criticisms have been made in the press about the anglicisation of the story; in reality, the family was Spanish. To me, that seemed to be a decision to globalise this story to the maximum amount of people, a decision that was warranted in my eyes. Thus, the main issue with the film was the score to be unnecessarily overriding in certain scenes, adding an unwanted sentimentality to the film. The scenes which worked best were confrontational, uncompromising and, you guessed it, without a swelling orchestra. Nevertheless, this is a minor gripe considering that this is a film where tears are wholeheartedly justified.
My Blog - Celluloid Ramblings . blogspot. co . uk
The Boxing Day tsunami was one of those events that put our lives into perspective, and the film achieves the same feat. Ewan McGregor and Naomi Watts play the parents of three children who decide to spend an exotic Christmas in Thailand. Suitcases are unpacked, presents are exchanged, but the sense of impending disaster is overwhelmingly unsettling. When the inevitable does happen, the following 15 minutes are intense, realistic and terrifying; an onslaught of terrific practical effects and incredible sound design. However, after that concentrated outburst, the drama shifts down a gear to a more intimate, personal level, which is no less frightful.
That is why this film shines; it's about the smaller picture. By focusing on the survival of this one family rather than the scale of the event itself, a better, and more human, representation of the disaster is displayed. The performances from the central cast are nothing short of spectacular, especially Tom Holland, who carries the film for a hefty chunk of the running time with a gravitas that many older actors would fail to achieve.
Many criticisms have been made in the press about the anglicisation of the story; in reality, the family was Spanish. To me, that seemed to be a decision to globalise this story to the maximum amount of people, a decision that was warranted in my eyes. Thus, the main issue with the film was the score to be unnecessarily overriding in certain scenes, adding an unwanted sentimentality to the film. The scenes which worked best were confrontational, uncompromising and, you guessed it, without a swelling orchestra. Nevertheless, this is a minor gripe considering that this is a film where tears are wholeheartedly justified.
My Blog - Celluloid Ramblings . blogspot. co . uk
- CelluloidRamblings
- 4 janv. 2013
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Lo imposible
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 45 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 19 019 882 $US
- Week-end de sortie aux États-Unis et au Canada
- 143 818 $US
- 23 déc. 2012
- Montant brut mondial
- 198 087 212 $US
- Durée1 heure 54 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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