The Artist
- 2011
- Tous publics
- 1h 40min
Une star de cinéma égocentrique se met en relation avec un jeune danseur sur fond de l'ère du silence à Hollywood.Une star de cinéma égocentrique se met en relation avec un jeune danseur sur fond de l'ère du silence à Hollywood.Une star de cinéma égocentrique se met en relation avec un jeune danseur sur fond de l'ère du silence à Hollywood.
- Récompensé par 5 Oscars
- 162 victoires et 204 nominations au total
Elizabeth Tulloch
- Norma
- (as Bitsie Tulloch)
Nina Siemaszko
- Admiring Woman
- (as Nina Siemazko)
Best Picture Winners by Year
Best Picture Winners by Year
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Histoire
Le saviez-vous
- AnecdotesJean Dujardin became the first-ever French actor to win a Best Actor Academy Award when he won an Oscar® for this film.
- GaffesA fire due to burning cellulose nitrate film would have produced a lot of toxic gas. George likely would have died from smoke inhalation long before the dog could have gotten the policeman to come to his rescue.
- Citations
Doris: I'm unhappy.
George Valentin: So are millions of us.
- Crédits fousThe opening credits are in the style of the 1920s and 1930s, complete with technical credits shown the way they were then.
- ConnexionsFeatured in Ebert Presents: At the Movies: Épisode #1.18 (2011)
- Bandes originalesEstancia OP.8
(Alberto Ginastera))
Conducted by Ernst van Tiel (as Ernst Van Tiel)
Performed by Brussels Philharmonic (as Brussels Philharmonic - The Orchestra of Flanders)
©Boosey & Hawkes c/o Editions Durand/Universal
(p) 2011 La Petite Reine
Courtesy of Universal Music Vision
Commentaire à la une
The Artist is a well-made if not particularly involving homage to the silent films of the 1920s. The film itself looks beautiful, and makes interesting use of its lack of sound. However, the story lacks interest, and is as clichéd as the silent films it pays tribute to.
The artist of the title is George Valentin, a silent film star caught in a loveless marriage to a petulant starlet. He gives a jump start to the career of actress Peppy Miller after kissing her at a premiere. However, he soon finds his stardom dwarfed by hers after the debut of talkies and losing his fortune in the stock market collapse.
The film is at its best when it plays with the whole concept of silent movies. The most impressive example is a dream sequence conveying the transition from silent to sound movies. Valentin dreams that his word, previously filled with a silent movie soundtrack, now consumed by overly loud background sounds. This may be the first time in cinematic history in which a dog's bark has conveyed the shift of an entire world.
Unfortunately, the film also suffers from one of the major flaws of silent films in general. Because of the lack of dialogue, The Artist ultimately has a simplistic story with largely one dimensional characters. To a large extent, the plot mimics that of A Star Is Born, focusing on a famous performer ultimately surpassed by his protégé. As a result, the film is boring and predictable.
Furthermore, the film emulates the least interesting of the silent movies. Rather than focusing on the more experimental films that characterized the early years of silent movies, such as The Cabinet of Dr. Caligari and D. W. Griffith's work, it looks at the making of genre films. Given that The Artist, by its very nature, is aimed at film buffs with an extensive set of references, one would think they would give attention to more interesting films.
Still, the film's cast does a lot, particularly given the lack of dialogue. Penelope Ann Miller gives Valentin's harpy wife as much dimension as one can to such a one note character. John Goodman is also good as a dictatorial producer.
The artist of the title is George Valentin, a silent film star caught in a loveless marriage to a petulant starlet. He gives a jump start to the career of actress Peppy Miller after kissing her at a premiere. However, he soon finds his stardom dwarfed by hers after the debut of talkies and losing his fortune in the stock market collapse.
The film is at its best when it plays with the whole concept of silent movies. The most impressive example is a dream sequence conveying the transition from silent to sound movies. Valentin dreams that his word, previously filled with a silent movie soundtrack, now consumed by overly loud background sounds. This may be the first time in cinematic history in which a dog's bark has conveyed the shift of an entire world.
Unfortunately, the film also suffers from one of the major flaws of silent films in general. Because of the lack of dialogue, The Artist ultimately has a simplistic story with largely one dimensional characters. To a large extent, the plot mimics that of A Star Is Born, focusing on a famous performer ultimately surpassed by his protégé. As a result, the film is boring and predictable.
Furthermore, the film emulates the least interesting of the silent movies. Rather than focusing on the more experimental films that characterized the early years of silent movies, such as The Cabinet of Dr. Caligari and D. W. Griffith's work, it looks at the making of genre films. Given that The Artist, by its very nature, is aimed at film buffs with an extensive set of references, one would think they would give attention to more interesting films.
Still, the film's cast does a lot, particularly given the lack of dialogue. Penelope Ann Miller gives Valentin's harpy wife as much dimension as one can to such a one note character. John Goodman is also good as a dictatorial producer.
- TheExpatriate700
- 2 janv. 2012
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Beauty Spot
- Lieux de tournage
- Bradbury Building - 304 S. Broadway, Downtown, Los Angeles, Californie, États-Unis(Kinograph studio staircase)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 44 671 682 $US
- Week-end de sortie aux États-Unis et au Canada
- 204 878 $US
- 27 nov. 2011
- Montant brut mondial
- 133 471 171 $US
- Durée1 heure 40 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.33 : 1
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