Ajouter une intrigue dans votre langueWerner Herzog gains exclusive access to film inside the Chauvet caves of Southern France and captures the oldest known pictorial creations of humanity.Werner Herzog gains exclusive access to film inside the Chauvet caves of Southern France and captures the oldest known pictorial creations of humanity.Werner Herzog gains exclusive access to film inside the Chauvet caves of Southern France and captures the oldest known pictorial creations of humanity.
- Récompenses
- 12 victoires et 21 nominations au total
- Interpreter
- (voix)
- (non crédité)
- Narrator (French version)
- (voix)
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesAccording to cinematographer Peter Zeitlinger in his talk at the Berlinale Talents 2015, the first 20 minutes of the film are shot with two GoPro Hero cameras taped side-to-side (one upside down), because at the time of shooting no 3D-system small enough for the cave shoot was available. The rest of the film was shot on professional, higher-quality 2k 3D-cameras with follow-focus, when they later became available.
- Citations
Werner Herzog: In a forbidden recess of the cave, there's a footprint of an eight-year-old boy next to the footprint of a wolf. Did a hungry wolf stalk the boy? Or did they walk together as friends? Or were their tracks made thousands of years apart? We'll never know.
- ConnexionsFeatured in Ebert Presents: At the Movies: Épisode #1.15 (2011)
- Bandes originalesRockshelter
With special permission from the culture ministry and only a few hours per day, Herzog takes a non-professional 3-D camera and a few scientists and crew into the cave, which was sealed by a landslide some 20, 000 years ago and therefore in pristine shape. So careful are the French that they plan to construct a theme park with exact reproduction of the Cave in order to satisfy the public's natural interest in seeing the drawings but yet keep them from spoiling the treasures with their breaths.
3-D aids appreciation of the curvatures of the caves and the rich dimensions of the drawings, about 400 of them, and the cave-bear fossils and scratches. Ernst Reijseger's understated orchestration complements the lyrical and mysterious world that Herzog's voice cradles.
Because no one is allowed to walk outside the small walkway and few humans will ever enter, an eerie Egyptian tomb-like atmosphere pervades, captured by Herzog's pensive, wistful ruminations about mankind. For the director of such eccentric films as Aguirre: The Wrath of God and Fitzcarraldo, both about mysteriously powerful humans, and similarly the documentary Grizzly, about an odd bear lover, this film is evidence of the filmmaker's wide-ranging zest for the inscrutable spiritual roots of secular achievement and madness.
Of course, there's the romantic take by the French scientists and narrator Herzog, who all describe hearing the voices of these ancient homo-sapien artists echo in the chambers. Herzog's inscrutable post script, perfectly in character with this out-there director involves nuclear reactors, warm water, and thriving alligators. When you figure out his meaning of the doppelganging albino alligators, write me with your answer, for I'm still trying to figure it out.
Meanwhile, Cave of Forgotten Dreams is a superior documentary with the right combination of visual clarity and authorial insight to make everlastingly memorable the forgotten dreams of our ancestors and ourselves.
- JohnDeSando
- 11 mai 2011
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- How long is Cave of Forgotten Dreams?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Cave of Forgotten Dreams
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 5 304 920 $US
- Week-end de sortie aux États-Unis et au Canada
- 139 101 $US
- 1 mai 2011
- Montant brut mondial
- 8 183 347 $US
- Durée1 heure 30 minutes
- Couleur
- Mixage