Ready Player One
- 2018
- Tous publics
- 2h 20min
Quand meurt le créateur d'un monde de réalité virtuelle appelé OASIS, ce dernier publie une vidéo dans laquelle il défie tous les utilisateurs d'OASIS de trouver son oeuf de Pâques. Le vainq... Tout lireQuand meurt le créateur d'un monde de réalité virtuelle appelé OASIS, ce dernier publie une vidéo dans laquelle il défie tous les utilisateurs d'OASIS de trouver son oeuf de Pâques. Le vainqueur héritera de toute sa fortune.Quand meurt le créateur d'un monde de réalité virtuelle appelé OASIS, ce dernier publie une vidéo dans laquelle il défie tous les utilisateurs d'OASIS de trouver son oeuf de Pâques. Le vainqueur héritera de toute sa fortune.
- Nommé pour 1 Oscar
- 11 victoires et 57 nominations au total
Histoire
Le saviez-vous
- AnecdotesIn an interview, Steven Spielberg said this was the third most difficult movie he has made in his career, behind Les Dents de la mer (1975) and Il faut sauver le soldat Ryan (1998).
- GaffesParzival doesn't count to 3 before throwing the Holy Hand Grenade, as depicted in Monty Python : Sacré Graal ! (1975). In that film, King Arthur counts "One, two, five," is corrected, and shouts "Three!" before throwing the grenade. However, these instructions are never specified in the Oasis so there is no particular reason to expect them to match the Monty Python version.
- Crédits fousThe title doesn't appear till about 10 minutes into the movie
- ConnexionsFeatured in Kain's Quest: The Terminator (2017)
- Bandes originalesJump
Written by David Lee Roth, Edward Van Halen and Alex Van Halen
Performed by Van Halen
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Music Group Film & TV Licensing
Commentaire à la une
Ernest Cline's fast-moving novel was a treasure trove for pop-culture junkies, but the endless references work better on the screen.
The year is 2045; the place is Columbus, Ohio. Our hero, Wade Watts, fills in the details while climbing past his grungy homes of his town, "the stacks," where trailer parks are piled on top of each other sky-high. Things are so miserable in Wade's world, everyone escapes to play in an immersive virtual reality game known as the Oasis. Its founder, James Halliday is worshipped like a god until his death some years before. However, before he left the mortal world, the creator left behind a series of games that would reward the winner with the prize of the keys to his virtual kingdom.
The book was a fast paced adventure that took its time to geek out on all of the 80's pop culture references but the film doesn't do that. . Spielberg doesn't have Wade (the titular character) talk audiences through it, and he doesn't spell out the references, he just quickly stamps down the Delorean in the middle of a action sequence and then continues onward. Fans can pause it frame by frame and analyse it thoroughly looking for the flux capacitor on the dashboard, checking the plates, and scanning for extra bonus material. Even to people who've never seen the Back to the Future movies and aren't vibing on the connection, the car doesn't need explaining. It's just a sleek piece of visual energy, one breathless element among dozens of others. That's why the movie works better than the books in terms of visual style and nostalgia.
The thin plot and the not so well done shallow characters make the film to be just a pop culture reference filled visual treat. Several plot holes( If movement is required to move an avatar in the game, how do people play in the Oasis while standing in their living rooms?) and a non-existent character arc makes it a fun, but a tangible watch. They're all already heroes, the big bad is evil from start to finish.
The story's breakneck speed, it's never ending references, make it a fun, exciting watch.
The year is 2045; the place is Columbus, Ohio. Our hero, Wade Watts, fills in the details while climbing past his grungy homes of his town, "the stacks," where trailer parks are piled on top of each other sky-high. Things are so miserable in Wade's world, everyone escapes to play in an immersive virtual reality game known as the Oasis. Its founder, James Halliday is worshipped like a god until his death some years before. However, before he left the mortal world, the creator left behind a series of games that would reward the winner with the prize of the keys to his virtual kingdom.
The book was a fast paced adventure that took its time to geek out on all of the 80's pop culture references but the film doesn't do that. . Spielberg doesn't have Wade (the titular character) talk audiences through it, and he doesn't spell out the references, he just quickly stamps down the Delorean in the middle of a action sequence and then continues onward. Fans can pause it frame by frame and analyse it thoroughly looking for the flux capacitor on the dashboard, checking the plates, and scanning for extra bonus material. Even to people who've never seen the Back to the Future movies and aren't vibing on the connection, the car doesn't need explaining. It's just a sleek piece of visual energy, one breathless element among dozens of others. That's why the movie works better than the books in terms of visual style and nostalgia.
The thin plot and the not so well done shallow characters make the film to be just a pop culture reference filled visual treat. Several plot holes( If movement is required to move an avatar in the game, how do people play in the Oasis while standing in their living rooms?) and a non-existent character arc makes it a fun, but a tangible watch. They're all already heroes, the big bad is evil from start to finish.
The story's breakneck speed, it's never ending references, make it a fun, exciting watch.
- CobertNeede
- 13 mars 2018
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Ready Player One: comienza el juego
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 175 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 137 715 350 $US
- Week-end de sortie aux États-Unis et au Canada
- 41 764 050 $US
- 1 avr. 2018
- Montant brut mondial
- 607 874 422 $US
- Durée2 heures 20 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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