When I stumbled upon this 2022 movie titled "4 Horsemen: Apocalypse", I have to admit that I was immediately drawn to the movie's cover/poster. It looked really good. But at the same time I had that voice at the back of my head going 'low budget disaster movie'. But as this movie from writers Geoff Meed, Lauren Pritchard and Joe Roche, being a movie that I hadn't already seen, of course I opted to watch it.
And when I saw the two dreaded words, The Asylum, pop up on the screen, then expectations went from some to none. Yeah, The Asylum isn't really known for the top notch movies, though they do have some fair enough movies among their catalogue.
Truth be told, then "4 Horsemen: Apocalypse" embodied everything that summarizes The Asylum; amazingly dubious and stupid storyline, natural disasters that seem to single in on a small group of people, questionable CGI effects, rigid acting, overly predictable storyline. So yeah, at least you know what you are getting here. But "4 Horsemen: Apocalypse" is a bad movie, a really, really bad movie.
The storyline in "4 Horsemen: Apocalypse" was just laughably bad. And it simply amazes me that three writers could collectively put together such a heap of rubbish, and presumably not even one went 'wait a minute, this is just out of control'. In fact, I would actually go as far as saying that "4 Horsemen: Apocalypse" is a top contender for being one of the worst movies from The Asylum.
I wasn't familiar with the cast ensemble in the movie, aside from Dominique Swain. And truth be told, then it is just very difficult to take her serious in the role of a military officer. And her wooden performance in "4 Horsemen: Apocalypse" just didn't help win me over.
Now, "4 Horsemen: Apocalypse" is a natural disaster movie of sorts, so of course having proper special effects and CGI is crucial. But the special effects in "4 Horsemen: Apocalypse" were a disaster in themselves, even for a movie from The Asylum then this was bad.
My rating of "4 Horsemen: Apocalypse" lands on a one out of ten stars.